Far From Home, Ukrainian Designers Showcase Fashion Created Amid Air Raid Sirens

A model presents a creation by Ksenia Schnaider during the Ukraine Fashion Week presentation of London Fashion Week in London, Britain, 19 September 2023. London Fashion Week runs 15 to 19 September 2023.  EPA/NEIL HALL
A model presents a creation by Ksenia Schnaider during the Ukraine Fashion Week presentation of London Fashion Week in London, Britain, 19 September 2023. London Fashion Week runs 15 to 19 September 2023. EPA/NEIL HALL
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Far From Home, Ukrainian Designers Showcase Fashion Created Amid Air Raid Sirens

A model presents a creation by Ksenia Schnaider during the Ukraine Fashion Week presentation of London Fashion Week in London, Britain, 19 September 2023. London Fashion Week runs 15 to 19 September 2023.  EPA/NEIL HALL
A model presents a creation by Ksenia Schnaider during the Ukraine Fashion Week presentation of London Fashion Week in London, Britain, 19 September 2023. London Fashion Week runs 15 to 19 September 2023. EPA/NEIL HALL

For Ksenia Schnaider and her fellow Ukrainian fashion designers, the show must go on despite the war in their country — or precisely because of it.
For much of the past year, Schnaider and her team of seamstresses toiled away in their Kyiv studio, crafting her new collection of designer denim and luxury daywear even as air raid sirens, drone attacks and power cuts took over their lives and made production almost impossible to continue, The Associated Press reported.
Schnaider, 39, fled Ukraine with her husband and young daughter when Russia invaded her country in 2022. They found a temporary home with a British family in a peaceful corner of southern England. But she hasn’t put down the fashion business she founded 12 years ago, and continues to divide her time between the UK and Kyiv, where all her garments are still being made against the odds.
“My team needs this sense of normality — they told me they want to go to work and have something to do, to support each other, rather than staying home hiding,” she added. “We want to show the world we don’t give up.”
On Tuesday she and two other Ukrainian fashion designers showcased their latest creations in a joint catwalk show at London Fashion Week, which is adopting Ukraine Fashion Week for the second time this year as the war drags on and Ukraine’s fashion industry has nowhere to call home.
At the finale, they took their bows wearing a Ukrainian flag signed by soldiers from three different military units. Some of those men have died since signing the flags, she said.
It’s a poignant moment that the designer both looked forward to and dreaded because it’s so emotionally overwhelming.
“It’s very hard ... but of course, it is important to show our unity. We’re not competitors anymore, we’re all united in working for our victory,” she said.
Since the start of the war, more than 60 Ukrainian fashion brands have showcased their wares in cities including London and New York to “create, in contrast to the destruction brought by Russian aggression,” according to Iryna Danylevska, the founder and head of Ukrainian Fashion Week.
“Ukraine continues to live. Ukraine breathes, fights and creates,” reads a note found on every seat at Tuesday's catwalk display. “Our London Fashion Week runway show is another chance to speak to the world about the value of freedom and the price that must be paid for it.”
Schnaider, who has dressed celebrities including Dua Lipa, wonders how they keep going. "But for me, it’s important to keep producing in Ukraine, to support its people, its economy.”
The catwalk may seem a million miles from the battlefield, but fashion is just one of many facets of a huge national effort to keep the world talking about Ukraine and raise funds and awareness for what its people are going through, AP said.
Another Ukrainian designer, Ivan Frolov, brought the flag of United24, President Volodymyr Zelenskyy's official fundraising platform, to his fashion show in London's swanky Bulgari Hotel on Saturday.
Frolov, who has shot up in prominence after Beyoncé chose his theatrical designs for her recent “Renaissance” tour and her Dubai concert, knows the power of a celebrity fashion moment and how that could help Ukraine's cause.
“For me, fashion is not only about the clothes — it's like a very powerful media platform that can sometimes spread messages better than any other industry,” said Frolov, 29.
For his latest show, black and white footage of old-time Ukrainian singers and historic video of Kyiv in bloom in the summer served as a backdrop for a collection of barely-there dresses, lavish silk and lace gowns and corsets encrusted with crystals.
Frolov acknowledged the seeming incongruity between his romantic vision and the war ravaging his country.
“It's a big challenge, to continue to do my work in the same moment when our soldiers are dying every day on the front line,” he said.
“We cry every day, and we continue to sew evening gowns for celebrities and for our clients. Of course we are waiting for victory for Ukraine, when we can wear these gowns,” he added. “But right now this is the only way we can show how strong we are. Ukraine is a young and beautiful country with big talents."
To bring home just how challenging the conditions have been for producing her clothes, Schnaider has attached special labels to every finished piece. Her customers can scan the label with their mobile phones to hear an air raid siren sound.
When war broke out Schnaider had a team of about 50. About 20 remain, some staffing her central Kyiv shop, others packaging, producing and shipping her garments to customers. When the sirens blast, her team puts down their tools and runs for shelter. Work would be interrupted for hours, or for the whole day.
Last winter was especially tough when electricity would be cut to just two hours per day, she said. She and her colleagues would try to cram all the work and daily tasks into those precious hours, before going home to “sit in the cold and in complete darkness.”
“It was very depressing, but we kept going, and we were joking it was the best time management," she said.
Other workers and small businesses in Kyiv are as determined as she is to keep normalcy going, she said.
“In the coffee shops, the mornings after the drone attacks, everyone would say ‘let’s drink more coffee' and swear at Russia,” Schnaider said. “They are all like ‘let’s do it, let's get back to work.'"



