Far From Home, Ukrainian Designers Showcase Fashion Created Amid Air Raid Sirens

A model presents a creation by Ksenia Schnaider during the Ukraine Fashion Week presentation of London Fashion Week in London, Britain, 19 September 2023. London Fashion Week runs 15 to 19 September 2023.  EPA/NEIL HALL
A model presents a creation by Ksenia Schnaider during the Ukraine Fashion Week presentation of London Fashion Week in London, Britain, 19 September 2023. London Fashion Week runs 15 to 19 September 2023. EPA/NEIL HALL
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Far From Home, Ukrainian Designers Showcase Fashion Created Amid Air Raid Sirens

A model presents a creation by Ksenia Schnaider during the Ukraine Fashion Week presentation of London Fashion Week in London, Britain, 19 September 2023. London Fashion Week runs 15 to 19 September 2023.  EPA/NEIL HALL
A model presents a creation by Ksenia Schnaider during the Ukraine Fashion Week presentation of London Fashion Week in London, Britain, 19 September 2023. London Fashion Week runs 15 to 19 September 2023. EPA/NEIL HALL

For Ksenia Schnaider and her fellow Ukrainian fashion designers, the show must go on despite the war in their country — or precisely because of it.
For much of the past year, Schnaider and her team of seamstresses toiled away in their Kyiv studio, crafting her new collection of designer denim and luxury daywear even as air raid sirens, drone attacks and power cuts took over their lives and made production almost impossible to continue, The Associated Press reported.
Schnaider, 39, fled Ukraine with her husband and young daughter when Russia invaded her country in 2022. They found a temporary home with a British family in a peaceful corner of southern England. But she hasn’t put down the fashion business she founded 12 years ago, and continues to divide her time between the UK and Kyiv, where all her garments are still being made against the odds.
“My team needs this sense of normality — they told me they want to go to work and have something to do, to support each other, rather than staying home hiding,” she added. “We want to show the world we don’t give up.”
On Tuesday she and two other Ukrainian fashion designers showcased their latest creations in a joint catwalk show at London Fashion Week, which is adopting Ukraine Fashion Week for the second time this year as the war drags on and Ukraine’s fashion industry has nowhere to call home.
At the finale, they took their bows wearing a Ukrainian flag signed by soldiers from three different military units. Some of those men have died since signing the flags, she said.
It’s a poignant moment that the designer both looked forward to and dreaded because it’s so emotionally overwhelming.
“It’s very hard ... but of course, it is important to show our unity. We’re not competitors anymore, we’re all united in working for our victory,” she said.
Since the start of the war, more than 60 Ukrainian fashion brands have showcased their wares in cities including London and New York to “create, in contrast to the destruction brought by Russian aggression,” according to Iryna Danylevska, the founder and head of Ukrainian Fashion Week.
“Ukraine continues to live. Ukraine breathes, fights and creates,” reads a note found on every seat at Tuesday's catwalk display. “Our London Fashion Week runway show is another chance to speak to the world about the value of freedom and the price that must be paid for it.”
Schnaider, who has dressed celebrities including Dua Lipa, wonders how they keep going. "But for me, it’s important to keep producing in Ukraine, to support its people, its economy.”
The catwalk may seem a million miles from the battlefield, but fashion is just one of many facets of a huge national effort to keep the world talking about Ukraine and raise funds and awareness for what its people are going through, AP said.
Another Ukrainian designer, Ivan Frolov, brought the flag of United24, President Volodymyr Zelenskyy's official fundraising platform, to his fashion show in London's swanky Bulgari Hotel on Saturday.
Frolov, who has shot up in prominence after Beyoncé chose his theatrical designs for her recent “Renaissance” tour and her Dubai concert, knows the power of a celebrity fashion moment and how that could help Ukraine's cause.
“For me, fashion is not only about the clothes — it's like a very powerful media platform that can sometimes spread messages better than any other industry,” said Frolov, 29.
For his latest show, black and white footage of old-time Ukrainian singers and historic video of Kyiv in bloom in the summer served as a backdrop for a collection of barely-there dresses, lavish silk and lace gowns and corsets encrusted with crystals.
Frolov acknowledged the seeming incongruity between his romantic vision and the war ravaging his country.
“It's a big challenge, to continue to do my work in the same moment when our soldiers are dying every day on the front line,” he said.
“We cry every day, and we continue to sew evening gowns for celebrities and for our clients. Of course we are waiting for victory for Ukraine, when we can wear these gowns,” he added. “But right now this is the only way we can show how strong we are. Ukraine is a young and beautiful country with big talents."
To bring home just how challenging the conditions have been for producing her clothes, Schnaider has attached special labels to every finished piece. Her customers can scan the label with their mobile phones to hear an air raid siren sound.
When war broke out Schnaider had a team of about 50. About 20 remain, some staffing her central Kyiv shop, others packaging, producing and shipping her garments to customers. When the sirens blast, her team puts down their tools and runs for shelter. Work would be interrupted for hours, or for the whole day.
Last winter was especially tough when electricity would be cut to just two hours per day, she said. She and her colleagues would try to cram all the work and daily tasks into those precious hours, before going home to “sit in the cold and in complete darkness.”
“It was very depressing, but we kept going, and we were joking it was the best time management," she said.
Other workers and small businesses in Kyiv are as determined as she is to keep normalcy going, she said.
“In the coffee shops, the mornings after the drone attacks, everyone would say ‘let’s drink more coffee' and swear at Russia,” Schnaider said. “They are all like ‘let’s do it, let's get back to work.'"



