Y2K Fashion Has Taken Over. And Gen Z Is Loving It

Yasmeen Bekhit, a 22-year-old graduate student, holds her Y2K-inspired bag while posing for a photograph near her home in Manheim, Pa., Tuesday, June 27, 2023. (AP)
Yasmeen Bekhit, a 22-year-old graduate student, holds her Y2K-inspired bag while posing for a photograph near her home in Manheim, Pa., Tuesday, June 27, 2023. (AP)
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Y2K Fashion Has Taken Over. And Gen Z Is Loving It

Yasmeen Bekhit, a 22-year-old graduate student, holds her Y2K-inspired bag while posing for a photograph near her home in Manheim, Pa., Tuesday, June 27, 2023. (AP)
Yasmeen Bekhit, a 22-year-old graduate student, holds her Y2K-inspired bag while posing for a photograph near her home in Manheim, Pa., Tuesday, June 27, 2023. (AP)

First came the supposed death of skinny jeans. Then, the resurgence of cargo pants, halter tops and baby tees.

If there’s one thing retailers can agree on, it’s that Gen Z is hot for the early 2000s fashion trends now booming in popularity.

College interns and young workers are donning wide-legged slacks at the office. The claw clip, a retro hair staple, is back; as are mesh tops, miniskirts and a host of colorful apparel that can make consumers look like they stepped out of a Disney Channel show from 2004.

Fueled by social media platforms including TikTok, the so-called Y2K trend resurfaced as consumers began attending parties and going out after pandemic lockdowns. What began with hair accessories like butterfly clips and the comeback of straight-leg jeans has expanded to all-denim garments, cargo and flare pants and everything shiny, among other looks.

Casey Lewis, a New York trend analyst, noted so many micro trends — often tagged with the suffix “core” — cranked up in the past few years that she created a newsletter about them.

Think “Barbiecore” and “mermaidcore,” which highlight the hot pink reminiscent of Mattel Inc.'s Barbie doll or sheer materials with ocean-like hues and sequins. There's also “coastal granddaughter,” the youthful update that evolved from the “coastal grandmother” trend featuring oversized cardigans and linen sets.

“Gen Z is not even close to being done revisiting these old trends,” said Lewis, whose “After School” newsletter documents youth consumer behavior. “They are going to dig into every weird trend from way back when and bring it back.”

Retailers from high-end Nordstrom to discounters and fast fashion outlets are pushing the styles in campaigns and on shelves. And consumers seem to be eating it up.

Sales of women’s cargo pants jumped 81% from January to May, the latest month of available data, according to Circana, which tracks retail purchases. Low-cost fashion chains H&M and Zara say they’re seeing success with biker jackets, denim garments and crop tops. And Chinese fast-fashion retailer Shein, which markets to young women, said its baby tee sales have tripled this year, making them by far the hottest t-shirt style of 2023.

The company also is seeing a big jump in sales of flared pants, corset tops, metallic-colored clothing and women's track suits, which are often made from bright velour fabric reminiscent of some wardrobe choices by socialite Paris Hilton at the height of her popularity.

Style watchers classify it as part of the McBling era, which overlaps with Y2K but emphasizes flashier items personified by brands like Juicy Couture and Baby Phat, the iconic streetwear line by TV personality and designer Kimora Lee Simmons, which relaunched in 2019.

As always, trends are fueled by celebrities like model Bella Hadid, whose outfit choices are analyzed by fashion magazines and other on-lookers. Style also bubbles up directly from consumers via social media, challenging retailers accustomed to runway shows setting the tone.

“There’s not a year advanced notice that these trends are going to trickle down,” said Kristen Classi-Zummo, an analyst who covers fashion apparel for Circana.

Retailers, including Macy’s and Walmart, said they are paying closer attention to what pops up on social sites and analyzing topics searched by users. But it can be challenging to recognize the difference between trends that just generate attention versus those shoppers will actually buy, said Jake Bjorseth, who runs trndsttrs, an agency helping companies reach young consumers.

