Da’Vine Joy Randolph and Lily Gladstone Were among the Awards Season’s Fashion MVPs

Lily Gladstone arrives for the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
Lily Gladstone arrives for the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
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Da’Vine Joy Randolph and Lily Gladstone Were among the Awards Season’s Fashion MVPs

Lily Gladstone arrives for the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
Lily Gladstone arrives for the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)

This year’s red carpet season failed to disappoint, fashion-wise, with plenty of drama, personal style and new takes on Old Hollywood.

Sometimes, in the case of Margot Robbie and her all-Barbie, all-the-time looks, it was about nostalgia. For others, including Jeremy Allen White, it was a color that made the statement: white, like his name, in his case.

For Danielle Brooks, it was about the fun. Look no further than her part gown, part tuxedo and touch of purple at the Screen Actors Guild Awards, thanks to designer Christian Siriano.

While much of the fashion energy came at awards shows and related events, Zendaya headed for the desert as she promoted “Dune: Part Two” in a variety of cutting-edge designs. They included a silver cyborg suit straight from the archive of Mugler.

While Zendaya and her co-star, Timothée Chalamet, often wow on red carpets, there were other MVPs this time around. Here's a look at a few:

COLMAN DOMINGO Whether it's a textured gold coat and mustard yellow suit by Valentino Haute Couture at the Critics Choice Awards or a custom black Louis Vuitton tuxedo and man brooches at the Emmys, the star of “Rustin” has left no fashion crumbs. Domingo has offered a new vision of how a leading man can dress. He loves to play with fashion and his joy shines through. He was elegant at the Oscars in a custom Louis Vuitton double-breasted tuxedo with crystal buttons and gold-tipped cowboy boots.

LILY GLADSTONE The Indigenous actor and recent British Vogue cover star has approached her red carpet coming-out with intention, supporting Indigenous jewelry designers while promoting “Killers of the Flower Moon.” At the Golden Globes, she paired her Valentino gown and cape with beaded earrings by Lenise Omeasoo, who is Blackfeet and Cree. For the Oscars, she wore a custom Gucci gown in midnight blue that was created in collaboration with Indigenous designer Joe Big Mountain.

CILLIAN MURPHY Is the “Oppenheimer” star the anti-Ken? Look no further than his sheer shirt and black pinstripe Saint Laurent suit at the film's London premiere. More dark pinstripes from the same design house followed at the Screen Actors Guild Awards, this time with a loose bow at the neck. The man loves a pinstripe. In lots of neutrals, he's been the perfect counter to all that sugary pink over at “Barbie.” His custom black Atelier Versace tux for the Oscars was adorned with a gem brooch by Sauvereign.

AYO EDEBIRI The co-star of “The Bear” was on a red-hot fashion streak, earning official “It” girl status. There was her black 3D molded custom Louis Vuitton petal dress for the Emmys. And her smashing red custom Prada strapless gown with a floor-length train at the Golden Globes. The dress fell playfully, and youthfully, just above her ankles. Never underestimate young Hollywood.

BARRY KEOGHAN Adventurous is the “Saltburn” star's middle name when it comes to fashion. Louis Vuitton, Burberry and Givenchy were among his go-tos. He mixed patterns in a red Vuitton evening jacket and trouser set for the Golden Globes. Keoghan loves his bling, accessorizing his red-on-red moment with a golden belt chain, pearl necklace and Tiffany & Co. jewel earring. A little punk. A lot fab.

DA'VINE JOY RANDOLPH It was a draped ivory mermaid gown with 3D roses at the neck at the Screen Actors Guild Awards for this longtime lover of fashion and co-star of “The Holdovers.” It was by Valdrin Sahiti. At the British Film Academy Awards, Randolph wowed in a colorblock peach-and-black body-hugger by Robert Wun. The fashion spotlight has been soaking up Randolph and the drama she has provided. She picked up a supporting actress Oscar in a custom Louis Vuitton gown in pale blue with oversize, fringed sleeves.

PEDRO PASCAL Few could make an arm sling as sexy as “The Last of Us” star did. At the Golden Globes, his sling came with nail art that spelled “ouchy,” the best accessory of the night. He wore the sling, actually for a shoulder injury, with black trousers and a matching turtleneck that had a white yarn knot design, all by Bottega Veneta. But his big sling moment came at the Critics Choice Awards, when he wore it with a sand-color ensemble the exact shade of his fashion-forward medical device.

GRETA LEE In the color of the season, red, and with lots of help from Loewe and some from Bottega Veneta, the co-star of “Past Lives” was a fashion sensation. The latter designed her futuristic red sculptural mood for the Governors Awards. She paired the dress with silver metallic heels. Loewe's Jonathan Anderson was behind her modern classic off-white voluminous gown for the Golden Globes, her waved, cropped bob and Tiffany & Co. jewels the perfect touch. At the Oscars, it was a black-and-white velvet halter-neck gown by Loewe with white strips of fabric draped across her neck and down her back that attached at her hips.



Prada Offers Savage, Instinctive Menswear during Milan Fashion Week

 A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
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Prada Offers Savage, Instinctive Menswear during Milan Fashion Week

 A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)

Miuccia Prada and her co-creative director Raf Simons described the latest Prada menswear collaboration unveiled during Milan Fashion Week on Sunday as raw and cinematic.

While the Milan Fall-Winter 2025-2026 runway was full of faux fur collars, Prada went the usual step beyond and created primitive detailing in shearling that looked almost torn from the beast and set askew on outerwear lapels, or patchworked into garments.

“Maybe, it reads as savage, primitive cavemen. I think that our aim was to make it feel warm and human and instinctive, but also kind of beautifully domestic in a way,” Simons said backstage.

Collection hallmarks Cinematic references were broad and not specific to any film, director or even character type, Simons said. Western touches included scuffed cowboy boots and knitwear mimicking a wrangler’s shirt - without creating characters or caricatures.

The silhouette mixed skinny trousers, often in bright rock-and-roll satin, with more ample volumes like pajama tops or slightly ratty sweaters. Suits required no shirts, as the designers advocated instinctive dressing.

One look seemed to distill the collection to its boyish essence: Straight leg jeans with a knit top featuring striped detailing, worn with floral-stamped cowboy boots.

Fashion as meaning

The designers said the collection was meant to offer hope in difficult times, proffering humanity as a form of resistance to whatever may be oppressing.

“It’s a bit of an answer to what of course is happening. We have to resist with our instinct, with our humanity, with our passion, with our romance,” Prada said backstage. Good work, she said, is also a form of resistance.

The message contained in the collection “has to be optimistic by definition and in principle,” Prada said.

The Setting The ever-transforming showroom inside the Prada Foundation’s Deposito contemporary art space was sheathed in Art Noveau carpet, and the runway was set on raised metal scaffolding. Simons said it represented contrasts, decoration and a work-in-progress.

Star power Prada's front row hailed from across the globe and disciplines, including British actor and musician William Gao, arriving with British musician Olivia Hardy, US actor Keith Powers, South Korean actress Kim Tae-ri, Chinese table tennis player Ma Long and British actor Louis Patridge. A crowd of fans waited just beyond a barricade to cheer them all.