Dior Triumphs Melding Women’s Past and Future, While Saint Laurent Puts on Study in Power Dressing

A model wears a creation for the Christian Dior Spring/Summer 2024 womenswear fashion collection presented Tuesday, Sept. 26, 2023 in Paris. (AP)
A model wears a creation for the Christian Dior Spring/Summer 2024 womenswear fashion collection presented Tuesday, Sept. 26, 2023 in Paris. (AP)
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Dior Triumphs Melding Women’s Past and Future, While Saint Laurent Puts on Study in Power Dressing

A model wears a creation for the Christian Dior Spring/Summer 2024 womenswear fashion collection presented Tuesday, Sept. 26, 2023 in Paris. (AP)
A model wears a creation for the Christian Dior Spring/Summer 2024 womenswear fashion collection presented Tuesday, Sept. 26, 2023 in Paris. (AP)

Amid the electric ambiance of strobe lights and an usually sweltering Parisian fall, Dior’s show Tuesday set in the Tuileries gardens witnessed a dazzling circus of stars. With Hollywood’s recent writers’ strike still on, insiders mused if Paris Fashion Week would be the season’s celebrity magnet – and the presence of Jennifer Lawrence, Charlize Theron, Elizabeth Debicki, and Kim Jisoo seemed to echo that sentiment.

But the real star this season was the collection itself. Never one to shy away from a statement on feminism, the Italian couturier Maria Grazia Chiuri crafted an unusually subtle collection in predominantly black and white that fused echoes of the medieval and contemporary. Set against an art backdrop challenging time-worn perceptions on women's roles, this show was not only a reminder that fashion is a mirror of society – but among her most accomplished so far.

Here are some highlights of spring-summer 2024 ready-to-wear shows in Paris, including Saint Laurent’s starry study in power dressing.

Dior’s juxtaposition of eras

The atmosphere was charged with palpable anticipation. But even more electric was Chiuri’s dance between the medieval and the 80s punk – the former, an era of chivalry and legends, the latter, an age of defiant self-expression.

The first looks to grace the runway were what might be called “gamine gothic.” The garments, draped in a play of black with cascading tassels, bore dynamic clumps of silk that crafted a silhouette both historic and undeniably fresh. But fashion, much like history, is cyclical, and soon this dark romanticism gave way to stark white interpretations. The result? A nod to the rebellious 80s, evoking memories of punk rockers and their spirited defiance.

But Chiuri didn’t stop at mere clothing. The accessories — from contemporary neck chokers to sometimes-bejeweled leg bands that one might associate with armor — added layers of intrigue. And just when insiders thought that they’d seen the collection’s pièce de resistance, Chiuri surprised with an audacious take: a medieval-inspired bikini in stark black.

While the designs borrowed elements from historical eras, they also encapsulated the spirit and journey of the contemporary woman. The ash and chamomile tones, paired with the evocative use of fabrics, served as metaphors for strength, defiance, and progression.

One gown, with its black medieval lace motif adorning the bust, bore an uncanny resemblance to the head of a charging bull, symbolizing, perhaps, the undying spirit and tenacity of the women Chiuri designs for.

While the couturier’s previous efforts to infuse designs with feminist commentary have sometimes seemed forced, this season finally towed the line between message and subtlety.

Dior’s feminist foray: Chiuri’s runway shines in Tuileries Gardens

Chiuri is steadily gaining renown as perhaps the most politically engaged designer heading up a European fashion powerhouse. In an industry fixated on fleeting aesthetics, Chiuri’s emphasis on deep-rooted feminist activism sets her apart. Tuesday’s show stands as testimony to this.

Chiuri often fuses art with fashion through collaborations with avant-garde artists. Tuesday saw the dynamic Elena Bellantoni taking center stage. Together, the duo unveiled a monumental video installation at the Tuileries Gardens, turning the annex into a glowing canvas of feminist fervor. Towering 7-meter-high LED screens pulsed with vivid yellows and fuchsias, reminiscent of highlighters underscoring vital messages – and used by secretaries the world over. Iconography and cheeky slogans, provoked thought while inciting VIPs to capture the moment.