Kamali's Sophomore Show for Chloé in Paris Dazzled with Lightness

Models present creations by Chloe for the Women Ready-to-wear Spring-Summer 2025 collection as part of the Paris Fashion Week, in Paris on September 26, 2024. (Photo by Bertrand GUAY / AFP)
Models present creations by Chloe for the Women Ready-to-wear Spring-Summer 2025 collection as part of the Paris Fashion Week, in Paris on September 26, 2024. (Photo by Bertrand GUAY / AFP)
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Kamali's Sophomore Show for Chloé in Paris Dazzled with Lightness

Models present creations by Chloe for the Women Ready-to-wear Spring-Summer 2025 collection as part of the Paris Fashion Week, in Paris on September 26, 2024. (Photo by Bertrand GUAY / AFP)
Models present creations by Chloe for the Women Ready-to-wear Spring-Summer 2025 collection as part of the Paris Fashion Week, in Paris on September 26, 2024. (Photo by Bertrand GUAY / AFP)

Chemena Kamali’s sophomore collection for Chloé was a luminous exploration of femininity, blending the house’s heritage with a fresh, sensual energy for spring. Set against a backdrop of sun-faded apricots, blushes and soft whites, the Paris collection captured Kamali’s vision of a summer that she surmised as: “when you pause, escape, explore and recharge.” It celebrated Chloé’s free-spirited DNA, infused with a lightness that felt both nostalgic and forward-looking.
According to The Associated Press, here are some highlights of Thursday's shows at Paris Fashion Week, including a French honor for Naomi Campbell:
Kamali's joyful freedom “There’s a liberating expression of total freedom,” Kamali said of her spring display.
This freedom flowed through silk charmeuse gowns, lingerie-inspired crop tops and peek-a-boo designs.
Echoes of Karl Lagerfeld’s '70s Chloé lingered in exaggerated shoulders and standout pieces, like a loose-fitting, vivid blue coat. “Chloé is not a passing moment; it’s an eternal state of mind,” Kamali noted, grounding her collection in the house’s long-standing ethos of optimism and instinct.
Layering played a central role, but Kamali kept it light and intuitive, reflecting what she called a “very personal way of dressing.” Sheer fabrics and sun-worn lace mixed effortlessly with ribbed jerseys, creating looks that felt weightless and spontaneous, a signature of Kamali’s debut collection. “What matters to me is the feeling and intuition,” she said.
A standout moment came in the form of a dramatic trapeze-shaped silk gown, its dynamic silhouette swirling with movement. It epitomized Kamali’s ability to honor Chloé’s romantic roots while infusing a modern sensibility. “The mood is light, weightless, sensual and joyful,” she explained. That joyful freedom was a defining thread from start to finish.
With her second outing, Kamali proved she is the right designer to lead Chloé. She crafted a spring collection that balanced nostalgia and sensuality while pushing the house toward a bright, optimistic future.
Mugler’s Cadwallader takes a bite at fashion

