Worsening Conditions Bring Lebanese Back to the Streets

A man gestures as he takes part in a protest over Lebanon's economy and politics in Beirut, Lebanon December 23, 2018. REUTERS/Mohamed Azakir
A man gestures as he takes part in a protest over Lebanon's economy and politics in Beirut, Lebanon December 23, 2018. REUTERS/Mohamed Azakir
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Worsening Conditions Bring Lebanese Back to the Streets

A man gestures as he takes part in a protest over Lebanon's economy and politics in Beirut, Lebanon December 23, 2018. REUTERS/Mohamed Azakir
A man gestures as he takes part in a protest over Lebanon's economy and politics in Beirut, Lebanon December 23, 2018. REUTERS/Mohamed Azakir

The wave of demonstrations returned to a number of Lebanese regions, amid the persistent failure of the political class to form a new government and face the worsening economic crisis.

However, the popular movement’s vision for the next stage is still unclear.
 
The dynamism of the movement that started on October 17 has suffered more than a setback, which requires, according to one of the activists, “correcting its tracks.”

This would renew popular movements and put Lebanon on the path of confronting collapse with steady steps, according to the activist.
 
University Professor Dr. Walid Fakhreddin told Asharq Al-Awsat that the renewed demonstrations were not surprising given that the country is still in a state of alert.

“The expulsion of some officials from public places is an indicator, so are movements in front of official institutions and banks,” he said.
 
“The most important reason remains the deteriorating economic situation, with the crises of gas, diesel and electricity, the tightening of banks’ grip on depositor funds and the spread of unemployment, along with the delay in forming the government,” he underlined.
 
Fakhreddin does not rule out the influence of regional developments, noting that demonstrations in Baghdad helped motivate Lebanese protesters to regain some of the momentum that had been missed during the holidays and because of the stormy weather.
 
Another activist told Asharq Al-Awsat that protests have not stopped since October, although at a lower participation rate.

“This is because the Lebanese people see a glimmer of hope with the designation of Hassan Diab to form the new government,” he remarked.
 
But with the constant failure of the political class to form a government, the aggravation of the problems, increased banking restrictions on depositors, and the shortage of medicine, electricity and fuel, the Lebanese returned to the street over the past few days.
 
“Today, the Lebanese took to the streets with greater anger, after being disappointed by the grace period that they gave to the political class,” the activist said.



Pro-Palestinian Protest Prompts Scuffle onstage at Royal Opera House in London

A detained demonstrator sits inside a police van, following a protest in support of the Palestine Action group in Parliament Square in London, Britain, July 19, 2025. REUTERS/Isabel Infantes
A detained demonstrator sits inside a police van, following a protest in support of the Palestine Action group in Parliament Square in London, Britain, July 19, 2025. REUTERS/Isabel Infantes
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Pro-Palestinian Protest Prompts Scuffle onstage at Royal Opera House in London

A detained demonstrator sits inside a police van, following a protest in support of the Palestine Action group in Parliament Square in London, Britain, July 19, 2025. REUTERS/Isabel Infantes
A detained demonstrator sits inside a police van, following a protest in support of the Palestine Action group in Parliament Square in London, Britain, July 19, 2025. REUTERS/Isabel Infantes

A performer holding a Palestinian flag touched off a brief scuffle on stage at the Royal Opera House in London on Saturday night as cast members were taking their bows following the season's final performance of “Il Trovatore.”

Images posted on social media show what appears to be a member of the chorus holding the unfurled flag in front of his chest while the lead singers bask in the audience's applause, Reuters reported.

After a few moments, someone backstage attempts to grab the flag, but the performer holds onto the banner and snaps back into place.

Singers were taking their bows after the end of the opera by Giuseppe Verdi. Director Adele Thomas’ production reinterprets the story of desire and an all-consuming curse, the opera said.

"The display of the flag was spontaneous and unauthorized action by the artist,'' the opera company told the BBC.

"It was not approved by the Royal Ballet & Opera and is not in line with our commitment to political impartiality.”