Powerful Saint Laurent show steals the night

“It’s like a fashion shoot,” exclaimed Kate Moss, standing arm in arm with Demi Moore, as flashes lit up the scene beneath the Eiffel Tower. This star-studded Tuesday evening was not just about celebrity allure; it was a powerful testament to house founder Yves Saint Laurent ’s enduring mission of empowering women.

Designer Anthony Vaccarello channeled the audacious spirit of boundary-breakers like Amelia Earhart and Adrienne Bolland, offering a collection that oozed authority and elegance.

The 70s safari-inspired ensembles, from khaki trenches to strong shoulders, reinforced this message of strength — and sometimes, aggression. Amplifying this stance was a soundtrack reminiscent of The Godfather’s.

Black head caps paired with trailing 70s scarves, flashy oversized earrings, and armfuls of gold bracelets conveyed unbridled opulence.

The collection’s pieces, whether showcasing “powerful” upturned collars or dominant spike heels, were a study in power dressing.

With earthy tones of olive, maroon, and sand playing out in fabrics like cotton and linen, the balance between strength and elegance was maintained throughout.

Baz Luhrmann, accompanied by his “Elvis” actor Austin Butler, and other luminaries watched as Vaccarello’s vision unfolded, integrating elements from the masculine that were feminine in spirit.

Peter Do’s Parisian parade: A testament to craft

When most of Paris Fashion Week revels in razzle-dazzle, one designer chose to let his clothes take the spotlight sans the spectacle. Enter Peter Do, the New York prodigy who, with his Paris debut, redefined modern minimalism and returned the focus to pure design.

A palette dominated by neutrals with unexpected bursts of lipstick red set the tone, while the clothes themselves spoke understated luxury. Whether it was a filmy deconstructed trench coat, a ribbed turtleneck with detachable sleeves, or those impeccably tailored trousers, every piece was crafted.

It’s not just the clothes, but Do’s entire philosophy that stands out. This spirit was evident in this collection, where traditional boundaries seemed blurred and clothing, irrespective of gender labels, made a powerful statement.

And as the curtains fell at the Palais de Tokyo, the audience was sent an unusually brief but impactful message in the show notes: “This season, we want our work to speak for itself. Love, The Peter Do Team.”

Vaquera’s sartorial commentary on stardom!

Vaquera’s was a vivid portrayal of the celebrity phenomenon. The inaugural look featured a model draped in a see-through fishnet body stocking, her gaze masked by sunglasses, conjuring images of a star evading paparazzi, highlighting the allure and its invasiveness of fame.

Designers Patric DiCaprio and Bryn Taubensee, themselves ironically donning eye-shielding A-lister sunglasses, tapped into the theme of ceaseless scrutiny in an era of omnipresent cameras. Their designs were a reflection on celebrity and the fashion industry that amplifies, and at times, shields it.

Vaquera, known for challenging conventions, didn’t disappoint. A dramatically oversized white parachute shirt was paired with a surreal 4-meter striped tie. In a world where every celebrity move is amplified, the brand explored if attire could ever be too grand or statement-making. The designs further examined the notion of exposure, with pieces revealing bra straps and undergarments.



Luxury Fashion Betting on Designer Reshuffles Faces Tricky Road ahead

A model presents a creation by the creative studio of fashion house Chanel as part of their Fall/Winter 2025-2026 Women's ready-to-wear collection show during Paris Fashion Week in Paris, France, March 11, 2025. REUTERS/Sarah Meyssonnier
A model presents a creation by the creative studio of fashion house Chanel as part of their Fall/Winter 2025-2026 Women's ready-to-wear collection show during Paris Fashion Week in Paris, France, March 11, 2025. REUTERS/Sarah Meyssonnier
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Luxury Fashion Betting on Designer Reshuffles Faces Tricky Road ahead

A model presents a creation by the creative studio of fashion house Chanel as part of their Fall/Winter 2025-2026 Women's ready-to-wear collection show during Paris Fashion Week in Paris, France, March 11, 2025. REUTERS/Sarah Meyssonnier
A model presents a creation by the creative studio of fashion house Chanel as part of their Fall/Winter 2025-2026 Women's ready-to-wear collection show during Paris Fashion Week in Paris, France, March 11, 2025. REUTERS/Sarah Meyssonnier

A slump in luxury fashion is prompting designer reshuffles at top houses Gucci, Chanel and Dior to reignite heat around their brands - while avoiding too radical a reset that could confuse affluent shoppers.

