Going Green? British Fashion Struggles with Sustainability

Models present creations for the Bora Aksu catwalk show at London Fashion Week in London, Britain, 13 September 2024. (EPA)
Models present creations for the Bora Aksu catwalk show at London Fashion Week in London, Britain, 13 September 2024. (EPA)
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Going Green? British Fashion Struggles with Sustainability

Models present creations for the Bora Aksu catwalk show at London Fashion Week in London, Britain, 13 September 2024. (EPA)
Models present creations for the Bora Aksu catwalk show at London Fashion Week in London, Britain, 13 September 2024. (EPA)

In an industrial underground space in central London, models in contrasting period dresses and playful streetwear strutted down a brightly lit London Fashion Week (LFW) runway.

But unlike most other shows, all the floral dresses, trending workwear and double-denim outfits were second hand at the event by charity Oxfam and online used clothes retailer Vinted's "Style for Change".

Bay Garnett, a sustainable fashion pioneer who picked out the pieces from Oxfam's warehouses, called the runway "really exciting".

"When we first did this show eight years ago, it was really not like this," Garnett told AFP backstage, noting the stream of enthusiastic attendees.

Despite the excitement surrounding the Oxfam show alongside another "pre-loved" runway by online auction site eBay, British fashion is struggling with sustainability.

Around 44 percent of all British companies overall have put in place a structured climate action plan, according to insurance company Aviva's "Climate-Ready Index".

By contrast, the fashion world is lagging sorely behind, a situation the Collective Fashion Justice (CFJ) charity said was "an embarrassment".

A recent CFJ report found that just seven of the 206 members of the British Fashion Council (BFC), which organizes London Fashion Week, had set out targets to reduce their carbon emissions.

And only five of these -- or less than 2.5 percent -- had goals aligned with the 2016 Paris Agreement to cut global warming, CFJ said.

The UK is the third largest footwear and clothing market in the world, after China and the United States, according to analysis by the Fashion United platform.

A 2018 report from sustainability consultancy Quantis said the sectors account for around eight percent of planet-heating greenhouse gas emissions.

- Go big or go green? -

Luxury fashion giant Burberry -- a LFW veteran -- is one of the handful of brands publishing scientific targets.

Known for its tartan branding, the fashion house recently raised its emission reduction goals and hopes to be carbon neutral by 2040.

But BFC chief executive Caroline Rush said: "To set carbon reduction targets, you need a team to be able to measure your targets, understand how to reduce them and then report on them."

"For a small business that's quite a challenge."

To help, the BFC now has some 50 businesses that will go through its "low carbon transition" program for designers.

Ideally, advocates say the program should be extended to help brands monitor and report their carbon reduction plans.

Copenhagen Fashion Week has taken its own step to require all brands involved to meet a series of environmental goals.

In the United States, reform could come with a "Fashion Act" under consideration by the New York authorities, which would legally require businesses to cut emissions and take into account those of their entire supply chains.

"I think a lot of the issue is (that) the fashion industry can try to handball its problems to other industries," said CFJ director Emma Hakansson.

She explained that while there are many discussions on the climate impact of the meat industry for example, there wasn't the same pressure on producers of such materials as leather, wool and cashmere.

And yet the latter "are coming from the same supply chains", which use large quantities of water and emit methane.

- Textile waste -

There are a number of solutions to make fashion "greener", some of which will be on display at London Fashion Week.

Designer Ray Chu has created a vegan leather made using recycled tea leaves while Romanian designer Ancuta Sarca uses recycled materials in her footwear collections.

But such innovations could struggle to keep up with the scale of emissions and textile waste.

Some 300 tons of clothes are binned every year in the UK, according to a 2020 British parliament report.

Since then, the popularity of fast fashion brands like H&M and Zara, and ultra-fast fashion brands like Shein and Temu, has only grown.

Such brands sell cheaply made, mass-manufactured clothes at breakneck speeds, only for them to fall apart or be discarded after being worn a few times.

While many brands are turning to recycled materials, or offering clothing repair or rental services, the long-term solution seems to be to "slow down our habits of consumption in general", said Hakansson.

To help with this, people could work towards "cultivating a sense of personal style", she suggested.

"If you don't know what you as an individual like, then you're much more likely to follow these micro trends that are being really pushed on us very hard," Hakansson added.

With greater awareness of the challenges posed by climate change, shopping second-hand has become more popularity, noted Garnett.

"The kids have basically got the idea that... second hand -- it's a cool way to shop. By finding your own style, a one-off piece, it (becomes) like a style choice."



Notre Dame Cathedral’s Reopening Spectacle Capped a Stellar Year for Luxury House LVMH

CEO of LVMH Bernard Arnault, left, Antoine Arnault, CEO of Berluti , center right, and members of the Arnault family talk in Notre Dame Cathedral before France's iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Saturday Dec.7, 2024 in Paris. (Ludovic Marin/Pool via AP, File)
CEO of LVMH Bernard Arnault, left, Antoine Arnault, CEO of Berluti , center right, and members of the Arnault family talk in Notre Dame Cathedral before France's iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Saturday Dec.7, 2024 in Paris. (Ludovic Marin/Pool via AP, File)
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Notre Dame Cathedral’s Reopening Spectacle Capped a Stellar Year for Luxury House LVMH

CEO of LVMH Bernard Arnault, left, Antoine Arnault, CEO of Berluti , center right, and members of the Arnault family talk in Notre Dame Cathedral before France's iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Saturday Dec.7, 2024 in Paris. (Ludovic Marin/Pool via AP, File)
CEO of LVMH Bernard Arnault, left, Antoine Arnault, CEO of Berluti , center right, and members of the Arnault family talk in Notre Dame Cathedral before France's iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Saturday Dec.7, 2024 in Paris. (Ludovic Marin/Pool via AP, File)

The reopening of Notre Dame was a solemn celebration of cultural and spiritual renewal. Yet for some, the historic cathedral's revival also felt like a meticulously choreographed branding event from LVMH and other luxury conglomerates.

