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Lebanese Hoda Barakat Wins Arab Booker Prize

Lebanese writer Hoda Barakat, photographed in 2015 after she was short listed for the Man Booker International Prize (AFP Photo/ADRIAN DENNIS)
Lebanese writer Hoda Barakat, photographed in 2015 after she was short listed for the Man Booker International Prize (AFP Photo/ADRIAN DENNIS)
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Lebanese Hoda Barakat Wins Arab Booker Prize

Lebanese writer Hoda Barakat, photographed in 2015 after she was short listed for the Man Booker International Prize (AFP Photo/ADRIAN DENNIS)
Lebanese writer Hoda Barakat, photographed in 2015 after she was short listed for the Man Booker International Prize (AFP Photo/ADRIAN DENNIS)

Lebanese author Hoda Barakat won the Booker International Prize for Arabic fiction for her novel “The Night Mail”.

In a statement, the Chair of Judges, Charafdine Majdouline, said: "The Night Mail is a highly accomplished novel that stands out for its condensed economy of language, narrative structure, and capacity to convey the inner workings of human beings. By choosing to use techniques well-known in novel writing, Barakat faced a challenge, but she succeeded in creatively innovating within the tradition to successfully convince the reader.”

The International Prize for Arabic Fiction (IPAF) is the Arab world’s prestigious literary prize.

Barakat received her award at a ceremony held at the Fairmont Bab Al Bahr in Abu Dhabi.

A summary published on IPAF website said “The Night Mail” tells the stories of letter writers.

“The letters are lost, like the people who have penned them, but each is linked to another and their fates are woven together, like those of their owners. The writers are foreigners, either immigrants by choice or forced by circumstance to leave their countries; exiled and homeless, orphans of their countries with fractured destinies,” it said.

“The novel’s realm is — like the times we live in — one of deep questioning and ambiguity, where boundaries have been erased, and old places and homes lost forever,” it added.

Barakat is a Lebanese novelist, who was born in Beirut in 1952. She has worked in teaching and journalism and currently lives in France. She has published six novels, two plays, a book of short stories and a book of memoirs.

Barakat received the ‘Chevalier de l’Ordre des Arts et des Lettres’ in 2002 and the ‘Chevalier de l’Ordre du Mérite National’ in 2008. Her novels include: The Stone of Laughter (1990), Disciples of Passion (1993), The Tiller of Waters (2000) which won the Naguib Mahfouz Medal for Literature in that year, and My Master and my Lover (2004). Her fifth novel, The Kingdom of This Earth (2012), reached the IPAF longlist in 2013. In 2015, she was a finalist for the Man Booker International Prize, given (at that time) every two years to honor a writer’s overall contribution to fiction on the world stage.

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Varieties

Jungle Music: Chimp Drumming Reveals Building Blocks of Human Rhythm

In this photo provided by researchers, a wild male chimpanzee produces a pant-hoot call to elicit a response from distant group members and reunite with them in the Budongo Forest of Uganda in June 2016. (Adrian Soldati via AP)
In this photo provided by researchers, a wild male chimpanzee produces a pant-hoot call to elicit a response from distant group members and reunite with them in the Budongo Forest of Uganda in June 2016. (Adrian Soldati via AP)
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Jungle Music: Chimp Drumming Reveals Building Blocks of Human Rhythm

In this photo provided by researchers, a wild male chimpanzee produces a pant-hoot call to elicit a response from distant group members and reunite with them in the Budongo Forest of Uganda in June 2016. (Adrian Soldati via AP)
In this photo provided by researchers, a wild male chimpanzee produces a pant-hoot call to elicit a response from distant group members and reunite with them in the Budongo Forest of Uganda in June 2016. (Adrian Soldati via AP)

Like humans, chimpanzees drum with distinct rhythms - and two subspecies living on opposite sides of Africa have their own signature styles, according to a study published in Current Biology.

Previous work showed chimpanzees pound the huge flared buttress roots of rainforest trees to broadcast low‑frequency booms through dense foliage.

The idea that ape drumming might hold clues to the origins of human musicality has long fascinated scientists, but collecting enough clean data amid the cacophony of the jungle had, until now, proven elusive.

“Finally we've been able to quantify that chimps drum rhythmically - they don't just randomly drum,” lead author Vesta Eleuteri of the University of Vienna told AFP.

The findings lend fresh weight to the theory that the raw ingredients of human music were present before our evolutionary split from chimpanzees six million years ago.

For the new study, Eleuteri and colleagues - including senior authors Catherine Hobaiter of the University of St Andrews in the UK and Andrea Ravignani of Sapienza University in Rome - compiled more than a century's worth of observational data.

After cutting through the noise, the team focused on 371 high-quality drumming bouts recorded from 11 chimpanzee communities across six populations living in both rainforest and savannah-woodland habitats across eastern and western Africa.

Their analysis showed that chimpanzees drum with definitive rhythmic intent - the timing of their strikes is not random.

Distinct differences also emerged between subspecies: western chimpanzees tended to produce more evenly timed beats, while eastern chimpanzees more frequently alternated between shorter and longer intervals.

Western chimps also drummed more frequently, kept a quicker tempo, and began drumming earlier in their signature chimp calls, made up of rapid pants and hoots.

The researchers do not yet know what is driving the differences - but they propose that it might signify differences in social dynamics.

The western chimps' faster, predictable pulse might promote or be evidence of greater social cohesion, the authors argue, noting that western groups are generally less aggressive toward outsiders.

By contrast, the eastern apes' variable rhythms could carry extra nuance - handy for locating or signaling companions when their parties are more widely dispersed.

Next, Hobaiter says she would like to study the data further to understand whether there are intergenerational differences between rhythms within the same groups.

“Music is not only a difference between different musical styles, but a musical style like rock or jazz, is itself going to evolve over time,” she said.

“We're actually going to have to find a way to tease apart group and intergenerational differences to get at that question of whether or not it is socially learned,” she said. “Do you have one guy that comes in with a new style and the next generation picks it up?”