Switzerland Hosts Biggest Alpine Horn Festival

Alphorn blowers perform an ensemble piece on the last day of the Alphorn International Festival in Nendaz, southern Switzerland. (Reuters)
Alphorn blowers perform an ensemble piece on the last day of the Alphorn International Festival in Nendaz, southern Switzerland. (Reuters)
TT

Switzerland Hosts Biggest Alpine Horn Festival

Alphorn blowers perform an ensemble piece on the last day of the Alphorn International Festival in Nendaz, southern Switzerland. (Reuters)
Alphorn blowers perform an ensemble piece on the last day of the Alphorn International Festival in Nendaz, southern Switzerland. (Reuters)

The soft sounds of hundreds of wooden Swiss alpine horns filled the valley below Switzerland’s Mount Tracouet on Sunday, as the world’s largest festival of its kind concluded after three days.

According to Reuters, the traditional instruments, alphorn in German or cor des Alpes in French, look like supersized smoking pipes.

Over three meters long and built in several connecting pieces to make transport manageable, they are beloved by many Swiss for whom the somber tones conjure images of snow-topped mountain peaks swirling in the clouds.

While the horns have been used by mountain dwellers in Switzerland, Germany, France and elsewhere, they are commonly associated with the traditional Swiss agrarian culture that dominates the country’s Alpine hinterlands. They were used historically by herders to call to their cows.

Over 3,500 people attended this year’s event in the ski town of Nendaz in the Swiss canton of Valais above the Rhone River valley.

Competitors, solo and in ensembles, vied for the rights to call themselves among the best alpine horn blowers in the world. Some 200 men and women dressed in folk costumes and blowing fiercely into their instruments united for the grand finale where they play simultaneously.

Judges were sequestered inside a tent where they could not see who is playing, allowing them to score with impartiality.

Switzerland even has an alphorn academy, a 20-year-old Montreux-based group that seeks to promote the instrument at home and around the world.



Scientists Rebuild Face of 400-year-old Polish 'Vampire'

A three-dimensional reconstruction of Zosia's face, a woman buried as a vampire, is pictured, in this undated handout photo taken in Stockholm, Sweden. Oscar Nilsson - Project Pien/Handout via REUTERS
A three-dimensional reconstruction of Zosia's face, a woman buried as a vampire, is pictured, in this undated handout photo taken in Stockholm, Sweden. Oscar Nilsson - Project Pien/Handout via REUTERS
TT

Scientists Rebuild Face of 400-year-old Polish 'Vampire'

A three-dimensional reconstruction of Zosia's face, a woman buried as a vampire, is pictured, in this undated handout photo taken in Stockholm, Sweden. Oscar Nilsson - Project Pien/Handout via REUTERS
A three-dimensional reconstruction of Zosia's face, a woman buried as a vampire, is pictured, in this undated handout photo taken in Stockholm, Sweden. Oscar Nilsson - Project Pien/Handout via REUTERS

Buried with a padlock on her foot and an iron sickle across her neck, "Zosia" was never supposed to be able to come back from the dead.
Entombed in an unmarked cemetery in Pien, northern Poland, the young woman was one of dozens feared by her neighbors to have been a "vampire".
Now, using DNA, 3D printing and modelling clay, a team of scientists has reconstructed Zosia's 400-year-old face, revealing the human story buried by supernatural beliefs, Reuters reported.
"It's really ironic, in a way," said Swedish archaeologist Oscar Nilsson. "These people burying her, they did everything they could in order to prevent her from coming back from the dead... we have done everything we can in order to bring her back to life."
Zosia, as she was named by locals, was found in 2022 by a team of archaeologists from Torun's Nicolaus Copernicus University.
Aged 18-20 when she died, analysis of Zosia's skull suggests she suffered from a health condition which would have caused fainting and severe headaches, as well as possible mental health issues, Nilsson said.
The sickle, the padlock and certain types of wood found at the grave site were all believed at the time to hold magical properties protecting against vampires, according to the Nicolaus Copernicus team.
Zosia's was Grave No. 75 at the unmarked cemetery in Pien, outside the northern city of Bydgoszcz. Among the other bodies found at the site was a "vampire" child, buried face down and similarly padlocked at the foot.
Little is known of Zosia's life, but Nilsson and the Pien team say items she was buried with point to her being from a wealthy — possibly noble — family.
The 17th century Europe she lived in was ravaged by war, something Nilsson suggests created a climate of fear in which belief in supernatural monsters was commonplace.
Nilsson's recreation began with creating a 3D printed replica of the skull, before gradually building layers of plasticine clay "muscle by muscle" to form a life-like face.
He uses bone structure combined with information on gender, age, ethnicity and approximate weight to estimate the depth of facial features.
"It's emotional to watch a face coming back from the dead, especially when you know the story about this young girl," Nilsson says.
Nilsson said he wanted to bring Zosia back "as a human, and not as this monster that she is buried as".