‘Between Two Cultures’: Contemporary Art Context for Historical Diversity between Saudi Arabia, Yemen

The exhibition highlights the similarities and differences between Saudi culture and other cultures (Saudi Culture Ministry)
The exhibition highlights the similarities and differences between Saudi culture and other cultures (Saudi Culture Ministry)
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‘Between Two Cultures’: Contemporary Art Context for Historical Diversity between Saudi Arabia, Yemen

The exhibition highlights the similarities and differences between Saudi culture and other cultures (Saudi Culture Ministry)
The exhibition highlights the similarities and differences between Saudi culture and other cultures (Saudi Culture Ministry)

Riyadh is hosting a unique art exhibition that sheds light on both the similarities and differences between Saudi Arabian culture and other cultures.

In its first round, the exhibition will place special emphasis on Yemen and its close ties to Saudi culture, showcasing areas such as fashion, visual arts, architecture, design, and culinary arts.

Organized by the Saudi Ministry of Culture, the “Between Two Cultures” display will delve into the exploration and presentation of diverse cultures.

The concept of intersectionality is manifested in the intricacies of the exhibition, where human experiences converge in shared fields that reflect human awareness of oneself and one’s surroundings amid responses to challenges.

This perspective extends to life, encompassing realms such as music, fashion, arts, and folk games, all of which serve as icons of human expression.

The exhibition zeroes in on the culture of Yemen, highlighting its connection with Saudi Arabian culture.

It delves into various aspects like fashion, visual arts, architecture, design, and culinary arts, aiming to enhance cultural exchange and collaboration between the Kingdom and Yemen.

Designed based on the concept of intersectionality, the exhibition guides visitors towards boundlessness, displaying cultural exchanges at these intersections through two fundamental concepts.

The first concept is clarity, which illuminates the facets of resemblance, divergence, and shared elements. The second is transparency, symbolizing the openness between cultures.

The exhibition’s immersive experience promises an enriching exploration for visitors, beginning with the entrance where intersecting geometric forms embody the foundational creative essence of the show.

Attendees will encounter a captivating array of images and dynamic visuals that vividly illustrate the shared aspects between Saudi and Yemeni cultures.

A heartfelt resonance is evoked through a backdrop of music from both Saudi and Yemeni traditions, enhancing the overall inspirational ambiance.



Desperate for Cash, Gazans Sell Clothes Plucked from Rubble

Desperate for Cash, Gazans Sell Clothes Plucked from Rubble
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Desperate for Cash, Gazans Sell Clothes Plucked from Rubble

Desperate for Cash, Gazans Sell Clothes Plucked from Rubble

Moein Abu Odeh clambered up a pile of rubble in southern Gaza, searching for clothes, shoes, anything he could sell to raise cash more than a year since Israel started its relentless bombardments.

The father-of-four delved under blocks and brushed away piles of concrete dust at the site of one airstrike in the wrecked city of Khan Younis. His plan was to sell what he found to buy flour.

"If food and drink were available, believe me, I would give (these clothes) to charity," he said. "But the struggles we are going through (mean we) have to sell our clothes to eat and drink."

Widespread shortages and months of grinding war have generated a trade in old clothing, much of it salvaged from the homes of people who have died in the conflict.

At one makeshift market, shoes, shirts, sweaters and sneakers were laid out on dusty blankets, Reuters reported.

A girl tried on a single worn-out boot, which could come in handy this winter if she can afford it in Gaza's ruined economy.

A trader got an edge on his competitors by shouting out that his wares were European.

One man laughed as he got a young boy to try on a green jacket.

"We get clothing from a man whose house was destroyed. He was digging in the concrete to get some (clothing) and we buy them like this and sell them at a good price," displaced Palestinian Louay Abdel-Rahman said.

He and his family arrived in the city from another part of Gaza with only the clothes they were wearing. So he also keeps some back for them. "The seasons have changed from summer to winter and we need clothing," he said.

In April, the UN estimated it would take 14 years to dispose of the wreckage in Gaza. The UN official overseeing the problem said the clean-up would cost at least $1.2 billion.

More than 128,000 buildings have been destroyed or severely or moderately damaged in Gaza as a result of the conflict, the UN says. Underneath all of that are seams of mangled clothes.

"All our children only have short-sleeve clothing and nobody is helping them," Saeed Doula, a father-of-seven, said. "The war is all-encompassing."