By a Thread: Thai Muslim Family Keeps Silk Weaving Heritage Alive

This photo taken on May 22, 2019 shows Rampai Sripetch, a 65-year-old Thai Muslim woman, weaving silk fabric on a loom at a workshop near Darul Falah mosque in Bangkok. (AFP)
This photo taken on May 22, 2019 shows Rampai Sripetch, a 65-year-old Thai Muslim woman, weaving silk fabric on a loom at a workshop near Darul Falah mosque in Bangkok. (AFP)
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By a Thread: Thai Muslim Family Keeps Silk Weaving Heritage Alive

This photo taken on May 22, 2019 shows Rampai Sripetch, a 65-year-old Thai Muslim woman, weaving silk fabric on a loom at a workshop near Darul Falah mosque in Bangkok. (AFP)
This photo taken on May 22, 2019 shows Rampai Sripetch, a 65-year-old Thai Muslim woman, weaving silk fabric on a loom at a workshop near Darul Falah mosque in Bangkok. (AFP)

Over the click-clack of the teak loom, Niphon's family laments the lack of apprentice weavers at his Bangkok silk shop, as modernity lures young Muslims away from a trade their community has dominated for generations.

They say they are the last of the Muslim weavers of Baan Krua, a storied neighborhood of dilapidated wooden houses and a mosque in downtown Bangkok, nearly engulfed by the city creep of condos and skyscrapers.

"This is Muslim heritage... Baan Krua silk is very famous," Niphon Manutha, 71, told AFP.

A typed letter from Robert Kennedy on the wall of his canalside shophouse attests to that lineage -- a gift to Niphon's parents after the then-US attorney general visited in 1962.

The craft was passed down through generations of ethnic Cham Muslim women who migrated from Cambodia centuries ago and perfected the art of turning the cocoons made by Thai silkworms into meters of soft cloth with a unique sheen coveted across the world.

Silk weaving boomed after World War II thanks to American "Silk King" Jim Thompson, who is credited with taking Thai silk global.

Thompson's house is one of the most visited tourist sites in Bangkok today, but it was across the canal in Baan Krua where he first found his suppliers among the Muslim weavers.

"He came here every morning," Niphon said, showing a photo of Thompson standing next to his mother at a loom.

At its peak Niphon's family employed 50 people, producing thousands of meters of silk a month.

But Thompson's mysterious disappearance in 1976 in Malaysia led partnerships to shrivel, while production gradually moved to the north of the country from Bangkok.

Niphon survived by switching to a custom-order model, relying on his daughter to run a website advertising bright-colored scarves, bags and elegant napkins.

But with just a handful of older working weavers left in Baan Krua the expertise from his corner of Bangkok is fading.

"It's a shame the young generation is not interested," said Niphon's sister Natcha Swanaphoom, fixing her hijab in the mirror before going outside.

Though Thailand is overwhelmingly Buddhist, about seven million Muslims make up the country's largest religious minority, and like the faithful everywhere they are observing Ramadan this month.

Muslims from Iran, Indonesia and other parts of Asia have long settled in Bangkok and around central Thailand, communities of traders and businessmen drawn to the city's location at the heart of Southeast Asia.

The largest number are descendants of ethnic Malay peoples from the southern Thai provinces bordering Malaysia who were brought to Bangkok as slave labor, according to Raymond Scupin, a cultural anthropologist, said AFP.

Many were put to work building the canals criss-crossing Bangkok that connect to the capital's Chao Phraya river, giving the city the name "Venice of the East".

Muslims also served in royal courts and the Baan Krua residents settled on land set aside by King Rama I, who founded the current Chakri dynasty in 1782.

In the modern era the royal family has cultivated deep ties with Thailand's diverse Muslim communities.

King Maha Vajiralongkorn made one of his first trips to the violence-plagued Deep South after ascending the throne in 2016.

But in Bangkok, rapid urbanization and modernity have pressed hard on tradition.

"The sense of community has changed," said Abdul Ahad, the tall white-robed imam at the Haroon mosque, one of the city's oldest in Bang Rak district.

He cited the ease of purchasing alcohol, a drift from religious observance and the megamalls sprouting up around them.

"Today the kids are using their motorbikes and then going to forbidden places," he said.

That generational gap has also been sharply felt in Baan Krua.

Niphon's shop has no traditional silk weavers under 60.

"Our staff are getting older and older," said Niphon's daughter Pattramas, 40, bemoaning the "disappearance" of hand-driven crafts to easier salaried jobs.

Thailand still exports around $15 million-worth of silk, but Vietnam and China now provide fierce competition to the lucrative US market.

"The next five to 10 years, I don't know (if anyone will be left to do it here)," she added.



Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter  waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
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Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter  waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)

The world knew Jimmy Carter as a president and humanitarian, but he also was a woodworker, painter and poet, creating a body of artistic work that reflects deeply personal views of the global community — and himself.
His portfolio illuminates his closest relationships, his spartan sensibilities and his place in the evolution of American race relations. And it continues to improve the finances of The Carter Center, his enduring legacy, The Associated Press said.
Creating art provided “the rare opportunity for privacy” in his otherwise public life, Carter said. “These times of solitude are like being in another very pleasant world.”
‘One of the best gifts of my life' Mourners at Carter’s hometown funeral will see the altar cross he carved in maple and collection plates he turned on his lathe. Great-grandchildren in the front pews at Maranatha Baptist Church slept as infants in cradles he fashioned.
The former president measured himself a “fairly proficient” craftsman. Chris Bagby, an Atlanta woodworker whose shop Carter frequented, elevated that assessment to “rather accomplished.”
Carter gleaned the basics on his father’s farm, where the Great Depression meant being a jack-of-all-trades. He learned more in shop class and with Future Farmers of America. “I made a miniature of the White House,” he recalled, insisting it was not about his ambitions.
During his Navy years, Jimmy and Rosalynn Carter chose unfurnished military housing to stretch his $300 monthly wage, and he built their furniture himself in a shop on base.
As president, Carter nurtured woodworking rather than his golf game, spending hours in a wood shop at Camp David to make small presents for family and friends. And when he left the White House, West Wing aides and Cabinet members pooled money for a shopping spree at Sears, Roebuck & Co. so he could finally assemble a full-scale home woodshop.
“One of the best gifts of my life,” Carter said.
Working in their converted garage, he previewed decades of Habitat for Humanity work by refurbishing their one-story house in Plains. He also improved his fine woodworking skills, joining wood without nails or screws. He also bought Japanese carving tools, and fashioned a chess set later owned by a Saudi prince.
Not just any customer Carter frequented Atlanta’s Highland Woodworking, a shop replete with a library of how-to books and hard-to-find tools, and recruited the world’s preeminent handmade furniture maker, Tage Frid, as an instructor, Bagby said.
Still hanging near the store entrance is a picture of Frid, who died in 2004, teaching students including a smiling former president at the front of the class.
“He was like a regular customer,” Bagby said, other than the “Secret Service agents who came with him.”
Carter built four ladder-back chairs out of hickory in 1983, and Sotheby’s auctioned them for $21,000 each at the time, the first of many sales of Carter paintings and furniture that raised millions to benefit The Carter Center.
It was rarely about the money, though. Jill Stuckey, a longtime friend who would have the Carters over to her home in Plains, recalled seeing the former president carrying out one of her chairs.
“I said, ‘What are you doing?’” she recalled. “He said, ‘It’s broken. I’m going to take it home and fix it.’”
He was at her back door at 7:30 the next morning, holding her repaired chair.
Carter compared woodworking to the results of his labor as a Navy engineer, or as a boy on the farm: “I like to see what I have done, what I have made.”
‘No special talent,' but his paintings drive auctions Carter employed a folk-art style as a late-in-life amateur painter and claimed “no special talent,” but a 2020 Carter Center auction drew $340,000 for his painting titled “Cardinals," and his oil-on-canvas of an eagle sold for $225,000 in 2023, months after he entered hospice care.
Carter’s work hangs throughout the center’s campus. A room where he met with dignitaries is encircled with birds he painted after he and Rosalynn took on bird watching as a hobby.
Near the executive offices are a self-portrait and a painting of Rosalynn in their early post-presidential years, hanging across from a trio of Andy Warhol prints showing Carter in office.
Carter’s earliest years predominate, with boyhood farm scenes and portraits of influential figures like his father James Earl Carter Sr., whose death in 1953 led him to abandon a Navy career and eventually enter politics in Georgia.
Some of his subjects, including both of his parents, are looking away. Carter's likeness of his mother shows “Miss Lillian” as a 70-year-old Peace Corps volunteer in India. Jason Carter said the piece was particularly meaningful to his grandfather, who lost reelection at a relatively youthful 56.
“When he got out of the White House, she was standing there saying, ’Well, I turned 70 in the Peace Corps. What are you going to do?” Jason Carter said.
One Carter subject who meets his gaze is a young Rosalynn — they married when she was 18 and he was 21. He described her as “remarkably beautiful, almost painfully shy, obviously intelligent, and yet unrestrained in our discussions.”
Another who doesn’t look away is Rachel Clark, a Black sharecropper who had hosted the future president after they worked in the fields. “Except for my parents, Rachel Clark was the person closest to me,” Carter wrote of his childhood.
'Just a word of praise' Carter wrote more than 30 books — even a novel — but was most introspective in poetry.
On his first real recognition of Jim Crow segregation: “A silent line was drawn between friend and friend, race and race.”
On his Cold War submarine’s delicate dance with enemies: “We wanted them to understand ... to share our love of solitude ... the peace we yearned to keep.”
Rosalynn’s smile, he gushed, silenced the birds, “or may be I failed to hear their song.”
Perhaps Carter’s most revealing poem, “I Wanted to Share My Father’s World,” concerns the man who never got to see his namesake son’s achievements. He wrote that he despised Earl’s discipline, and swallowed hunger for “just a word of praise.”
Only when he brought his own sons to visit his dying father did he “put aside the past resentments of the boy” and see “the father who will never cease to be alive in me.”