Manchester City Are Starting to Feel the Love Despite their Money

 ‘It has been a week for cosying up to this City team, finding new ways to praise their brilliance. Well, here is another one. They are also unavoidably likable.’ Illustration: Matt Johnstone
‘It has been a week for cosying up to this City team, finding new ways to praise their brilliance. Well, here is another one. They are also unavoidably likable.’ Illustration: Matt Johnstone
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Manchester City Are Starting to Feel the Love Despite their Money

 ‘It has been a week for cosying up to this City team, finding new ways to praise their brilliance. Well, here is another one. They are also unavoidably likable.’ Illustration: Matt Johnstone
‘It has been a week for cosying up to this City team, finding new ways to praise their brilliance. Well, here is another one. They are also unavoidably likable.’ Illustration: Matt Johnstone

The devil always gets the best tunes. Watching Paris Saint-Germain overwhelm Celtic in the Champions League on Wednesday the most striking thing about PSG was not the sense of powerful gears still in reserve, or even the basic beauty of their attacking play, the way the ball skittered about between Neymar and promising loanee-trialist Kylian Mbappé like a bead of water in a pan of hot fat. The most remarkable thing was how difficult it was, suddenly, to properly dislike them.

Difficult but not impossible. It is important to emphasise this. PSG’s on-field brilliance may be a concern for any football fan committed to resenting and fearing the entire concept of “Paris Saint-Germain”, puppet-club of the world’s richest per capita nation, and an entity that has taken the idea of buying success to the most literal-minded global illuminati extreme.

But there is no need to panic just yet. There are still obstacles to a full seduction. The slightly frightening space-age-Stasi skintight plastic shirts. The romping self-regard, the absurd pileup of basking superstars. For all the craft and power of Marco Verratti and Adrien Rabiot (caution: academy product, may contain likability) it still seems absolutely vital someone manages to beat PSG this season, if only to maintain a pretence that ultimate victory must be built and crafted – and bought, of course – rather than simply assembled.

So, that’s a happy story then. The reason for noting this triumph of hate over aesthetic appeal is the contrast with Manchester City, who are also an overclass club funded by a sovereign wealth fund, albeit to a lesser degree. City made a profit last year. This is a sustainable overblown cash-splurging business these days, thanks mainly to overblown cash-splurging Premier League income.

There are limits, though. When City first brought in Pep Guardiola and gave him £300m to spend it was hard, as a neutral, to shake the feeling of a large red button being pressed, of somebody else’s pre-cooked success template being slammed into place. There are no guarantees in sport but buying the best manager and the best players comes pretty close.

For a while it seemed likely the only really interesting thing about City would be if they failed to win the league, if Guardiola were to self-destruct amusingly, whirling about on his touchline, cranium bulging, baffled by the muscle-football of the skies. City play at Huddersfield on Sunday, a game that should by rights be all about whether Huddersfield, a team valued at roughly the same amount as Raheem Sterling, can tweak the noses of the league leaders.

Except things have not quite turned out like that. It has been a week for cosying up to this City team, finding new ways to praise their brilliance through the first third of the season. Well, here is another one. They are also unavoidably likable. This isn’t always the case with mega-money teams or runaway league leaders. City are both of these. But they are also unavoidably fun, compelling, nice, watchable. Frankly they could beat Huddersfield 4-0 and have 93% possession and we’d still be tuning in eagerly to the highlights to get a little more of the juice, the good stuff.

This is in part to do with style. Should City win the league from here they will enter a tradition of striking, attack-based English champion sides. In the last 30 years this is a line that runs from that 1987-88 Liverpool team, all short-passing red-shirted menace, driven on by peak John Barnes and the bowl-headed genius of Peter Beardsley; through Fergie-era Manchester Uniteds; to the last of them, the slightly overlooked Ancelotti Chelsea, who could barely turn around without burping out a few more goals, a 4-0 there, a 7-1 here.

The unusual thing about City in this company is they play with a real lightness of touch, the kind of puppyish forward motion that doesn’t often end up winning titles. In terms of pure pleasure, it’s like watching a hard-edged version of Alan Devonshire-era West Ham, or some early Emirates Arsenal League Cup team, all Tuesday night trills and brittle brilliance, but somehow also actually going out and looking like winning the league.

A team this fun can even redeem another one-horse title race if that is the way we are headed. City’s season already feels like it’s less about points, more about style and method and chasing the moment, football as an ideal, as something perfectible.

And for all the money, this is still a human-scale achievement. City haven’t simply gone out and hurled a diamond the size of the moon at Lionel Messi’s head. Something has been built here. Guardiola has pinned his reputation on being able to wring the most out of a high-end front three aged 20, 21 and 22.

For months Sterling, in particular, was a source of frustration, to the extent Guardiola took to painting a chalk spot on the training pitch to show him where to stand. And yet, a year and half on, every player in the first XI has been improved in some way, from the obvious slimmed down all-out brilliance of Kevin De Bruyne to Fabian Delph’s turn as an excitingly funky left-back.

