Gaza Instagram Stars Show Different Side of their Homeland

Palestinian Fatma Abu Musabah uses her mobile phone to take pictures of children for her social media account in Deir al-Balah in the central Gaza strip on September 17, 2017. MAHMUD HAMS / AFP
Palestinian Fatma Abu Musabah uses her mobile phone to take pictures of children for her social media account in Deir al-Balah in the central Gaza strip on September 17, 2017. MAHMUD HAMS / AFP
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Gaza Instagram Stars Show Different Side of their Homeland

Palestinian Fatma Abu Musabah uses her mobile phone to take pictures of children for her social media account in Deir al-Balah in the central Gaza strip on September 17, 2017. MAHMUD HAMS / AFP
Palestinian Fatma Abu Musabah uses her mobile phone to take pictures of children for her social media account in Deir al-Balah in the central Gaza strip on September 17, 2017. MAHMUD HAMS / AFP

Kholoud Nassar and Fatma Abu Mosabah may not be able to leave Gaza without Israeli or Egyptian permission, but their photos can.

Both have more than 100,000 followers on the social platform and say they get recognized multiple times a day in the tiny territory that is home to two million people.

The two women are among a small number of Instagram stars in the blockaded Palestinian enclave, showing followers a different side of their homeland from what much of the world may be used to hearing or seeing.

"I see Instagram as a window," says Nassar, 26, wearing a pink hijab and fiddling with a toy car that features in many of her pictures.

Mosabah, 21, agrees, saying that "when I open the internet I can talk to people across the world."

In the enclave sealed off by Israel to the east and north, Egypt to the south and the Mediterranean Sea to the west, it is impossible for Gazans to leave without permission, Agence France Presse reported.

Neither of the women has left Gaza in more than a decade.

Israel also refuses to give permits for tourists to visit the strip, leaving most people outside to imagine life there.

And with three wars since 2008 between the strip's factions and Israel, many people's ideas of Gaza center on devastation, poverty and suffering.

The women use Instagram, with its focus on pictures over text and political arguments, to show another side.

"War is a part of Gaza, but it is not all Gaza. I wanted to show there was more to Gaza -- as in any country," Nassar tells AFP in a cafe near the coast in Gaza City.

"Take America: there is poverty, there are destroyed homes, but at the same time there are beautiful places. Gaza is the same."

"Through these pictures I want people to see Gaza, how people live, eat and work."

Nassar's pictures range from young children to harvests, all bathed in a range of colours, while Mosabah shows all sides of daily life.

Both women feature heavily in their own pictures, with wide smiles.

Mosabah agrees that the aim is to "change the perception of Gaza" away from political matters.

"To show its beautiful side, that's the most important thing. Far from the destruction, blockade and the wars."

A United Nations official recently said the strip may already be "unlivable".

Despite Gazans receiving only a few hours of electricity a day in recent months, social media outlets remain popular.

Ali Bkheet, president of the Palestinian Social Media Club, estimates that around 50 percent of Gazans have Facebook, though numbers on Instagram and Twitter are significantly smaller.

He said the decade-long Israeli blockade had made Gazans particularly keen to use social media "to express ourselves and communicate our voice".

Nassar started before the last war in 2014 and documented the human toll of the conflict.

In the three years since, she has sought to focus on how Gazans struggle through terrible conditions -- including creating a "trying to live" hashtag to show how people were putting their lives back together after the war.

The toy car, an old Volkswagen Beetle Nassar carries in her bag at all times and which features in dozens of her photos, has become a trademark helping her connect with others.

People from across the Arab world now send her pictures of the real cars, which she posts on her page.

For Mosabah, Instagram is also a source of revenue -- making between $300 (255 euros) and $400 a month from e-marketing and adverts on her page.

In a region where 60 percent of young people are unemployed and the average salary is a couple of hundred dollars, she has carved out a niche for herself.

Sheldon Himelfarb, CEO of US-based PeaceTech Lab which has researched how social media impacts political awareness, said social media can help break down barriers between people across the globe.

But he warned researchers were still trying to assess whether the selective nature of what is published helps or hinders efforts to gain a fuller picture.

"I believe in my conversations with university students. They seem to imply they are more aware about parts of the world than certainly their parents were. But whether or not they are more accurately informed I don't know."

Instagram is of course a selective version of life, with the women taking dozens of pictures before deciding on their favorite to show the world.

But despite the thought that goes into their selections, they aren't protected from the bane of social media -- trolls.

Mosabah says she blocks between five and 20 people a day on Instagram who make inappropriate comments.

"Maybe I take a picture with someone, they say the picture is shameful because I was with a man. I do a lot of blocking," she laughs.

For Nassar, it has even strayed into the real world.

Once she was taking pictures in Beit Lahia, one of Gaza's most conservative areas, when women started screaming at her.

"There are people here who criticize me -- they say 'you are going out, taking pictures. You should stay at home and cook'," Nassar says. 

"Maybe because I wear a hijab they criticize me more."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”