The stakes are high, as the 363 billion euro ($395.09 billion) global luxury goods market grapples with its lowest sales rates in years after an economic slowdown in China and rising inflation elsewhere make high-end consumers more reluctant to splash out, Reuters said.

"Brands are under more pressure than ever to balance creativity with commercial viability, while also maintaining relevance in a constantly shifting market," said Lydia King, group buying and merchandising director at upscale British department store Liberty.

Kering-owned Gucci and Chanel are placing their bets on rising stars from much smaller labels, with LVMH's Dior likely soon to follow suit. But new designers face the tricky task of bringing the right dose of renewal, with investors giving them little time to establish themselves. Last week's announcement that Gucci had appointed Balenciaga designer Demna to head its design teams sent Kering shares down over 10%, wiping around 3 billion euros off the group's market value.

In an era of “superstar” creative directors, designers shape the identity of brands, even overshadowing a brand’s heritage, said Jacques Roizen, of consultancy DLG.

Many analysts had lobbied for bolder fashion at Gucci following a two-year push upmarket with more classic designs, but investors worry Demna, 43, who brought buzz to Kering's smaller label with high-end streetwear styles, might not be the right fit.

Creative directors are redefining "not only the aesthetic direction but also the positioning and clientele of the houses,” said Roizen.

As China remains subdued, luxury brands are pinning their hopes on the US market this year, although signs of economic uncertainty are creeping in.

Chanel, which is privately owned, is bringing in Matthieu Blazy, 40, after his successful run at Kering's Bottega Veneta. He faces the daunting task of ushering in a fresh design approach, overseen for decades by Karl Lagerfeld, and then by longtime collaborator Virginie Viard following Lagerfeld's death in 2019.

The importance of the creative director can vary by brand, said Flavio Cereda, who manages GAM's Luxury Brands investment strategy. Since Viard's abrupt departure last year, Chanel has emphasized trademarks, sending models down a runway shaped in its interlocking-C logo or wearing clothes adorned with signature black bows - at Lagerfeld’s preferred venue, the Grand Palais in Paris.

INDUSTRY-WIDE CHANGE LVMH has yet to officially announce new creative leadership at Dior after menswear designer Kim Jones left in January, but is likely to soon hire a new designer, expected to be Jonathan Anderson. His departure from Loewe was announced on Monday, but LVMH declined to comment on Anderson's future role. There are also new faces at a host of smaller brands, including LVMH's Celine and Givenchy, and Donatella Versace, 69, is stepping aside at Versace after nearly three decades, replaced by Miu Miu's Dario Vitale.

"Clients don't know where to go anymore with all these musical chairs," said Yannis Ouzene, a sales assistant for a major European brand on the Avenue Montaigne in Paris, home to some of the most exclusive fashion houses.

“I don’t recall seeing such a significant shift in creative leadership across the luxury industry," said Achim Berg, fashion and luxury industry advisor.

Change will sweep through studios, merchandising teams, marketing departments and design teams -- but takes time, with no visible impact likely until next year, he added.

Brands need to be wary of bewildering clients with "too drastic changes in the aesthetic language of a brand," said Federica Levato, senior partner at consultancy Bain.

For Chinese shoppers, the "here and now" of a brand's design is more important than its historical context, while Western shoppers place "significant value on the continuity of a brand's identity", said Roizen.

For some, the designer is not a deal clincher.

"I don’t care who the designer is," said Stephanie Gold, an American tourist in Paris who recently purchased a pair of prominent Dior glasses. "I don’t like to buy what everybody has."

The luxury sector overall - which averaged annual growth of 10% over 2019-2023 - is expected to grow around 4% in 2025, with sales to Americans accounting for over a third of the global growth, up 7%, compared with a 1% decline from the Chinese, based on UBS estimates.

Olivier Abtan, consultant with Alix Partners, says brands have to be careful not to wait too long before shaking things up. As the market awaits word on Dior's new design chief, and LVMH grapples with shopper fatigue buffeting the industry, some wonder whether design change at Dior, which lags group heavyweight Louis Vuitton, should have come sooner.

Change needs to be made "as soon as a brand senses growth is slowing," Abtan said.