There is a relentlessness to this, a refusal to dial it back, to let things simply tick over. In the last week the loss of John Stones to injury has brought the news from Spain that City could look to shore up this central-defensive weakness by signing king of the mooching pirouette Riyad Mahrez. Yes! More! Don’t stop!

From here mid-season collapse would perhaps be even more beautiful, Guardiola stricken on his touchline, Captain Ahab in emu-feather thousand-dollar Converse trainers. But really, there is already a kind of triumph for this team, trophies or not, in the pitch and style of the current run, not to mention a fascination over where they might end up.

For the first time in a while nobody looks particularly unbeatable in the Champions League, although memories of the way Monaco ripped through last season’s team will still linger. From a certain angle it seem oddly inevitable City will end up playing PSG at some high-stakes late stage, two sides of the Gulf blockade in a soft-power arm wrestle, played out by a cast of scampering Brazilians.

Either way there is already something beautiful here, a reminder of the peculiar ability of sport to transcend the industrial-scale inanities around it and produce through the fug of distraction, the wrestle of interests, something that is still somehow uplifting and pure.

The Guardian Sport



Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
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Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)

Jannik Sinner powered past Alexei Popyrin in straight sets on Wednesday to reach the last eight of the Qatar Open and edge closer to a possible final meeting with Carlos Alcaraz.

The Italian, playing his first tournament since losing to Novak Djokovic in the Australian Open semi-finals last month, eased to a 6-3, 7-5 second-round win in Doha.

Sinner will play Jakub Mensik in Thursday's quarter-finals.

Australian world number 53 Popyrin battled gamely but failed to create a break-point opportunity against his clinical opponent.

Sinner dropped just three points on serve in an excellent first set which he took courtesy of a break in the sixth game.

Popyrin fought hard in the second but could not force a tie-break as Sinner broke to grab a 6-5 lead before confidently serving it out.

World number one Alcaraz takes on Frenchman Valentin Royer in his second-round match later.


Ukraine's Officials to Boycott Paralympics over Russian Flag Decision

Milano Cortina 2026 Winter Olympics - Skeleton - Interview with Ukraine Youth and Sports minister Matvii Bidnyi - N H Hotel, Milan, Italy - February 12, 2026 Ukraine Youth and Sports Minister Matvii Bidnyi speaks after the disqualification of Ukrainian skeleton racer Vladyslav Heraskevych from the Winter Games. REUTERS/Kevin Coombs
Milano Cortina 2026 Winter Olympics - Skeleton - Interview with Ukraine Youth and Sports minister Matvii Bidnyi - N H Hotel, Milan, Italy - February 12, 2026 Ukraine Youth and Sports Minister Matvii Bidnyi speaks after the disqualification of Ukrainian skeleton racer Vladyslav Heraskevych from the Winter Games. REUTERS/Kevin Coombs
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Ukraine's Officials to Boycott Paralympics over Russian Flag Decision

Milano Cortina 2026 Winter Olympics - Skeleton - Interview with Ukraine Youth and Sports minister Matvii Bidnyi - N H Hotel, Milan, Italy - February 12, 2026 Ukraine Youth and Sports Minister Matvii Bidnyi speaks after the disqualification of Ukrainian skeleton racer Vladyslav Heraskevych from the Winter Games. REUTERS/Kevin Coombs
Milano Cortina 2026 Winter Olympics - Skeleton - Interview with Ukraine Youth and Sports minister Matvii Bidnyi - N H Hotel, Milan, Italy - February 12, 2026 Ukraine Youth and Sports Minister Matvii Bidnyi speaks after the disqualification of Ukrainian skeleton racer Vladyslav Heraskevych from the Winter Games. REUTERS/Kevin Coombs

Ukrainian officials will boycott the Paralympic Winter Games, Kyiv said Wednesday, after the International Paralympic Committee allowed Russian athletes to compete under their national flag.

Ukraine also urged other countries to shun next month's Opening Ceremony in Verona on March 6, in part of a growing standoff between Kyiv and international sporting federations four years after Russia invaded.

Six Russians and four Belarusians will be allowed to take part under their own flags at the Milan-Cortina Paralympics rather than as neutral athletes, the Games' governing body confirmed to AFP on Tuesday.

Russia has been mostly banned from international sport since Moscow invaded Ukraine. The IPC's decision triggered fury in Ukraine.

Ukraine's sports minister Matviy Bidny called the decision "outrageous", and accused Russia and Belarus of turning "sport into a tool of war, lies, and contempt."

"Ukrainian public officials will not attend the Paralympic Games. We will not be present at the opening ceremony," he said on social media.

"We will not take part in any other official Paralympic events," he added.

Ukrainian Foreign Minister Andriy Sybiga said he had instructed Kyiv's ambassadors to urge other countries to also shun the opening ceremony.

"Allowing the flags of aggressor states to be raised at the Paralympic Games while Russia's war against Ukraine rages on is wrong -- morally and politically," Sybiga said on social media.

The EU's sports commissioner Glenn Micallef said he would also skip the opening ceremony.