Elie Saab Unveils Luxurious Safari Chic Spring Collection in Paris

 Models wear creations as part of the Elie Saab Spring/Summer 2025 collection presented Saturday, Sept. 28, 2024, in Paris. (AP)
Models wear creations as part of the Elie Saab Spring/Summer 2025 collection presented Saturday, Sept. 28, 2024, in Paris. (AP)
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Elie Saab Unveils Luxurious Safari Chic Spring Collection in Paris

 Models wear creations as part of the Elie Saab Spring/Summer 2025 collection presented Saturday, Sept. 28, 2024, in Paris. (AP)
Models wear creations as part of the Elie Saab Spring/Summer 2025 collection presented Saturday, Sept. 28, 2024, in Paris. (AP)

Lebanese designer Elie Saab unveiled his spring collection on Saturday at Paris’ Palais de Tokyo, elevating the concept of safari chic to luxurious while keeping the camp firmly in check.

Here are some highlights of Saturday's ready-to-wear collections:

Elie Saab takes us on a sultry journey

Saab’s collection blew away any expectations of colonial nostalgia, just like the harmattan gusts he drew inspiration from. Instead, what we got was a mesmerizing journey through the African savannah that felt fresh, vibrant, and completely devoid of tired clichés. This was no ordinary safari chic—Saab took the concept and injected it with his signature luxury, letting it roar in all the right ways while keeping the camp firmly in check.

Right from the start, Saab showed he wasn’t afraid to play with the safari staples—but with a twist. Safari suits, reimagined as roomy linen separates and sleek crepe jumpsuits, traded their usual khaki for the blazing red of fireball lilies, moody elephant gray, and the ochre dust of West Africa. It was a palette that brought the raw, natural beauty of the continent to life without falling into the predictable tropes. These looks weren’t the romanticized garb of the intrepid explorer; they were effortlessly chic, perfectly fitted for today’s cosmopolitan adventurer.

Then came the raffia—oh, the raffia! Saab worked magic with this plant fiber, weaving it into low-slung skirts and minidresses with faint bubble hems that felt light and breezy, yet utterly luxurious. It also made an appearance as fern embroideries on floor-grazing tulle gowns, adding texture and depth that felt delightfully organic. It was these delicate, thoughtful touches that took this collection beyond just a thematic exercise and elevated it to something exquisite.

Hermes’ gentle geometry

Vanhee-Cybulski’s Hermes collection reimagined spring with a palette of warm golden beiges and earthy autumnal hues, a bold choice that immediately set the collection apart. Gentle geometry shaped the garments — myriad squares and architectural forms that fused seamlessly with Hermes signature minimalism. This interplay was reinforced by the striking wooden backdrop, enhancing the atmosphere of sophisticated restraint.

Vanhee-Cybulski leaned into a refined sensuality with sheer mesh trousers that transformed at a flick of a zip and featherweight leather jackets that seemed almost ethereal. These pieces paired athletic ease with luxury, demonstrating her skill in blending delicacy with bold, structured shapes. Utilitarian details, like buckled belts and boxy, pocket-laden shirts, underscored the collection’s grounding in practicality, even amid its more daring expressions of sensuality.

Throughout, Vanhee-Cybulski captured the lightness that spring calls for—luxurious reinterpretations of Hermes’ iconic silk scarves, transformed into breezy shirtdresses and rompers, embodied a carefree spirit ready for sunlit escapes. Warm neutrals dominated, echoing a feeling of being sun-soaked, while her activewear-inspired pieces conveyed a relaxed, summer-ready attitude without compromising on elegance.

The footwear, always a standout for Hermes, carried this ethos further. Sleek riding boots offered a solid foundation to the collection’s grounded luxury, while clog sandals brought a playful, modern twist.

Westwood's controlled chaos

Vivienne Westwood’s spirit lived on in Paris this season, as Andreas Kronthaler brought a masterful interplay of rebellion, history, and glam rock energy to the runway. The spring collection opened with sparkling pants paired with a silky blue bodice, a nod to the late designer’s love of bold, unexpected contrasts—a brilliant start that practically screamed rock ‘n’ roll chic. Kronthaler clearly hasn’t lost his taste for the dramatic, diving headfirst into the kind of fierce, confrontational style that made Westwood an icon.

A giant silver chain, dangling almost absurdly to the model’s knees, set the tone: a clear statement of raw, unapologetic power, in course with the punk ethos of the 80s that still courses through this house’s veins. And there, of course, were the signature Westwood suits and Grecian-style draped dresses—classic shapes that carried a dynamic energy and timeless rebellion, reminiscent of the archival references that have defined Kronthaler’s tenure. These silhouettes bore the same sense of timeless radicalism seen in Kronthaler’s reinterpretations of Westwood’s personal wardrobe last fall, where each garment seemed to transcend fleeting trends.

Clashing checks—a staple of the Westwood lexicon—made their mark, giving the collection an urban, gritty edge that felt distinctly true to the house’s rebellious spirit.

Whimsy had its moment in the shape of a giant tulle headpiece, soaring high and embodying an ’80s bridal punk vision—a dizzying height of contradiction that no one but Westwood’s house could make look so irreverently sophisticated. This playful chaos echoed past seasons, where Kronthaler has embraced an eclectic mishmash of themes—from historical doublets to modern macramé cloaks. This time, however, there was a sense of restraint. It was a more controlled affair, one that saw Kronthaler tightening his narrative, perhaps reflecting a shift toward emotional homage rather than spectacle alone.