Alison Hilzer, Walmart editorial director for fashion apparel, said she's also seeing a lot of micro trends. Some have more longevity than others, making it challenging to figure out when to jump on them.

The discounter, which is marketing Y2K inspired cargo pants and Barbiecore, has been speeding up development to get trends to market faster, though the company declined to offer more specific details. Walmart also is following key influencers such as Alix Earle, who has collaborated with A-listers including Selena Gomez.

Despite retailers catering to young consumers, many aren't really buying. Instead, they are wearing items from each others' closets, helping fuel a resale market that has tripled since 2020, according to research by Boston Consulting Group and Vestiare Collective, a French luxury resale site. Affordability was the primary driver, but shoppers also bought used items to be more planet-friendly.

Yasmeen Bekhit, a 22-year-old graduate student in Manheim, Pennsylvania, said she frequents a local thrift shop almost every week and shops at resale sites like Depop, which offers Y2K-heavy options such as baguette bags and baggy jeans.

Bekhit typically gravitates toward looser, flowy pants, flare-legged jeans and tighter shirts like mesh tops, which help her stay cooler in the summer while wearing a hijab. She's inspired by the way former Disney Channel stars like Gomez and Hilary Duff used to style themselves, she said.

Popular TikTok influencer Aliyah Bah, who amassed more than 2.5 million followers showcasing her Y2K-inspired look known as “Aliyahcore,” also inspires Bekhit. The look is a bit more alternative, often featuring miniskirts or shorts matched with crop tops, fishnet stockings and furry knee-high boots.

“I really love her way of styling outfits,” Bekhit said.

But for everyday, Bekhit said she typically looks up outfit ideas on social media and puts her own twist on them.

Retro hair also is making a splash. Tahlya Loveday, a master stylist at the The Drawing Room New York Salon, said she has seen a lot more '90s and Y2K trends, like spiky updos and space buns, bouncy blow-dried looks and block coloring, where sections of hair are colored in contrasting colors. Gen Z clients embrace those looks more than millennials, she said.

“For Gen Z, this is all new to them,” Circana’s Classi-Zummo said. “They’re really not reliving it. So while we might see it as something that’s cyclical and coming back, they’re kind of getting it for the first time.”



Invited to the Met Gala, Nothing to Wear? Hint: Find Yourself a ‘Superfine’ Suit

 Designs by Jacques Agbobly, left, and Jeffrey Banks, intended for the upcoming Costume Institute exhibit, “Superfine: Tailoring Black Style," appear in the installation room at the Metropolitan Museum of Art in New York on March 20, 2025. (AP)
Designs by Jacques Agbobly, left, and Jeffrey Banks, intended for the upcoming Costume Institute exhibit, “Superfine: Tailoring Black Style," appear in the installation room at the Metropolitan Museum of Art in New York on March 20, 2025. (AP)
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Invited to the Met Gala, Nothing to Wear? Hint: Find Yourself a ‘Superfine’ Suit

 Designs by Jacques Agbobly, left, and Jeffrey Banks, intended for the upcoming Costume Institute exhibit, “Superfine: Tailoring Black Style," appear in the installation room at the Metropolitan Museum of Art in New York on March 20, 2025. (AP)
Designs by Jacques Agbobly, left, and Jeffrey Banks, intended for the upcoming Costume Institute exhibit, “Superfine: Tailoring Black Style," appear in the installation room at the Metropolitan Museum of Art in New York on March 20, 2025. (AP)

What’s in a suit?

According to curators busy prepping the newest Met Gala exhibit, a whole lot more than tailoring: history, culture, identity, power and, most of all, self-expression.

“Superfine: Tailoring Black Style,” this year’s spring show at the Metropolitan Museum of Art’s Costume Institute, will be launched as usual by the star-packed Met Gala a few nights earlier, on May 5. It’s the first Met show to focus exclusively on Black designers, and the first in more than 20 years to have a menswear theme.

As always, the exhibit inspires the gala dress code, and this year’s — “Tailored For You” — makes clear that guests are invited to be as creative as possible within the framework of classic tailoring.

