Egypt's Nubians Tame Crocodiles for Selfie-Snapping Tourists

Mamdouh Hassan (R) shows a crocodile to visitors at his crocodile terrarium in the Nubian village of Gharb Soheil, on the west bank of the Nile River in southern Egypt | AFP
Mamdouh Hassan (R) shows a crocodile to visitors at his crocodile terrarium in the Nubian village of Gharb Soheil, on the west bank of the Nile River in southern Egypt | AFP
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Egypt's Nubians Tame Crocodiles for Selfie-Snapping Tourists

Mamdouh Hassan (R) shows a crocodile to visitors at his crocodile terrarium in the Nubian village of Gharb Soheil, on the west bank of the Nile River in southern Egypt | AFP
Mamdouh Hassan (R) shows a crocodile to visitors at his crocodile terrarium in the Nubian village of Gharb Soheil, on the west bank of the Nile River in southern Egypt | AFP

Deep in the Nubia, a region along the Nile in southern Egypt, a baby crocodile sits on Mamdouh Hassan's shoulder to wow tourists.

The reptiles are a source of income for Egypt's Nubian minority, with visitors paying to marvel at the tamed creatures.

But beyond bringing in tourist dollars, crocodiles play an important role in the culture of the ethnic group with a history dating to Pharaonic times and its own unique language.

The Nubians traditionally lived along the banks of the Nile in southern Egypt with roots extending into northern Sudan.

In Gharb Soheil, a Nubian village near Aswan, mummified crocodile heads still adorn the doors of the traditional blue and white-domed homes.

Crocodiles represent an important physical totem of blessings in Nubian belief.

In Gharb Soheil a stuffed crocodile on the door shows that the homeowner keeps the large reptiles as pets.

Outside his humble home in the village, Hassan gently rubbed the back of Francesca -- a 1.5-meter (five-foot)-long, 15-year-old crocodile.

"I have raised her since she was born," the 45-year-old said lovingly of his pride and joy.

"She lives on fish, meat, and chicken."

- Pet crocodiles -

During the reign of president Gamal Abdel Nasser, the construction of the Aswan High Dam created a reservoir over traditional Nubian lands.

When Lake Nasser began filling in 1964, 44 Nubian villages were flooded.

While the Nile's crocodiles benefited from the new habitat, Nasser never fulfilled his promise to adequately compensate Nubians with new land.

Instead, about 50,000 Nubians were displaced to villages north of the dam, on the west bank of the Nile near Kom Ombo and Aswan -- a narrow strip of land with limited space for agriculture.

Ever since, Nubians have demanded the return of their lands and have maintained their culture by modernizing their traditions. Keeping crocodiles became a way to supplement incomes and promote their heritage.

Hassan learned to domesticate crocodiles from his father.

"My father was one of the first people in the Nubian village who really pioneered the idea of bringing in crocodiles as pets to lure tourists," he told AFP.

In the 20 years since, he has developed a keen sense for where and when wild crocodile eggs will hatch.

Female crocodiles lay their eggs along the banks of Lake Nasser where Hassan watches for the baby reptiles to emerge before carrying them home.

"The crocodile's aggressive nature is tempered by growing up in the home with us and being cared for," he said.

Francesca is the star of the show in the village, Hassan says. She was named by Italian tourists who enjoyed her sunny personality, so Hassan kept the name.

Visitors snap selfies with the lounging beasts, while the villagers regale the tourists with Nubian folk tales about the crocodiles.

Hany, a tourist from Cairo, was delighted with the spectacle of Hassan opening the crocodiles' mouths wide with his bare hands.

"I came here with my family to spend school holidays, for the kids to enjoy seeing the crocs," the 35-year-old said.

- 'Angels of the Nile' -

For ancient Pharaohs, the crocodile-headed god Sobek embodied the fluid nature of the Nile and was prayed to for protection from the annual floods.

A temple is dedicated to Sobek in Kom Ombo, engraved with pictograms and hieroglyphics detailing the embalming of crocodiles.

To this day, Nubians maintain a tradition of crocodile taxidermy, one that remains true to a centuries-old technique.

"Although we know very well the value of crocodile leather, we do not sell it... we cherish it," Hassan explained.

A dead crocodile is skinned from its gut and filled with straw or sawdust. Large crocodiles take about a month to mummify while a smaller one dries in a few days, Hassan said.

"This is Franco, who died last month," he said of the large mummified head of one of his former pets.

Abdel-Hakim Abdou, a curly-haired, 37-year-old cafe owner who recommends Hassan's terrarium as a must-see tourist attraction, rhapsodized about the importance of crocodiles to Nubians.

"The Nile for the Nubian represents life... everything that roams in it we consider angels," he said.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”