The Decline of Holland's Football Team: Doomed by Total Obsession with Past

 The Holland players react to the disappointment of failing to qualify for their second major football tournament in a row. Photograph: Emmanuel Dunand/AFP/Getty Images
The Holland players react to the disappointment of failing to qualify for their second major football tournament in a row. Photograph: Emmanuel Dunand/AFP/Getty Images
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The Decline of Holland's Football Team: Doomed by Total Obsession with Past

 The Holland players react to the disappointment of failing to qualify for their second major football tournament in a row. Photograph: Emmanuel Dunand/AFP/Getty Images
The Holland players react to the disappointment of failing to qualify for their second major football tournament in a row. Photograph: Emmanuel Dunand/AFP/Getty Images

In Graham Swift’s novel Waterland his narrator, a history teacher going through a mid-life crisis, says: “And where history does not undermine and set traps for itself in such an openly perverse way, it creates this insidious longing to revert. It begets this bastard but pampered child, Nostalgia. How we yearn to return to that time before history claimed us, before things went wrong.”

At some point analysis of decline becomes an ordeal, particularly when the causative factors seem numerous and varied and not independent of one another. Nostalgia lends itself to convenient explanations of why things are not as good as they were, which may overshadow the fact it is perhaps more important that one looks back to move forward and not vice versa. Dutch football has seen four talented generations of players, right from Cruyff and Van Hanegem’s cohort in the 70s, Gullit, Rijkaard, Van Basten and Koeman in the 80s, Bergkamp’s batch in the 90s and the 1983-84-born class of the 00s led by Arjen Robben and Wesley Sneijder.

In the wake of failing to qualify for next year’s World Cup finals in Russia Dutch footballers are now criticised for a lack of “winning mentality”. Marcel Brands of PSV, in a discussion in 2014 with his fellow technical directors of the so-called big three, Marc Overmars of Ajax and Feyenoord’s Martin van Geel, remarked: “We develop many intelligent, tactically strong players. We just need to improve substantially in the winning factor. I went to Portugal recently: Sporting, Benfica and Porto. There it is completely different. There it is all about winning. With us, it’s the exact opposite: ‘80% possession, played well, yes but we lose 1-0.’

“That’s not how it should be. If you look at Germany, they have taken a step. There was always physical football, a lot of running. Now, there is a lot more [technical] football than 10 years ago. They also observed us [the Dutch] a lot.”

Tellingly, nearly all of the successful recent exports from the Eredivisie have been players who were scouted between the ages of 16 and 19 – Uruguay’s Luis Suárez, Denmark’s Christian Eriksen and Belgium’s Toby Alderweireld found the Netherlands a prime location to hone their talent, having developed initially elsewhere. But even if the current Holland side lacked extraordinary talents, there was sufficient quality for them at least to make the qualification play-offs. That suggests there are deeper structural problems with the national team. It is clearly more complicated than just Memphis Depay’s preference for wearing hats.

In 2014 all the big three’s technical directors agreed that the KNVB, the Dutch FA, needed a strong technical director. Jelle Goes had functioned as “technical manager” since 2013 and played a big role in drafting the Winnaars van Morgen, “Winners of Tomorrow”, plan for reviving Dutch football; and, when Hans van Breukelen was made technical director in 2016, Goes’ focus shifted to youth.

However, this summer both Goes and Van Breukelen left their roles, with the latter resigning, having made a mess of the national coach situation after Danny Blind’s departure and saying he had not been able to make “his – and the KNVB’s — ambitions come true”.

The KNVB’s lack of a clear long-term vision seemed evident as they let Hakim Ziyech slip through their fingers. The 24-year-old, who played for Dutch youth teams up to the under-21s and was the outstanding Dutch midfielder of his generation, was injured on his first call-up in May 2015 and could not play, but then seemed to be overlooked. He then elected to represent Morocco, making his debut in October 2015.

In March 2016 Blind was asked why there had not been more of an effort to tie down Ziyech. The then Holland manager responded with the specious excuse that Ziyech was not playing as a “true No10” at Twente at the time but as more of a second striker. Immediately his then-assistant coach, Marco van Basten, sitting at the back of the room, turned to the reporter who had suggested the KNVB had failed in this regard and said: “Why? He has gone with the choice with his heart? Then, in my opinion, you should ask him.”

In May 2016 Van Basten called Ziyech and the St-Etienne winger Oussama Tannane “stupid boys” for not having the patience to wait for their chance: “How stupid can you be to choose Morocco if you are in contention for the Dutch national team?”

