5,000 Years of Asian Art in 1 Single, Thrilling Conversation

From “Arts in China,” a bronze wine vessel in the form of a goose, Han dynasty (206 B.C.- A.D. 220). Credit...Brooklyn Museum - The New York Times
From “Arts in China,” a bronze wine vessel in the form of a goose, Han dynasty (206 B.C.- A.D. 220). Credit...Brooklyn Museum - The New York Times
TT
20

5,000 Years of Asian Art in 1 Single, Thrilling Conversation

From “Arts in China,” a bronze wine vessel in the form of a goose, Han dynasty (206 B.C.- A.D. 220). Credit...Brooklyn Museum - The New York Times
From “Arts in China,” a bronze wine vessel in the form of a goose, Han dynasty (206 B.C.- A.D. 220). Credit...Brooklyn Museum - The New York Times

Redesigning an American museum’s Asian wing is no mean feat. How to convey the very real throughlines that make terms as broad as “Chinese art” and “Japanese art” meaningful, while also doing justice to the staggering variety of these ancient, and hugely populous, cultures? And what if you are also, like every other museum, under pressure to demonstrate the relevance of your antique artifacts to the present moment?

The Brooklyn Museum, a leading collector of Asian art for more than a century, satisfies these thorny curatorial problems about as well as anyone could in the virtuosic new reinstall of its Japanese and Chinese exhibits. (“Arts of Korea,” with a fascinating array of stark, monochrome ceramics including an 800-year-old sea-green cup with a scalloped rim, opened in 2017; sections on South Asian, Southeast Asian, Buddhist, and Himalayan art are still to come.)

Contemporary pieces, including some of the 50 paintings and sculptures by Chinese or Chinese-descended artists the museum has acquired in the last five years, are now integrated into brisk historical surveys, while a specially commissioned work by the Chinese artist Xu Bing, a curious mash-up of Chinese calligraphy and the Roman alphabet, occupies its own room. Not all this contemporary work is equally strong. But altogether the curators have succeeded in pulling five millenniums of art into a single, thrilling conversation.

One of the enduring preoccupations of Chinese visual culture is a fascination with the inherent formal qualities of ink and paper. Yang Jiechang’s black-on-black “100 Layers of Ink” (1994), a glossy drawing of a crinkled monolith made by saturating rice paper with ink until it buckled, could hold its own in a gallery of postwar American or European abstraction. But Wang Tiande’s 2017 ink painting, “Map of Distant Snowy Mountain Peaks,” a precise vertical landscape marked with delicate incense burns, reminds you that the contemporary Western division between abstract and figurative doesn’t reach around the globe.

Near the new acquisitions, a rapid parade of antique pots and bowls conjures a civilization that has passed through unparalleled heights of luxury without ever shedding the earthier tastes of its prehistory. Black and white stoneware from the Song dynasty (960 to 1279) is as about as elegant as a man-made object can get, while a bronze wine vessel in the shape of a goose, dating back two millenniums to the Han dynasty, has an irresistible burlesque charm. These strands of elegance and baroque whimsy converge in a 14th-century, blue-and-white wine jar discovered in a collector’s Long Island garage in 1952. Around its immaculately detailed, exuberantly bulbous surface swim a whitefish, a mackerel, a freshwater perch and a carp — four fish whose Chinese names are homophones for a phrase meaning “honest and incorruptible.”

The New York Times



Milan’s Historic La Scala Cracks Down on Tourist Dress Code

Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
TT
20

Milan’s Historic La Scala Cracks Down on Tourist Dress Code

Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)

A historic opera house in Milan has cracked down on patrons and tourists entering the prestigious venue wearing summer attire such as shorts, tank tops and flip flops, warning they will be turned away if not dressed appropriately.

The opera was seen as a symbol of wealth and exclusivity in 19th-century high society, and the bourgeois elite of this time period would have been expected to turn up in tailcoats, cravats and long evening dresses, The Independent newspaper wrote on Monday.

While this opulent attire is not expected of patrons nowadays, it said Milan’s Teatro alla Scala opera house, commonly known as La Scala, has recently reinforced its smart dress code in the wake of opera-goers turning up in casual summer fashion.

“The public is kindly requested to dress in keeping with the decorum of the theater, out of respect for the theater and for other viewers,” La Scala’s policy said.

“People wearing shorts or sleeveless T-shirts will not be allowed inside the auditorium; in this case, tickets will not be reimbursed.”

The venue also has signs around the foyer and on tickets stating the same message, warning patrons that they will not get a refund if they turn up wearing clothes not in keeping with the “decorum.”

The rules over informal clothing were first introduced in 2015 when the summer season coincided with the World Expo in Milan, as a way to deter the influx of tourists turning up in summer wear.

“There are no special dress code requirements at La Scala,” a spokesperson at the theater told The Independent. “We are delighted that some of our audience members consider an evening at La Scala to be a special occasion and dress accordingly, but our priority is to welcome everyone and make sure they feel comfortable.

“This is precisely why, in 2015, we introduced restrictions on clothing that could cause discomfort to other audience members who have to share the often limited space of an 18th-century theater.

“With the return of summer (an especially hot one), we reminded the audience of these rules, which have remained unchanged for ten years.

“It would not be right to tell spectators how to dress, but it is necessary that they do dress, as not to cause discomfort to other people,” the spokesperson added.

La Scala’s spokesman added that there had been a “change in behavior led by visitors who do not follow opera but see La Scala as a landmark.”