Snoopy the Fashion Icon Celebrated in Paris Exhibition

 A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
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Snoopy the Fashion Icon Celebrated in Paris Exhibition

 A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)

A new exhibition opened Saturday in Paris charting the emergence of Snoopy as a fashion icon, with the famed black-and-white beagle embraced by designers from streetwear brands to couture houses.

The show at the Hotel du Grand Veneur in the Marais neighborhood is part of the celebrations for the 75th anniversary of Snoopy, Charlie Brown and the Peanuts comic strip crew which were created by late American illustrator Charles Schulz.

It is the latest entry in a competitive but extremely well-attended field of fashion showcases in the French capital, with the Louvre ("Louvre Couture") and the Grand Palais ("Dolce & Gabbana") currently hosting packed-out exhibitions.

"Since we're celebrating our 75th anniversary this year, we thought it would be fun to celebrate the history that the brand has with fashion. And where else would you do that but in Paris?" said Melissa Menta from the Peanuts Worldwide company.

Entitled "Snoopy in Style" and running from March 22–April 5, the free show explains the intense care taken by Schulz to create simple, visually recognizable characters that would "bounce off the page".

Charlie Brown was initially drawn with just a plain white t-shirt before Schulz -- whose snappy dress sense is also celebrated in the show -- gave him his trademark sweater with a jagged stripe.

But the exhibition is at its most interesting in explaining how designer collaborations and merchandising -- long before they were fashionable -- helped turn a 1950s comic strip scribble into a global cultural phenomenon.

Nowadays, Snoopy is recognized by between 80-90 percent of people in the United States, Europe, Japan and even China, according to research by the Deloitte consultancy for the Peanuts company.

Much of the credit for Snoopy's journey from newspaper pages to mass-market clothing stores and fashion catwalks is given to Schulz's long-time merchandising collaborator Connie Boucher.

She came up with the idea of producing dolls of Snoopy and his sister Belle in the early 1980s which she then sent to fashion houses around the world, asking their designers to dress them.

"Isn't it amazing how the busy fashion celebrities wanted to take on the challenge of designing outfits for fuzzy characters with large ears and tails?" she is quoted as saying afterwards.

By 1982, there were enough dolls -- from Karl Lagerfeld, Fendi or long-time fan Jean-Charles de Castelbajac -- to put on a first travelling exhibition in US cities, London and Paris.

Many of them are on display in the most striking room of the Paris show that features dozens of dolls from this period and others from the present day.

Italian fashion house Valentino sent a contribution that sees Belle in a replica of a couture outfit that was showcased in Paris in January this year that includes 15 different fabrics.

"Designers wanted to include Snoopy because they realize the universal message that he carries," curator Sarah Andelman, founder of former Paris boutique Colette, told AFP.

Elsewhere, visitors get a sense of the global marketing and commercial power of the Snoopy figure which appears on Marc Jacobs trainers, Uniqlo t-shirts, Lacoste padded jackets, Gucci jeans, Vans shoes and more.

Licensing agreements come with strict conditions.

Keeping Charlie Brown's pet sidekick relevant to new generations so long after his first appearance on October 4, 1950, is a challenge for the Peanuts company.

The fashion collaborations achieve this, but help has also come from the internet where Schulz's 18,000 Peanuts strips are endlessly recycled.

Charles Schulz, who passed away in 2000, "would be amazed at how it has taken off on social media," his widow Jeannie Schulz told AFP.



Zara Owner Inditex Posts Record Profit in 2025

Shoppers walk past a Zara clothes store, part of the Spanish group Inditex, in Las Palmas de Gran Canaria, Spain, December 13, 2022. REUTERS/Borja Suarez
Shoppers walk past a Zara clothes store, part of the Spanish group Inditex, in Las Palmas de Gran Canaria, Spain, December 13, 2022. REUTERS/Borja Suarez
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Zara Owner Inditex Posts Record Profit in 2025

Shoppers walk past a Zara clothes store, part of the Spanish group Inditex, in Las Palmas de Gran Canaria, Spain, December 13, 2022. REUTERS/Borja Suarez
Shoppers walk past a Zara clothes store, part of the Spanish group Inditex, in Las Palmas de Gran Canaria, Spain, December 13, 2022. REUTERS/Borja Suarez

Zara owner Inditex, the world's leading low-cost fashion retailer, posted a record annual profit for the third year running on Wednesday, seeing off strong international competition.

The Spanish group, which includes top brands such as Massimo Dutti, Pull & Bear and Bershka, reported a profit of 6.22 billion euros ($7.23 billion) in the fiscal year ending January 31.

That marked a six percent rise on the 5.9 billion it raked in in 2024, which was also a group record, Inditex said.


