Beirut's Restaurants on the Brink as Pandemic Compounds Financial Crisis

People walk past empty restaurants in downtown Beirut, Lebanon, Nov. 20, 2012. Reuters file photo
People walk past empty restaurants in downtown Beirut, Lebanon, Nov. 20, 2012. Reuters file photo
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Beirut's Restaurants on the Brink as Pandemic Compounds Financial Crisis

People walk past empty restaurants in downtown Beirut, Lebanon, Nov. 20, 2012. Reuters file photo
People walk past empty restaurants in downtown Beirut, Lebanon, Nov. 20, 2012. Reuters file photo

Beirut and its restaurants have weathered wars, bombing campaigns and assassinations, and pride themselves on always bouncing back.

But this time is different, say Beirut bar and restaurant owners, who fear that a devastating financial crisis, compounded by the global coronavirus pandemic, may finally be their undoing.

At Le Pecheur, a 20-year-old seafood restaurant, a veteran waiter stood at the entrance, armed with a faceshield and antiseptic spray, on the first weekend after the Lebanese government lifted restrictions on June 1. There were no customers.

"I have been through the civil war as a child...We saw dead people and shells exploding, but wherever you went, no one ever said they had no money or they can't afford to eat," Reuters quoted Ahmad Kassem, 49, Le Pecheur's owner, as saying.

"Now, we have people around us with empty stomachs. No work, no money."

Since late last year, Lebanon's local currency has lost more than 60 percent of its value, as prices soar. The crisis has slashed jobs, fueled unrest and pushed the government to seek aid it badly needs from the IMF.

Hundreds of restaurants, cafes and bars have closed in a country where the service industry was long a pillar of the economy and employed a big chunk of the workforce.

Meanwhile waiters at Baron, a restaurant that can seat 200 people in a hip district of Beirut, served a lone table.

"We're living day by day, we're trying our best to plan ahead but every plan we have can change in a matter of seconds," said Baron's founder Etienne Sabbagh, 37.

He said industry leaders had only received empty promises of help from the government as banks cut access to cash and credit facilities.



Vatican Unveils Restored 'Apollo Belvedere', Roman Marble Masterpiece

A view of the 'Apollo Belvedere' statue after it was unveiled after restoration at the Vatican Museums at the Vatican, October 15, 2024. REUTERS/Guglielmo Mangiapane
A view of the 'Apollo Belvedere' statue after it was unveiled after restoration at the Vatican Museums at the Vatican, October 15, 2024. REUTERS/Guglielmo Mangiapane
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Vatican Unveils Restored 'Apollo Belvedere', Roman Marble Masterpiece

A view of the 'Apollo Belvedere' statue after it was unveiled after restoration at the Vatican Museums at the Vatican, October 15, 2024. REUTERS/Guglielmo Mangiapane
A view of the 'Apollo Belvedere' statue after it was unveiled after restoration at the Vatican Museums at the Vatican, October 15, 2024. REUTERS/Guglielmo Mangiapane

The Vatican Museums unveiled on Tuesday a restoration of one of the crown jewels of their collection, a 2nd century marble sculpture of the Greek god Apollo that has inspired generations of artists and poets.

Restoration experts spent years working on the "Apollo Belvedere", repairing fractures in its knees and legs, cleaning the entire cream-colored statue with lasers, and installing a carbon fibre pole anchored to its base to increase stability.

"This type of restoration... is the expression of what we want the Vatican Museums to be," said Barbara Jatta, the Museums' director. "A balance of tradition, linguistics and study, with a gaze that looks to the future."

The Vatican Museums, which house some of the world's greatest Renaissance masterpieces as well as ancient Roman and Egyptian artefacts, are the Holy See's most reliable source of income. They receive some seven million visitors a year, generating income of around $100 million, according to Reuters.

The "Apollo Belvedere" was one of the first works featured in the Museums. It shows the god having just shot an arrow and is famed for its delicate musculature and lightly curled hair.

The sculpture is believed to be a Roman copy of an original Greek bronze statue. It was brought to the Vatican by Pope Julius II in the early 16th century.

The statue was removed from public exhibition in 2019, when museum staff noticed small fissures in its legs.

The structure was in an "incredibly dramatic" condition, said Guy Devreux, a curator in the Museums' stone and marble restoration workshop.

The restoration project was paused for about two years during the pandemic, when the Museums underwent several long closures due to Italy's lockdowns.