- Kyiv demands apology -

The IPC's decision comes amid already heightened tensions between Ukraine and the International Olympic Committee, overseeing the Winter Olympics currently underway.

The IOC banned Ukrainian skeleton racer Vladyslav Heraskevych for refusing to ditch a helmet depicting victims of the war with Russia.

Ukraine was further angered that the woman chosen to carry the "Ukraine" name card and lead its team out during the Opening Ceremony of the Games was revealed to be Russian.

Media reports called the woman an anti-Kremlin Russian woman living in Milan for years.

"Picking a Russian person to carry the nameplate is despicable," Kyiv's foreign ministry spokesman Georgiy Tykhy said at a briefing in response to a question by AFP.

He called it a "severe violation of the Olympic Charter" and demanded an apology.

And Kyiv also riled earlier this month at FIFA boss Gianni Infantino saying he believed it was time to reinstate Russia in international football.

- 'War, lies and contempt' -

Valeriy Sushkevych, president of the Ukrainian Paralympic Committee told AFP on Tuesday that Kyiv's athletes would not boycott the Paralympics.

Ukraine traditionally performs strongly at the Winter Paralympics, coming second in the medals table four years ago in Beijing.

"If we do not go, it would mean allowing Putin to claim a victory over Ukrainian Paralympians and over Ukraine by excluding us from the Games," said the 71-year-old in an interview.

"That will not happen!"

Russia was awarded two slots in alpine skiing, two in cross-country skiing and two in snowboarding. The four Belarusian slots are all in cross-country skiing.

The International Paralympic Committee (IPC) said earlier those athletes would be "treated like (those from) any other country".

The IPC unexpectedly lifted its suspension on Russian and Belarusian athletes at the organisation's general assembly in September.


'Not Here for Medals', Nakai Says after Leading Japanese Charge at Olympics

Ami Nakai of Japan competes during the women's short program figure skating at the 2026 Winter Olympics, in Milan, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Ashley Landis)
Ami Nakai of Japan competes during the women's short program figure skating at the 2026 Winter Olympics, in Milan, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Ashley Landis)
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'Not Here for Medals', Nakai Says after Leading Japanese Charge at Olympics

Ami Nakai of Japan competes during the women's short program figure skating at the 2026 Winter Olympics, in Milan, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Ashley Landis)
Ami Nakai of Japan competes during the women's short program figure skating at the 2026 Winter Olympics, in Milan, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Ashley Landis)

Ami Nakai entered her first Olympics insisting she was not here for medals — but after the short program at the Milano Cortina Games, the 17-year-old figure skater found herself at the top, ahead of national icon Kaori Sakamoto and rising star Mone Chiba.

Japan finished first, second, and fourth on Tuesday, cementing a formidable presence heading into the free skate on Thursday. American Alysa Liu finished third.

Nakai's clean, confident skate was anchored by a soaring triple Axel. She approached the moment with an ease unusual for an Olympic debut.

"I'm not here at this Olympics with the goal of achieving a high result, I'm really looking forward to enjoying this Olympics as much as I can, till the very last moment," she said.

"Since this is my first Olympics, I had nothing to lose, and that mindset definitely translated into my results," she said.

Her carefree confidence has unexpectedly put her in medal contention, though she cannot imagine herself surpassing Sakamoto, the three-time world champion who is skating the final chapter of her competitive career. Nakai scored 78.71 points in the short program, ahead of Sakamoto's 77.23.

"There's no way I stand a chance against Kaori right now," Nakai said. "I'm just enjoying these Olympics and trying my best."

Sakamoto, 25, who has said she will retire after these Games, is chasing the one accolade missing from her resume: Olympic gold.

Having already secured a bronze in Beijing in 2022 and team silvers in both Beijing and Milan, she now aims to cap her career with an individual title.

She delivered a polished short program to "Time to Say Goodbye," earning a standing ovation.

Sakamoto later said she managed her nerves well and felt satisfied, adding that having three Japanese skaters in the top four spots "really proves that Japan is getting stronger". She did not feel unnerved about finishing behind Nakai, who also bested her at the Grand Prix de France in October.

"I expected to be surpassed after she landed a triple Axel ... but the most important thing is how much I can concentrate on my own performance, do my best, stay focused for the free skate," she said.

Chiba placed fourth and said she felt energised heading into the free skate, especially after choosing to perform to music from the soundtrack of "Romeo and Juliet" in Italy.

"The rankings are really decided in the free program, so I'll just try to stay calm and focused in the free program and perform my own style without any mistakes," said the 20-year-old, widely regarded as the rising all-rounder whose steady ascent has made her one of Japan's most promising skaters.

All three skaters mentioned how seeing Japanese pair Riku Miura and Ryuichi Kihara deliver a stunning comeback, storming from fifth place after a shaky short program to capture Japan's first Olympic figure skating pairs gold medal, inspired them.

"I was really moved by Riku and Ryuichi last night," Chiba said. "The three of us girls talked about trying to live up to that standard."