Casey Cadwallader delivered a striking show for Mugler, equal parts theatrical and innovative. The hair, sculpted into harsh fringes like a viper’s fang, set the tone for a collection defined by sharp architectural lines. Curving lapels adorned tight jackets, while tendrils of latticed silk flowed into skirts that bled vibrant yellows, creating a visual spectacle.
The collection boldly embraced femininity, featuring a bust that echoed the form of seashells and a densely packed bustier resembling a diving whale. This daring aesthetic aligns with Cadwallader’s aim to infuse the brand with a fresh energy, moving away from the extravagance that some original Mugler fans long for.
Oversized tubular arms complemented a webbed skirt-coat, while a transparent loose trench evoked the look of a sea medusa, reinforcing Cadwallader’s commitment to pushing boundaries.
Naomi Campbell honored in France amid charity controversy

Iconic British model Naomi Campbell was awarded a prestigious honor in France, being named a knight in the Order of Arts and Letters at the culture ministry for her significant contributions to French culture.
However, this recognition comes as Campbell faces scrutiny back home, having been barred from serving as a charity trustee in England and Wales for five years. This decision follows a three-year investigation into the financial activities of her charity, “Fashion for Relief,” which was found to have been “poorly governed” and lacking in “adequate financial management.”
The Charity Commission, which oversees charities in England and Wales, reported multiple instances of misconduct, revealing that only 8.5% of the charity’s expenditures went to charitable grants over a six-year period from 2016. Notably, the inquiry uncovered that charity funds were misused for Campbell’s luxury hotel stays during events in Cannes, alongside personal expenses such as spa treatments and room service.
In response to a question from the AP, Campbell said, “I’ve just found out today about the findings and I am extremely concerned. We are investigating on our side. I was not in control of my charity; I put the control in the hands of a legal employer. We are investigating to find out what and how, and everything I do and every penny I ever raised goes to charity.”
Alongside Campbell, fellow trustee Bianka Hellmich has been disqualified for nine years after receiving unauthorized payments for consultancy services, while trustee Veronica Chou has been barred for four years. The charity, founded in 2005 to unite the fashion industry in addressing global poverty, was dissolved earlier this year, having raised over $15 million for various causes worldwide.
Despite the controversy, Campbell’s honor in France highlights her lasting impact on the cultural landscape.
Rick Owens enchants with gothic splendor

At Thursday’s show at the Palais de Tokyo, Rick Owens unleashed a captivating spectacle that felt like a dramatic descent into a realm inhabited by gothic aliens. The atmosphere was thick with smoke and suspense as an army of biblical figures marched out in impressive diagonal formations, their asymmetrical knee-high leather boots featuring translucent heels, making each step a statement.
Owens’ trademark angular, alien-like geometric shoulders dominated the runway, capturing the essence of his singular vision—one that merges dark romanticism with avant-garde aesthetics. The collection was a testament to his ability to blend his gothic instincts with a sense of reverent irreverence, reminiscent of the “delicate time” he referenced in previous collections, where beauty and horror coexist.
As the show unfolded, a billowing coven emerged, clad in oversized black priest-like hoods and flowing tulle cloaks that draped elegantly over their forms. Some models donned discreet headscarves, striking a balance between reverence and defiance, perfectly embodying Owens’ commentary on societal norms. This juxtaposition echoes his commitment to inclusivity, presenting a vision of fashion that celebrates diversity while challenging conventional beauty standards.
The intricate craftsmanship used in the collection exemplified Owens’ mastery. Each piece, from the cloaks to the striking silhouettes, invited viewers to appreciate humble fabrics. This aligns with his insistence that he presents “the most excellent aesthetics” possible, recognizing the nuanced interplay between the dark and the light in our world.
While some may find Owens’ aesthetic too avant-garde or even gloomy, this show reaffirmed his position as a provocative force in fashion. The theatricality and elaborate design remind us of his role as one of the last independent designers in Paris, navigating the complexities of the fashion landscape with fierce authenticity.