Bashir's Overthrow Inspires Sudan Graffiti Artists

Once-grey walls near the military headquarters are painted with large clenched fists and victory signs symbolic of the popular uprising. (AFP)
Once-grey walls near the military headquarters are painted with large clenched fists and victory signs symbolic of the popular uprising. (AFP)
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Bashir's Overthrow Inspires Sudan Graffiti Artists

Once-grey walls near the military headquarters are painted with large clenched fists and victory signs symbolic of the popular uprising. (AFP)
Once-grey walls near the military headquarters are painted with large clenched fists and victory signs symbolic of the popular uprising. (AFP)

With the fall of veteran leader Omar al-Bashir, Sudan's long stifled graffiti artists are finally able to express their art, painting the country's revolution in murals and portraits flourishing across Khartoum's walls.

Inspired by the months-long protest movement that finally toppled Bashir on April 11, several artists are using the walls near the army headquarters as a canvas, said an AFP report on Thursday.

The once-grey walls close to the complex, where thousands of protesters remain encamped, are full of large clenched fists and victory signs symbolic of the popular uprising that ended Bashir's rule.

Bright murals of Sudanese flags and portraits of protest leaders have also come up near the complex.

"It was unimaginable to paint any wall without a permit, let alone around the army building, but this revolution has changed everything," said Lotfy Abdel Fattah, who specializes in fine art.

"Even if it's wiped out some day, the drawings will leave an everlasting mark on people's minds," the 35-year-old told AFP.

For years such artwork remained underground amid censorship imposed by heavy-handed security agents, who considered it anti-establishment or pure vandalism.

But artists say everything changed on April 6, when thousands of protesters broke through security cordons and massed outside the army headquarters.

They braved volleys of tear gas to demand the military depose Bashir after three decades, while a day later graffiti artists began publicly exhibiting their work at the protest site and elsewhere in Khartoum.

"People welcomed our drawings and we felt we should start painting all the walls," said 26-year old Amir Saleh, a graffiti artist working on a mural outside the military complex.

"All of these walls were empty. We, along with other artists, have filled them with graffiti," added Saleh, who took part in anti-Bashir rallies from December.

"We just wanted to tell the story of what's happening here."

Saleh said many of the designs reflect the protest movement's catchcry of "freedom, peace, justice".

"The revolution has to keep on going... freedom and security are at the core," he said.

Painting fluorescent shades of orange across a wall, 26-year-old Belal Abdelrahman said he was inspired by the protesters' call: "just fall, that's all."

Many murals attempt to show the peaceful nature of the protest movement, including one image of a clenched fist facing two large bullets.

"This just shows that the people's determination to bring down Bashir was much bigger than the bullets his security met the protests with," Abdelrahman said.

Officials say at least 65 people have died in protest-related violence since December.

Artists have blazoned one wall with a rifle -- symbolic of the violent crackdown on anti-Bashir demonstrators -- with a red flower protruding from its muzzle.

"These are peaceful protests and they will remain so," Abdelrahman said, according to AFP.

Some artists like Abdel Fattah, who has been painting murals for more than a decade, are keen to show the vibrant future of Sudan.

"I usually depict Sudan as a country covered in lush greenery and flowers to show that it has a lot to offer," he said.

Even as these artists enjoy their first stroke of freedom, they all complain of a shortage of materials.

"It is supposed to be done using sprays, but it's unavailable and very expensive to import. What we have is regular paint," said Abdelrahman.

Hit by an acute foreign currency shortage, Sudan's economy has only worsened over the years.

The ongoing protest movement threatens to further derail the economy, but demonstrators are firm in their demand that the new military rulers hand over power to civilians.

And graffiti artists support the protesters.

"We want a more open Sudan, one that accepts art and promotes freedom of expression," said Saleh.

"This is just the beginning of the revolution. Hopefully, the whole of Sudan will be dressed in bright colors."



Explorer: Sonar Image Was Rock Formation, Not Amelia Earhart Plane

A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
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Explorer: Sonar Image Was Rock Formation, Not Amelia Earhart Plane

A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP

A sonar image suspected of showing the remains of the plane of Amelia Earhart, the famed American aviatrix who disappeared over the Pacific in 1937, has turned out to be a rock formation.

Deep Sea Vision (DSV), a South Carolina-based firm, released the blurry image in January captured by an unmanned submersible of what it said may be Earhart's plane on the seafloor.

Not so, the company said in an update on Instagram this month, AFP reported.

"After 11 months the waiting has finally ended and unfortunately our target was not Amelia's Electra 10E (just a natural rock formation)," Deep Sea Vision said.

"As we speak DSV continues to search," it said. "The plot thickens with still no evidence of her disappearance ever found."

The image was taken by DSV during an extensive search in an area of the Pacific to the west of Earhart's planned destination, remote Howland Island.

Earhart went missing while on a pioneering round-the-world flight with navigator Fred Noonan.

Her disappearance is one of the most tantalizing mysteries in aviation lore, fascinating historians for decades and spawning books, movies and theories galore.

The prevailing belief is that Earhart, 39, and Noonan, 44, ran out of fuel and ditched their twin-engine Lockheed Electra in the Pacific near Howland Island while on one of the final legs of their epic journey.

Earhart, who won fame in 1932 as the first woman to fly solo across the Atlantic, took off on May 20, 1937 from Oakland, California, hoping to become the first woman to fly around the world.

She and Noonan vanished on July 2, 1937 after taking off from Lae, Papua New Guinea, on a challenging 2,500-mile (4,000-kilometer) flight to refuel on Howland Island, a speck of a US territory between Australia and Hawaii.

They never made it.