Siriano Marks 15 Years in Business with Sia Singing and a Sparkling Ballet Fantasy

The Christian Siriano collection is modeled during Fashion Week, Friday, Sept. 8, 2023, in New York. (AP)
The Christian Siriano collection is modeled during Fashion Week, Friday, Sept. 8, 2023, in New York. (AP)
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Siriano Marks 15 Years in Business with Sia Singing and a Sparkling Ballet Fantasy

The Christian Siriano collection is modeled during Fashion Week, Friday, Sept. 8, 2023, in New York. (AP)
The Christian Siriano collection is modeled during Fashion Week, Friday, Sept. 8, 2023, in New York. (AP)

Christian Siriano marked 15 years in business Friday with Sia performing on his runway and a nostalgic, ballet-inspired fantasy on his models during New York Fashion Week.

“I feel really proud of everything we’ve done,” he told The Associated Press backstage. “All the amazing people we’ve dressed and helped feel confident about themselves.”

It wouldn’t be a Siriano milestone without longtime muse Coco Rocha sashaying down the runway in something dramatic. This time, it was at a luxury New York landmark hotel, The Pierre, and this time, she wore a frothy pink ballet gown adorned with multicolored paillettes as her hair swung freely and Sia peeked out from behind a huge white wig topped with a pink bow.

And it wouldn’t be a Siriano show without a starry front row. Janet Jackson, Quinta Brunson, Kesha, Rosie Perez, Laura Linney and Avril Lavigne were among his guests.

In a way, Siriano went back to his roots. Among his earliest inspirations was his sister, who was a ballet dancer. He rolled out leotard- and tutu-inspired touches and a dose of strong black to go with a range of sparklers, from gold-and-copper ombre in ballgowns and suits to huge champagne-colored sleeves and necks on sleek and mini party frocks.

“It’s a very ballet, ballerina-inspired collection, kind of like where I grew up,” Siriano said. “Me and my sister backstage in costumes, hair and makeup, seeing all the black warm ups and then into this sugar plum fairy dream world. That’s what I wanted to show, the restrictive dark side of ballet into the really magical fantasy world, which is kind of what I fell in love with in clothes, actually.”

He also wanted something for everyone, including his plus-size customers represented by the plus-size models he has embraced for years.

“I still love the fantasy,” Siriano said, “which I think is why I love doing a show. Maybe I wouldn’t do a show if it wasn’t exciting and fantasy for me. It’s a lot of money to just put some jeans and a T-shirt down the runway.”



Chloé Collection Goes with the Flow as Kamali Flaunts the Blouse at Paris Fashion Week

 Models present creations by Chloé for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Paris Fashion Week, in Paris on March 6, 2025. (AFP)
Models present creations by Chloé for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Paris Fashion Week, in Paris on March 6, 2025. (AFP)
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Chloé Collection Goes with the Flow as Kamali Flaunts the Blouse at Paris Fashion Week

 Models present creations by Chloé for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Paris Fashion Week, in Paris on March 6, 2025. (AFP)
Models present creations by Chloé for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Paris Fashion Week, in Paris on March 6, 2025. (AFP)

If any one piece defines Chloé under Chemena Kamali, it’s the blouse. Billowy, ruffled, effortless, and deeply romantic, it captured the essence of her third collection for the house at Paris Fashion Week.

Kamali’s Chloé woman moves through time, referencing history but never stuck in it, just like the women who sat in the front row, Jerry Hall and Georgia May Jagger, icons of past and present Chloé cool.

Chloé has long been a house that champions women, both in its design ethos and leadership. While some major womenswear brands continue to be helmed by men, Chloé has laudably remained a platform for female designers, shaping fashion through their perspective. German-born Kamali, now three collections in, continues to refine her vision within that tradition.

This season, blouses weren’t just a focal point, they were the foundation. Cut in ivory and peach silk, some had commanding sleeves and meaty cuffs that gave them the oomph of jackets. Wide-legged, low-slung trousers paired with gold logo belts nodded to a familiar boho ease, while slip dresses—cut on the bias in soft pastels—skirted the line between languid and sensual. Fur-trimmed quilted coats and Victorian-style heirloom jackets layered over plunging Henley knits injected a tougher, more urban edge. Accessories followed suit, with oversized charm-laden handbags and thick logo belts lending an opulent contrast to the collection’s airy silhouettes.

“As I started working on this collection, I felt that moving forward is just as important as honoring the past,” Kamali said. “It is about continuing to explore, to redefine and to evolve the Chloé woman’s state of mind.”

The show setting was simple but expansive, with soft lighting casting a glow over a muted green carpet, keeping the focus on the clothes.

Some may feel the collection flirted with excess, but Kamali sees complexity as intrinsic to the Chloé woman. “She embodies complexity and is not defined by a single identity,” she said. “She is multifaceted, emotionally charged, and rich with nuance.”

The designer continues to push Chloé into the future while staying grounded in its essence.

“Chloé embodies a unique balance of soft strength, blending natural femininity, sensuality, and lightness with independence and freedom,” she explained. “For me, the Chloé woman feels real, and that honesty and connection resonate deeply.”

Maybe it is just the blouse. But for Kamali, it’s also about the woman who wears it.