This, beyond the disrespect, suggests some delusions of grandeur and superiority persist despite Holland’s shortcomings on the pitch. Nearly two years later another young talent – Sofyan Amrabat –is set to follow Ziyech. He still has a chance of playing at the World Cup finals with Morocco, while the Dutch must watch a second consecutive international tournament on their TV screens, still lacking direction in their long-term planning as well as a player worthy of building a new side around.

The way in which Van Basten expressed his view is indicative of the way dynamics can shift when there are many big personalities vying for influence. For the Dutch this is not a new phenomenon. In 1981, as Ajax trailed Twente 2-3 at De Meer, Johan Cruyff, then in a vague directorial role, made his way from the stands to the bench and propped himself beside the coach, Leo Beenhakker, shouting instructions and making tactical changes. In 2004, when Ronald Koeman was manager of Ajax, Louis van Gaal, then technical director, used to sit on the sidelines and commentate on training sessions.

Recently Ruud Gullit, assistant coach to Dick Advocaat, recorded a video for his Twitter feed in the Holland dressing room. Advocaat was unaware of and unhappy with the breach of protocol, yet Gullit was excused. Less than a month later Advocaat suggested Gullit would be his ideal successor because of the way the France players seemed to approach him in reverence at full-time, after they had easily defeated Holland 4-0 in September. “The Netherlands really forgets what a great Gullit is,” said Advocaat. There is bias in choosing to remember the great player – but not the fairly mediocre manager.

Robert Maaskant, who has managed NAC Breda and Willem II, pertinently told De Volkskrant in August: “When I started as a trainer, I thought: ‘I did not have a great career as a player, so I need to get into [management] early. Because between the ages of 42 and 50, all those former internationals [Frank de Boer, Phillip Cocu, Giovanni van Bronckhorst] will start to get involved, and they will get the best jobs first.’ But the lead I had, ultimately led to nothing more. Because experience is no longer as important.

“It started with Marco van Basten’s appointment as Holland coach, without any experience. Since then you do not ‘build’ a career in Dutch football any more: it will ‘happen’ to you.”

Peter Bosz, now at Borussia Dortmund, is a Dutch rarity in breaking that ceiling in recent years but seemed to be swiftly pushed out by the powers that be at Ajax. So a picture emerges of an insular, constricted group of coaches who are granted opportunities with little or no coaching experience. Most share a common idea of possession-based 4‑3‑3 football, which makes Dutch teams predictable while other nations have either bettered 4-3-3 or moved on.

The most successful exponents of the “Dutch” style are no longer Dutch, and given there is little to lose now, perhaps a step in the right direction would be to experiment with appointing a foreign coach. The last one – the Austrian Ernst Happel – did not fare too badly.

Dutch football has always been a battleground of “philosophy” and winning football matches in the somewhat arbitrary “right” way over just winning. That there was still pride in losing the 1974 World Cup final to West Germany – when Cruyff’s talented side squandered a one-goal lead to their greatest rivals in Munich – seemed to set forth the belief that results were, to an extent, expendable in the pursuit of the ideal of total football.

Now, in the friction between the nostalgia for their great footballing innovations of the past and the reality of being surpassed in tactical relevance today, the Dutch seem to have lost their standing and ended up compromising on both the style for which they were renowned and the results they fail to achieve.

In retrospect their shock 5-1 drubbing of Spain at the 2014 World Cup finals in Brazil signified a strange fork-in-the-road of a game, in which the defending champions had fallen into a predictable rhythm and the team who had lost the 2010 final seemed to be one step ahead. But Spain have recovered while the Dutch have regressed because that is where the insidiousness of nostalgia can lead – to regression, in the assumption that to achieve glory in the future we need to “go back” and recreate a past that has long been lost. Clearly Holland and Dutch football must now look to the future instead.

The Guardian Sport



Flotilla on Seine, Rain and Celine Dion Mark Start of Paris Olympics

 Members of delegations are seen during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Members of delegations are seen during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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Flotilla on Seine, Rain and Celine Dion Mark Start of Paris Olympics

 Members of delegations are seen during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Members of delegations are seen during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

French President Emmanuel Macron declared the Olympic Games open on Friday after a soaking wet ceremony in which athletes were cheered by the crowd along the Seine, dancers took to the roofs of Paris and Lady Gaga sang a French cabaret song.

France's three-time Olympic gold medalists Marie-Jose Perec and Teddy Riner then lit the Olympic cauldron, suspended on a hot-air balloon, before Canada's Celine Dion sang Edith Piaf's "Hymn to Love", in her first public performance in years, drawing huge cheers from the crowd.

