A Close-Up on Mysteries Made of Stone in Saudi Arabia’s Desert

A bull's eye and triangle formation at Samhah as it's seen from Google Earth. (The New York Times)
A bull's eye and triangle formation at Samhah as it's seen from Google Earth. (The New York Times)
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A Close-Up on Mysteries Made of Stone in Saudi Arabia’s Desert

A bull's eye and triangle formation at Samhah as it's seen from Google Earth. (The New York Times)
A bull's eye and triangle formation at Samhah as it's seen from Google Earth. (The New York Times)

Structures that may have been created by ancient tribes could only be studied using Google Earth. Saudi officials finally invited an archaeologist to observe them via helicopter.

For nearly a decade, Dr. David Kennedy marveled from behind his computer screen at thousands of mysterious stone structures scattered across Saudi Arabia’s desert. With Google Earth’s satellite imagery at his fingertips, the archaeologist peeked at burial sites and other so-called Works of the Old Men, created by nomadic tribes thousands of years ago.

But he was unable to secure permission to visit the country to observe up close the ancient designs that he and amateur archaeologists had studied from their desktops.

Last month, after announcing he had identified nearly 400 stone “gates,” Kennedy received the invitation of a lifetime from Saudi officials to investigate the hidden structures from a helicopter.

“They are absolutely astonishing,” said Kennedy, who recently retired from the University of Western Australia. “From 500 feet, you can see the vital details of structures that are invisible in the fuzzy image on Google Earth.”

Over the course of three days, he snapped more than 6,000 aerial photographs, lifting the veil on the ancient wonders.

Since 1997, Kennedy has studied similar structures in neighboring Jordan from the ground and sky. Many of the stone figures in both countries are in basalt fields known as harrats. The fields often feature dried up lava streams that twist and turn like slithering snakes across the dark landscape.

In Saudi Arabia, he explored 200 sites from the air across the regions of Harrat Khaybar and Harrat Uwayrid. The structures he observed ranged in shapes and sizes, which he describes as gates, kites, triangles, bull’s eyes and keyholes.

Of the 400 structures he describes as “gates” that he had identified on Google Earth, Kennedy studied about 40 from the helicopter and found that the structures were not randomly put together.

“We could see immediately they were much more complicated than they appeared on Google Earth,” Kennedy said. They were not simply heaps of stone.

Rather, each long bar was actually made up of two parallel lines of flat slabs placed on their edges facing each other with small stones filling the space in between.

“They are much more sophisticated than I was prepared for,” he said.

Some gates were larger than 1,000 feet long and 250 feet wide. He suspected the oldest may be about 9,000 years old. Though he is not sure of their purpose, he speculated they may have been used for farming purposes.

Kennedy also got a closer look at about a dozen of the “kites” that were first discovered in the Middle East by pilots in the 1920s. These are the most famous of the Works of the Old Men, and Kennedy has identified more than 900 of them in Saudi Arabia’s Harrat Khaybar.

From above, they typically resemble kites with strings and tails. They are often very large, with many stretching more than a quarter-mile. Archaeologists think gazelle were corralled into the head of the kite, where the hunters would come out to kill them. Sometimes multiple kites would overlap, so that if the animals got past one funnel they would get caught in another.

“Essentially there was no escape,” said Kennedy.

The ones in Saudi Arabia looked as if they were better built than the ones in Jordan, according to Kennedy.

The harrats were littered with the smaller structures he has named keyholes, wheels, triangles and bull’s-eyes.

Kennedy said he was surprised at how straight the lines of the triangles and keyholes were, as if the people who made them had picked out specific flat stones rather than random rocks.

Each triangle was isosceles and looked like it was pointing at something. Sometimes they were directed to a bull’s-eye that was about 15 feet or 150 feet away.

There were also several keyhole structures, sometimes lined up together. The heads of the keyholes were almost always near-perfect circles, and the walls were about three feet high.

These structures may have served some funerary or symbolic purpose. Kennedy did not date any of the structures he visited with radiocarbon testing, but he said that future groups should perform more thorough analysis.

“It’s absolutely vital that somebody follows up with serious groundwork,” he said.

Kennedy was invited by Amr AlMadani, the chief executive officer of the Royal Commission for Al-Ula Province, which was created to safeguard some of the country’s geological, historical and archaeological sites.

“Dr. Kennedy has spent many years poring over Google Earth images, and we were able to get him much closer to the sites,” said AlMadani, who joined Kennedy in the helicopter and described the experience as exciting.

“Thinking about how life was in the Arabian Peninsula and trying to imagine the way people hunted, lived and buried the dead was very much enriching,” he wrote in an email to the New York Times.

“Seeing it on Google images is one thing, but seeing it from a helicopter window from 300 feet is a totally different thing,” said Don Boyer, who accompanied Kennedy.

At the age of 70, Boyer is completing his doctorate in geo-archaeology and hydrology. “I think I was on a high the whole time. It was just remarkable. You run out of adjectives.”

Archaeologists not involved in the work called it a step forward in showing the rich and complicated prehistory of the Arabian Peninsula.

Huw Groucutt, an archaeologist at the University of Oxford, said the new images were very important, and that they can help show how human societies have modified the landscape.

“The challenge now is to conduct work on the ground,” he added.

Michael Petraglia, an archaeologist at the Max Planck Institute for the Science of Human History, agreed.

“What is so critical is to do ground survey and detailed excavation work. Otherwise, archaeological sites will often time seem mysterious and enigmatic,” he said in an email to the New York Times.

“Now the big and more difficult task is to document such structures on the ground to examine their function and to understand human life” in the region over time, he added.

The New York Times



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”