Catherine Deneuve Opens Paris Store Printemps' Holiday Display

French actress Catherine Deneuve poses as she takes part in the Christmas window display ceremony at the Printemps Haussmann department store in Paris on November 9, 2023. (Photo by Miguel MEDINA / AFP)
French actress Catherine Deneuve poses as she takes part in the Christmas window display ceremony at the Printemps Haussmann department store in Paris on November 9, 2023. (Photo by Miguel MEDINA / AFP)
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Catherine Deneuve Opens Paris Store Printemps' Holiday Display

French actress Catherine Deneuve poses as she takes part in the Christmas window display ceremony at the Printemps Haussmann department store in Paris on November 9, 2023. (Photo by Miguel MEDINA / AFP)
French actress Catherine Deneuve poses as she takes part in the Christmas window display ceremony at the Printemps Haussmann department store in Paris on November 9, 2023. (Photo by Miguel MEDINA / AFP)

French actress Catherine Deneuve kicked off the holiday shopping season in Paris on Thursday, presiding over a ribbon-snipping ceremony for the Christmas window displays of department store Printemps.
The Boulevard Haussmann store was outfitted with tags that fluttered under the awning, while puppet seagulls and owls made of paper flapped in the windows among piles of wish lists, Reuters reported.
"It's a very poetic idea," Deneuve said, of the store's displays.
European retailers are entering the crucial end-of-year season after a difficult September, which was unusually warm, making it hard to sell winter collections as rising living costs have cut spending on fashion and accessories.
Cooler weather in October and November contributed to a rebound in sales, however, according to Stephane Roth, general manager marketing, communication and architecture of the Printemps group.
Deneuve, 80, who plays the role of former French lady Bernadette Chirac in the satire film "Bernadette" released this year, said she had not started planning the holidays, which she usually spends in the countryside with family.
"I've not prepared anything --it's only November," Deneuve told Reuters, adding that she keeps large boxes of decorations for her Christmas tree, which she likes to reach the ceiling.
As for holiday meals, Deneuve said it was best to "stick with the classics", including foie gras and chestnuts.



Chloé Collection Goes with the Flow as Kamali Flaunts the Blouse at Paris Fashion Week

 Models present creations by Chloé for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Paris Fashion Week, in Paris on March 6, 2025. (AFP)
Models present creations by Chloé for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Paris Fashion Week, in Paris on March 6, 2025. (AFP)
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Chloé Collection Goes with the Flow as Kamali Flaunts the Blouse at Paris Fashion Week

 Models present creations by Chloé for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Paris Fashion Week, in Paris on March 6, 2025. (AFP)
Models present creations by Chloé for the Womenswear Ready-to-wear Fall-Winter 2025/2026 collection as part of the Paris Fashion Week, in Paris on March 6, 2025. (AFP)

If any one piece defines Chloé under Chemena Kamali, it’s the blouse. Billowy, ruffled, effortless, and deeply romantic, it captured the essence of her third collection for the house at Paris Fashion Week.

Kamali’s Chloé woman moves through time, referencing history but never stuck in it, just like the women who sat in the front row, Jerry Hall and Georgia May Jagger, icons of past and present Chloé cool.

Chloé has long been a house that champions women, both in its design ethos and leadership. While some major womenswear brands continue to be helmed by men, Chloé has laudably remained a platform for female designers, shaping fashion through their perspective. German-born Kamali, now three collections in, continues to refine her vision within that tradition.

This season, blouses weren’t just a focal point, they were the foundation. Cut in ivory and peach silk, some had commanding sleeves and meaty cuffs that gave them the oomph of jackets. Wide-legged, low-slung trousers paired with gold logo belts nodded to a familiar boho ease, while slip dresses—cut on the bias in soft pastels—skirted the line between languid and sensual. Fur-trimmed quilted coats and Victorian-style heirloom jackets layered over plunging Henley knits injected a tougher, more urban edge. Accessories followed suit, with oversized charm-laden handbags and thick logo belts lending an opulent contrast to the collection’s airy silhouettes.

“As I started working on this collection, I felt that moving forward is just as important as honoring the past,” Kamali said. “It is about continuing to explore, to redefine and to evolve the Chloé woman’s state of mind.”

The show setting was simple but expansive, with soft lighting casting a glow over a muted green carpet, keeping the focus on the clothes.

Some may feel the collection flirted with excess, but Kamali sees complexity as intrinsic to the Chloé woman. “She embodies complexity and is not defined by a single identity,” she said. “She is multifaceted, emotionally charged, and rich with nuance.”

The designer continues to push Chloé into the future while staying grounded in its essence.

“Chloé embodies a unique balance of soft strength, blending natural femininity, sensuality, and lightness with independence and freedom,” she explained. “For me, the Chloé woman feels real, and that honesty and connection resonate deeply.”

Maybe it is just the blouse. But for Kamali, it’s also about the woman who wears it.