The 30-meter (98 ft) high balloon carrying a 7-meter diameter ring of fire took to the air and was hovering dozens of meters above the ground.

It will be in the air from sunset until 2 am local time every day, organizers said.

"We are so proud of this show, I'm so proud that sport and culture were celebrated in such a fantastic manner tonight, it was a first and the result was fantastic despite the rain," Paris 2024 organizing president Tony Estanguet told reporters.

A fleet of barges took the competitors on a 6 km-stretch of the river alongside some of the French capital's most famous landmarks, as performers recreated some of the sports to be showcased in the Games on floating platforms.

It was the first time that an opening ceremony has taken place outside a stadium, adding to the headaches for a vast security operation, just hours after a sabotage attack on the high-speed TGV rail network caused travel chaos across France.

"I invite everybody: dream with us. Like the Olympic athletes, be inspired with the joy that only sport can give us. Let us celebrate this Olympic spirit of living in peace," International Olympics Committee President Thomas Bach said as the ceremony came to an end at the foot of the Eiffel Tower.

More than 10,500 athletes will compete at the Olympics, 100 years since Paris last staged the Games. Competition started on Wednesday and the first of the 329 gold medals will be awarded on Saturday.

As the show started four hours earlier, a giant plume of blue, white and red smoke, resembling the French flag, was sent high above a bridge over the Seine as part of a show that included many postcard-like depictions of France, including a huge cancan line performed by Moulin Rouge dancers on the banks.

A more modern image of the country was on display when French-Malian pop star Aya Nakamura, the most-listened to French female singer in the world, sang some of her biggest hits, accompanied by the French Republican Guard's army choir.

Nakamura's performance drew some of the ceremony's biggest cheers. Rumors of her inclusion had sparked a row over French identity, with supporters saying she represented the vibrancy of modern-day France while her detractors said her music owes more to foreign influences than French.

POURING RAIN

While the celebration of French culture, fashion and history was warmly cheered by many of the 300,000 spectators lining the river, hundreds were seen leaving early as the rain fell.

"It was good other than the rain, it was nice, it was different, instead of being in a stadium being on the river, so that's always a good thing - interesting, unique," said Avid Pureval, 34, who came to the Games from Ohio.

"Once you're wet, it's fine," he said. Still, he was heading back to his hotel after the French boat passed, long before the ceremony ended.

"It would have been better with sun," said Josephine, from Paris, sitting beside her 9-year-old daughter and who paid 1,600 euros ($1,736) for her seat.

With many world leaders and VIPs present, the ceremony was protected by snipers on rooftops. The Seine's riverbed was swept for bombs, and Paris' airspace was closed.

Some 45,000 police and thousands of soldiers were deployed in a huge security operation in Paris for the ceremony. Armed police patrolled along the river in inflatable boats as the armada made its passage along the Seine.

WELCOMED IN TAHITI

A mix of French and international stars, including soccer great Zinedine Zidane, 14-times French Open champion Rafa Nadal, 23-times Grand Slam champion Serena Williams and three paralympic athletes were among the last torchbearers before the cauldron was lit.

It will blaze until the closing ceremony on Aug. 11.

At the start of the parade, applause erupted for the Greek boat - the first delegation, by tradition - and there were even bigger cheers for the boat that followed, carrying the refugees' team. The French, US and Ukrainian delegations also got loud cheers.

The two most decorated athletes in the Games' history, Michael Phelps and Martin Fourcade, unveiled the gold, silver and bronze medals.

At one point, there was a live crossover to the early morning welcome ceremony at the surfing venue, 16,000 km away in the Pacific island of Tahiti.

ISRAEL DELEGATION

France is at its highest level of security, though officials have repeatedly said there was no specific threat to the opening ceremony or the Games.

But since the last Games - the Winter Olympics held in Beijing in 2022 - wars have erupted in Ukraine and Gaza, providing a tense international backdrop.

Israeli competitors are being escorted by elite tactical units to and from events and are given 24-hour protection throughout the Olympics due to the war in Gaza, officials say.

The Israel delegation got some boos, but also a lot of cheers, as it sailed by spectators, Reuters reporters saw. Chants of "Palestine! Palestine! Palestine!" rose from the crowd as the boat passed.

Macron, who won a second mandate two years ago, had hoped the Olympics would cement his legacy. But his failed bet on a snap legislative election has weakened him and cast a shadow over his moment on the international stage.