Bernard Arnault, the lowkey billionaire behind luxury powerhouse LVMH and a key Notre Dame donor who regularly tops the list of the world’s richest men, was at the center of the celebration. He was surrounded by his family, the French president, the archbishop and clergy, and the unmistakable symbols of his luxury empire’s influence, including its brands Louis Vuitton and Dior.

First lady Brigitte Macron held a conspicuous Lady Dior handbag. Louis Vuitton artistic director Pharrell Williams performed kitted out in Louis Vuitton. South African soprano Pretty Yende also contributed with a rendition of “Amazing Grace” while wearing a Dior gown adorned with 110 carats of diamonds.

Welcome to the “inauguration of the LVMH arena,” commented television journalist Yann Barthès about the cathedral ceremony this week.

LVMH has enjoyed unprecedented visibility in France in 2024, especially as a high-profile sponsor of the Paris 2024 Olympics.

Some questioned the taste of such brand prominence occurring in a sacred space like the beloved Gothic monument, while noting LVMH's crucial contribution to the reconstruction.

“You can’t blame monsieur Arnault, a businessman, to do business. But people are now asking if it was an appropriate venue for a display like that,” said fashion PR consultant Theo Fontaine.

“It’s been a great PR year for LVMH—that’s for sure,” Fontaine added. “The Olympics and now Notre Dame. The whole world has been watching.”

Not far behind Arnault sat representatives of Kering, adding another layer to the ongoing rivalry between France’s two largest luxury conglomerates.

Kering CEO François-Henri Pinault attended alongside his wife, actress Salma Hayek, who wore a tailored Gucci coat. Gucci is Kering-owned.

The event, marking the culmination of an 840-million-euro restoration effort following a devastating 2019 fire, brought together global dignitaries and cultural icons.

The Notre Dame restoration united France’s corporate giants. Arnault’s 200-million-euro donation was the largest, followed by 100-million-euro contributions from Pinault and the Bettencourt-Meyers family of L’Oréal. Over 250 companies and 2,000 craftspeople contributed to the five-year restoration effort, which reconstructed the spire, repaired vaulted ceilings and restored stained-glass windows.

As the bells of Notre Dame rang out across Paris, the cathedral’s rebirth stood as a testament to collective effort — but also for some as a symbol of how France’s seats of power and its prized luxury industry are inextricably intertwined.

French President Emmanuel Macron and Brigitte Macron welcomed heads of state, including President-elect Donald Trump, Britain’s Prince William and Elon Musk, to a ceremony steeped in tradition — and high fashion.

Arnault attended with his family, including Dior chair and CEO Delphine Arnault, LVMH image and environment director Antoine Arnault, Moët Hennessy deputy CEO Alexandre Arnault, LVMH Watches CEO Frédéric Arnault, and Louis Vuitton product and development director for watches Jean Arnault. Antoine Arnault’s wife, model Natalia Vodianova, was also in attendance.

“I am proud of the outpouring of generosity from all over the world, to which the LVMH Group and my family wanted to contribute from the very beginning, which has enabled the restoration of this jewel of our heritage,” Antoine Arnault said in a statement posted to LinkedIn.

“This extraordinary project highlighted the excellence of French know-how and the talent of nearly 2,000 architects, workers and craftsmen of all trades,” he added.

Yet, public reaction was mixed

Papuna Biliseishvili, 24, who watched the ceremony in Paris, quipped, “If the devil wears Prada, the cathedral wears Louis Vuitton and Dior.”

Cari Lefebvre, 27, said “this is the most PR the Catholic Church has seen in centuries.”

Marie-Claire Dubois, a 45-year-old Catholic worshiper from Paris, expressed her disapproval. “This is a sacred place. It is beautiful that these companies contributed, but the branding should have remained outside.”

While the grandeur of the reopening sparked debate, Arnault’s donation and LVMH’s contributions to the cathedral restoration—including 36 300-year-old oak trees for the spire—have been widely praised.

LVMH’s influence at the Paris 2024 Olympics further cemented its stellar year. The company crafted custom display cases for 5,000 medals and the Olympic torch, showcasing its artistry and precision. Berluti, another LVMH brand, designed costumes for the opening ceremony, while an Olympic-themed Vogue World fashion show, supported by the group, drew international attention during Paris Couture Week.

Tensions between Arnault and Pinault, the driving forces behind LVMH and Kering respectively, were on full display with their brands’ prominent appearances at the cathedral. This rivalry dates back decades to a bitter bidding war over Gucci in the late 1990s, which Pinault’s Kering ultimately won. Since then, their competition has extended beyond fashion into the realms of art, philanthropy and global influence.

In Notre Dame, French luxury was also championed by the French Catholic church — and was on display even in the stitch of the liturgical vestments. French fashion designer Jean-Charles de Castelbajac was called on by the church to design the cathedral’s 2,000 garments. The unorthodox designs were fun, modern — and perhaps shockingly minimalist. They ensured that even the clergy’s robes reflected high-fashion artistry, further underscoring the intersection of faith and fashion at the event.