Margot Robbie, Oprah Watch Blazy Transform Chanel with Color and Craft

Models present creations from the Fall/Winter 2026 collection of French-Belgian designer Matthieu Blazy for Chanel during Paris Fashion Week, in Paris, France, 09 March 2026. (EPA)
Models present creations from the Fall/Winter 2026 collection of French-Belgian designer Matthieu Blazy for Chanel during Paris Fashion Week, in Paris, France, 09 March 2026. (EPA)
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Margot Robbie, Oprah Watch Blazy Transform Chanel with Color and Craft

Models present creations from the Fall/Winter 2026 collection of French-Belgian designer Matthieu Blazy for Chanel during Paris Fashion Week, in Paris, France, 09 March 2026. (EPA)
Models present creations from the Fall/Winter 2026 collection of French-Belgian designer Matthieu Blazy for Chanel during Paris Fashion Week, in Paris, France, 09 March 2026. (EPA)

Chanel 's Matthieu Blazy is still building. Six months into his tenure at the Parisian stalwart, the designer staged his second ready-to-wear collection at Paris Fashion Week Monday, where brightly colored cranes rose from a holographic floor — a deliberate signal that the construction is ongoing.

For Parisians who have spent years staring at the real thing above Notre-Dame cathedral, the set was perhaps less dreamy than intended.

The audience inside the Grand Palais suggested the foundations are solid: Margot Robbie, Oprah, Jennie, Kylie Minogue, Lily-Rose Depp, Teyana Taylor and Olivia Dean all turned up to watch the next floor go on.

Blazy took his cue from a quote from Gabrielle “Coco” Chanel: “We need dresses that crawl and dresses that fly.”

The collection was structured around that tension — plain against spectacular, function against fantasy — with a discipline his sprawling debut last October sometimes lacked.

The opening looks were austere by design. Black knit zip-ups, tweed blousons and boxy overshirts arrived with little more than four gold buttons to signal they belonged to Chanel.

In the vast runway space, they could read as underwhelming. But Blazy’s point was architectural: the suit, he said, is “the first brick” — and everything else rises from it.

That logic tracks to the founder.

In her apartment on Rue Cambon, a wall is covered in gauze painted gold — something poor made precious.

Chanel built a house on that idea, borrowing from everyday dress and elevating it. Blazy is doing the same with her codes, stripping the suit to a knit shirt jacket or pressed-tweed blouson before rebuilding it in silicone-woven fabric and metallic mesh.

The collection’s most provocative move was its silhouette. Blazy pulled waistlines dramatically low — belts slung to mid-thigh, pleated skirts starting where blazers ended.

The references were retro flapper filtered through a modern lens: drop-waisted twinsets, patchwork dresses with floral embroidery, vivid patterned knits with a twenties pulse.

A furry coat in bold geometric color could have been worn in a chic part of London's Camden.

Whether the ultra-low waistlines will land with the well-heeled clients who pack Chanel’s front rows is another question. Selling a radically new proportion to women with deep loyalty to the house is a different challenge than winning critical praise.

The final stretch answered that concern with force. Sequined plaid suits arrived in dazzling color. Beaded coats glinted with star-chart embroidery. Metallic mesh was woven to mimic tweed motifs, and several models wore pastel-tinted hair to match their looks.

Fabric flowers burst from bodices. Trailing ribbons, layered ruffles, and insect-wing detailing turned the runway into something closer to spectacle than commerce.

Blazy cast wide — teens through to women in their fifties — and let the show breathe, with a runway circuit that took models the better part of five minutes. He framed it all with seven pared-back black and cream looks, as if to say: whatever else changes, the Chanel you know isn’t going anywhere.

If this second outing holds — on the penultimate day of fashion week — Blazy has found something rare at a heritage house: a way to honor the founder’s voice without simply echoing it.


Hugo Boss Posts Annual Profit Above Expectations

The logo of German fashion company Hugo Boss is seen at a store in Vienna, Austria, November 23, 2016. (Reuters)
The logo of German fashion company Hugo Boss is seen at a store in Vienna, Austria, November 23, 2016. (Reuters)
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Hugo Boss Posts Annual Profit Above Expectations

The logo of German fashion company Hugo Boss is seen at a store in Vienna, Austria, November 23, 2016. (Reuters)
The logo of German fashion company Hugo Boss is seen at a store in Vienna, Austria, November 23, 2016. (Reuters)

German fashion group Hugo Boss reported a higher than expected annual operating profit on Tuesday, despite a challenging market environment.

The company reported earnings ‌before interest ‌and taxes (EBIT) of ‌391 ⁠million euros ($455 million) ⁠for 2025, up from 361 million euros a year earlier, and above analyst's average forecast of 379 million euros in a company-provided ⁠poll.

"2025 once again highlighted ‌the ‌rapid transformation of our industry, shaped by ‌technological innovation, evolving consumer preferences ‌and ongoing macroeconomic and geopolitical uncertainty," Chief Executive Officer Daniel Grieder said in a statement.

Luxury groups ‌have been struggling with tighter consumer spending, with the ⁠sector ⁠hit by slowing demand for fashion and accessories particularly in the US and China.

The premium fashion retailer said it will propose a dividend of 0.04 euros per share for 2025, compared with 1.40 euros a year earlier.