After Rescue, Gaza's Only Grand Piano Makes Public Comeback

Japanese pianist Kaoru Imahigashi plays the piano during a concert to mark the debut of Gaza's only grand piano after it was rescued from conflict. (AP)
Japanese pianist Kaoru Imahigashi plays the piano during a concert to mark the debut of Gaza's only grand piano after it was rescued from conflict. (AP)
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After Rescue, Gaza's Only Grand Piano Makes Public Comeback

Japanese pianist Kaoru Imahigashi plays the piano during a concert to mark the debut of Gaza's only grand piano after it was rescued from conflict. (AP)
Japanese pianist Kaoru Imahigashi plays the piano during a concert to mark the debut of Gaza's only grand piano after it was rescued from conflict. (AP)

The only grand piano in the Gaza Strip was played in public for the first time in a decade, following a complicated international restoration effort to fix the instrument after it was nearly destroyed in an Israeli airstrike, said a report by The Associated Press.

Some 300 fans attended the performance on Sunday, staring in awed silence as Japanese and local artists performed for them. For many, it was the first time they had ever heard a piano performed live.

"Playing this piano is feeling like playing history," said Japanese pianist Kaoru Imahigashi. "It's amazing. I felt the prayer of peace for many people."

The piano's story goes back many years, mirroring in many ways the story of Gaza.

The Japanese government donated the piano some 20 years ago, following interim peace accords between Israel and the Palestinians. At the time, Gaza was envisioned as becoming the Singapore of the Middle East.

Fayez Sersawi, a Culture Ministry official, said he was responsible for receiving the piano, which was placed at a large theater in the newly built al-Nawras resort in northern Gaza. He said music festivals were a regular activity before the beginning of the second Palestinian uprising against Israeli occupation in 2000, said the AP.

In 2007, the resort closed the theater and the swimming pool and scaled down most activities after the Hamas movement took control of Gaza by force after winning legislative elections.

Under Hamas rule, many forms of public entertainment, including bars, movie theaters and concert halls, have been shuttered.

An ensuing Israeli blockade, meant to weaken Hamas, and severe damage after a three-week war with Israel in January 2009 closed the resort altogether.

The piano was silenced and sat unused until 2014, when an Israeli airstrike during a third war with Hamas destroyed the al-Nawras hall. The piano was miraculously found unscathed, but rickety and unplayable, reported the AP.

After the piano was discovered, the Japanese International Cooperation Agency, which sponsors development programs in Gaza, got involved.

The Japanese Foreign Ministry confirmed that a piano was donated to the Palestinian Authority in 1998. Workers from the cooperation agency took the serial number and contacted Yamaha, its producer. The company confirmed that the instrument had been manufactured between 1997 and 1998.

"Everything matched," said Yuko Mitzui, a representative of the cooperation agency.

The Belgian nonprofit group Music Fund, which supports music instruction in the Palestinian areas, sent a French expert in 2015 to restore the piano. Another Belgium restorer visited Gaza last month and put the final touches on the instrument. A limited, private concert was held as trial.

On Sunday evening, all 300 seats of the theater hall at the Palestine Red Crescent Society were occupied with fans of all ages, as the rapt audience listened eagerly and clapped in applause at the end of each performance.

Kaoru, the pianist, stroked the keys smoothly as opera singer Fujiko Hirai performed the Japanese folk song "Fantasy on Sakura Sakura."

It was the first time that Yasmin Elian, 22, attended a piano concert. "I liked how people interacted" with the artists, she said. "This encourages me to learn piano."

Gaza has one music school, the Edward Said Conservatory, with 180 students. It suffers a lack of funding and operates in several rented rooms at the rescue services' main ambulance station.

A group of students from the conservatory partnered with the Japanese artists and played the Palestinian national anthem, drawing huge applause from the audience.

Ismail Daoud, a conductor who heads the school, said it's hard to bring pianos to Gaza because of their weight and their prices, but that his school "desperately needs them."

In 2009, Washington-based aid group Anera bought two upright pianos to Gaza and helped coordinate their crossing through Israel's then strictly closed border.

Now, the Culture Ministry has given the piano to the conservatory — "to the place where it belongs and where it should be," Daoud said. "The revival of the piano is like the revival of the Palestinian people."



Venice Is Sinking… But Italian Engineer Suggests Plan to Lift the City

Boats sail on a canal as flags of EU, Italy and Venice fly at half-mast at the building of Veneto Regional Council to pay tribute to the late Pope Francis in Venice on April 22, 2025. (Photo by Sergei GAPON / AFP)
Boats sail on a canal as flags of EU, Italy and Venice fly at half-mast at the building of Veneto Regional Council to pay tribute to the late Pope Francis in Venice on April 22, 2025. (Photo by Sergei GAPON / AFP)
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Venice Is Sinking… But Italian Engineer Suggests Plan to Lift the City

Boats sail on a canal as flags of EU, Italy and Venice fly at half-mast at the building of Veneto Regional Council to pay tribute to the late Pope Francis in Venice on April 22, 2025. (Photo by Sergei GAPON / AFP)
Boats sail on a canal as flags of EU, Italy and Venice fly at half-mast at the building of Veneto Regional Council to pay tribute to the late Pope Francis in Venice on April 22, 2025. (Photo by Sergei GAPON / AFP)

It’s the “floating city” but also the sinking city. In the past century, Venice has subsided by around 25 centimeters, or nearly 10 inches, CNN reported.

Meanwhile, the average sea level in Venice has risen nearly a foot since 1900.

It’s a tortuous pairing that means one thing: Not just regular flooding, but an inexorable slump of this most beloved of cities into the watery depths of its famous lagoon.

For visitors, its precarious status is part of the attraction of Venice — a need to visit now before it’s too late, a symbol that humanity cannot win against the power of nature.

For Venetians, the city’s island location has for centuries provided safety against invasion, but also challenges.

Tides have got ever higher and more frequent as the climate crisis intensifies. And the city sinks around two millimeters a year due to regular subsidence.

But what if you could just... raise the city? It sounds like science fiction. In fact it’s the idea of a highly respected engineer who thinks it could be the key to saving Venice.

While the Italian government is currently spending millions of euros each year raising flood barriers to block exceptionally high tides from entering the lagoon, Pietro Teatini, associate professor in hydrology and hydraulic engineering at the nearby University of Padua, says that pumping water into the earth deep below the city would raise the seabed on which it sits, pushing Venice skyward.

By raising the level of the city by 30 centimeters (just under 12 inches), Teatini believes that he could gift Venice two or three decades — during which time the city could work out a permanent way to fight the rising tides.

“We can say we have in front of us 50 years [including the lifespan of the MOSE] to develop a new strategy,” he says, according to CNN. “We have to develop a much more drastic project.”