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Many Join Saudi Online Platform to Teach Arabic Calligraphy

Alkhattat Platform courses allow Arabic calligraphers to excel and cultivate their creativity
Alkhattat Platform courses allow Arabic calligraphers to excel and cultivate their creativity
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Many Join Saudi Online Platform to Teach Arabic Calligraphy

Alkhattat Platform courses allow Arabic calligraphers to excel and cultivate their creativity
Alkhattat Platform courses allow Arabic calligraphers to excel and cultivate their creativity

The Ministry of Culture announced its launch of the first electronic platform to teach Arabic calligraphy and Islamic decoration, with support from the Quality of Life Program, one of the programs of the Kingdom’s Vision 2030, under the title “Alkhattat Platform” (Calligrapher Platform).

The electronic platform will be supervised by a group of professional calligraphers from the Kingdom and the Arab world. Through the platform, they will teach the basics of Arabic calligraphy, its arts, and methods via training courses, projects, and professional workshops.

Nasser Maymoun, a prominent Saudi calligrapher, praised the initiative put forth by the culture ministry especially after Saudi Minister of Culture Prince Badr bin Abdullah bin Farhan having announced that 2020 would be designated as the “Year of Arabic Calligraphy.”

Maymoun said that it is a great start to presenting the work of Arabic calligraphers and it is part of promoting Islamic and Arabic heritage.

The platform offers various training courses, including professional courses in the types of Arabic calligraphy, explanation of the alphabets and how to combine them, writing the words and expressions, improving handwriting, training in making calligraphic paintings and artwork in Arabic calligraphy, letter formations, gilding, Islamic decoration, drawing and coloring, the art of paper marbling and Ebru (needle art).

The platform will also give the trainee the opportunity to develop Arabic computer fonts by learning designs and programming fonts.

Alkhattat Platform founder Mohammed Al-Sharqawi told Asharq Al-Awsat that it was important to keep up with technological advances.

Sharqawi revealed that, due to the coronavirus, the Year of Arabic Calligraphy was extended until 2021.

He added that the platform first launched in 2018 and has over 19,000 users from 30 different countries around the world. Top tier calligraphers have joined the platform and were selected to teach.

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Varieties

2 Private Lunar Landers Head Toward the Moon in Roundabout Journey

The Blue Ghost Mission 1 on a SpaceX Falcon 9 rocket lifts off from NASA's Launch Complex 39A at the agency's Kennedy Space Center in Cape Canaveral, Florida, USA, 15 January 2025. EPA/CRISTOBAL HERRERA-ULASHKEVICH
The Blue Ghost Mission 1 on a SpaceX Falcon 9 rocket lifts off from NASA's Launch Complex 39A at the agency's Kennedy Space Center in Cape Canaveral, Florida, USA, 15 January 2025. EPA/CRISTOBAL HERRERA-ULASHKEVICH
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2 Private Lunar Landers Head Toward the Moon in Roundabout Journey

The Blue Ghost Mission 1 on a SpaceX Falcon 9 rocket lifts off from NASA's Launch Complex 39A at the agency's Kennedy Space Center in Cape Canaveral, Florida, USA, 15 January 2025. EPA/CRISTOBAL HERRERA-ULASHKEVICH
The Blue Ghost Mission 1 on a SpaceX Falcon 9 rocket lifts off from NASA's Launch Complex 39A at the agency's Kennedy Space Center in Cape Canaveral, Florida, USA, 15 January 2025. EPA/CRISTOBAL HERRERA-ULASHKEVICH

In a two-for-one moonshot, SpaceX launched a pair of lunar landers Wednesday for US and Japanese companies looking to jumpstart business on Earth’s dusty sidekick.
The two landers rocketed away in the middle of the night from NASA’s Kennedy Space Center, the latest in a stream of private spacecraft aiming for the moon, The Associated Press reported. They shared the ride to save money but parted company an hour into the flight exactly as planned, taking separate roundabout routes for the monthslong journey.
It’s take 2 for the Tokyo-based ispace, whose first lander crashed into the moon two years ago. This time, it has a rover on board with a scoop to gather up lunar dirt for study and plans to test potential food and water sources for future explorers.
Lunar newcomer Texas-based Firefly Aerospace is flying 10 experiments for NASA, including a vacuum to gather dirt, a drill to measure the temperature below the surface and a device that could be used by future moonwalkers to keep the sharp, abrasive particles off their spacesuits and equipment.
Firefly’s Blue Ghost — named after a species of US Southeastern fireflies — should reach the moon first. The 6-foot-6-inches-tall (2-meter-tall) lander will attempt a touchdown in early March at Mare Crisium, a volcanic plain in the northern latitudes.
The slightly bigger ispace lander named Resilience will take four to five months to get there, targeting a touchdown in late May or early June at Mare Frigoris, even farther north on the moon’s near side.
“We don’t think this is a race. Some people say ‘race to the moon,’ but it’s not about the speed,” ispace’s founder CEO Takeshi Hakamada said this week from Cape Canaveral.
Both Hakamada and Firefly CEO Jason Kim acknowledge the challenges still ahead, given the wreckage littering the lunar landscape. Only five countries have successfully placed spacecraft on the moon since the 1960s: the former Soviet Union, the US, China, India and Japan.
“We’ve done everything we can on the design and the engineering,” Kim said. Even so, he pinned an Irish shamrock to his jacket lapel Tuesday night for good luck.
The US remains the only one to have landed astronauts. NASA’s Artemis program, the successor to Apollo, aims to get astronauts back on the moon by the end of the decade.
Before that can happen, “we’re sending a lot of science and a lot of technology ahead of time to prepare for that,” NASA's science mission chief Nicky Fox said on the eve of launch.
If acing their respective touchdowns, both spacecraft will spend two weeks operating in constant daylight, shutting down once darkness hits.
Once lowered onto the lunar surface, ispace’s 11-pound (5-kilogram) rover will stay near the lander, traveling up to hundreds of yards (meters) in circles at a speed of less than one inch (a couple centimeters) per second. The rover has its own special delivery to drop off on the lunar dust: a toy-size red house designed by a Swedish artist.
NASA is paying $101 million to Firefly for the mission and another $44 million for the experiments. Hakamada declined to divulge the cost of ispace’s rebooted mission with six experiments, saying it's less than the first mission that topped $100 million.
Coming up by the end of February is the second moonshot for NASA by Houston-based Intuitive Machines. Last year, the company achieved the first US lunar touchdown in more than a half-century, landing sideways near the south pole but still managing to operate.