In other words, expect a lot of great suits.

“Everything from Savile Row to a track suit,” quipped guest curator Monica L. Miller, a Barnard College professor of Africana studies, considering the versatility of a suit. She sat recently in a conference room at the Met with photos and notes plastered on the walls. She was in the middle of writing descriptive labels for the more than 200 items in the show — an exhaustive (and exhausting) task.

The suit, Miller said, “represents so many things.” And tailoring, she added, is a very intimate process.

“It’s not just about getting a suit that fits you physically,” Miller said, “but, what do you want to express that night?

It was Miller’s 2009 book, “Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity,” that inspired the show and led Andrew Bolton, curator of all the blockbuster Costume Institute shows, to bring her in as guest curator. The show uses dandyism as a lens through which to explore the formation of Black style over the years.

“Dandyism was about pushing boundaries,” Miller said.

Behind her, a section of wall was devoted to each of the 12 themes that divide the exhibit: Ownership, presence, distinction, disguise, freedom, champion, respectability, jook, heritage, beauty, cool and cosmopolitanism.

The early sections will begin with the 18th century and focus more on historical artifacts, with later sections looking at the 20th century and beyond. In addition, each section will begin with historic garments, accessories or photographs, and end with contemporary fashion.

Getting the first look at all this, on the traditional first Monday in May, will be a high-powered crowd from the worlds of entertainment, fashion, sports and beyond. Gala co-chairs this year are musician-designer Pharrell Williams, Formula 1 star Lewis Hamilton, actor Colman Domingo and rapper A$AP Rocky; NBA superstar LeBron James is honorary chair.

If that weren't enough star power, this year, there's an additional host committee with athletes like Simone Biles and Jonathan Owens, Hollywood figures like Spike Lee and Ayo Edebiri, musicians like Janelle Monáe and André 3000, author Chimamanda Ngozi Adichie and other artists, playwrights and fashion figures.

They and other guests will be free to tour the exhibit before the lavish dinner begins. This year, exquisitely tailored celebrities will examine other examples of exquisite tailoring — as well as historical artifacts like a horse jockey uniform worn between 1830 and 1840.

In an installation room late last month, a museum staffer worked painstakingly on restoring those jockey trousers, a pin cushion at the ready. Near her, two items were already hanging on mannequins. One was a classic Jeffrey Banks suit from 1987, a double-breasted jacket and trousers paired with a dapper plaid wool coat, the ensemble finished off with a light pink tie.

“See how the coat and suit play off each other,” noted Miller.

Next to it was a very different kind of suit — a denim jacket and trousers embellished throughout with beads — by a far less widely known designer: Jacques Agbobly, whose Brooklyn-based label aims to promote Black, queer and immigrant narratives as well as his own Togolese heritage.

The show makes a point, Miller said, of highlighting designers who are well known and others who are not, including some from the past who are anonymous. It will veer across not only history but also class, showing garments worn by people in all economic categories.

Because there are not many existing garments worn or created by Black Americans before the latter part of the 19th century, Miller said, the early part of the show fills out the story with objects like paintings, prints, some decorative arts, film and photography.

Among the novelty items: The “respectability” section includes civil rights activist W.E.B. Du Bois’ receipts for laundry and tailoring. “He’d go to Paris and London, he would visit tailors and have suits made there,” she said.

And the “jook” section includes a film clip of the tap-dancing Nicholas Brothers — who in 1943's “Stormy Weather” produced one of the most astounding dance numbers ever to appear on film.

“We wanted to show people moving in the clothes,” Miller explained. “A fashion exhibit is frustrating because you don't see people in the clothes.”

Miller wondered aloud whether there might be a stretch material in the pair’s tuxedos (they perform multiple splits coming down a staircase). She also noted that the tuxedo, like the suit in general, is a garment that cuts across social categories. “If you are at a formal event the people serving are also in tuxedos, and sometimes the entertainment is in tuxedos, too,” she said.

“It's a conversation about class and gender.”

The exhibit opens to the public on May 10 and runs through Oct. 26.