Roy Keane... From a Fierce Player to One of the Most Ruthless Analysts

Roy Keane... From a Fierce Player to One of the Most Ruthless Analysts
TT
20

Roy Keane... From a Fierce Player to One of the Most Ruthless Analysts

Roy Keane... From a Fierce Player to One of the Most Ruthless Analysts

It’s thrilling, visceral television. The sort of raw, unbridled authenticity that makes Roy Keane one of the most compelling pundits not just in football, but in any sport. “I’m fuming here,” he says at half-time, with Tottenham 1-0 up against Manchester United and Keane sitting in the Sky Sports studio. And in those words lie a sort of mission statement, a definitive affirmation of an irrefutable truth: football is back, and how we’ve missed it.

No, that doesn’t really work. Let’s try it this way. It was unhinged, unsettling, shocking for all the wrong reasons. As he tore apart Harry Maguire and Luke Shaw, rounded on David de Gea for his failure to make a routine save, Keane again displayed the sort of indiscriminate rage that has made him one of the most toxic out-of-work coaches in the game. “I would be fighting him at half-time, swinging punches at that guy,” he spat, a sentiment that Sky seems perfectly happy to broadcast to a primetime family audience. The sooner this petty man with his unresolved anger issues is off our screens, the better.

No, my heart’s not really in that one, either. Clearly this whole “viral rant” business is harder than it looks. To tell you the truth, I struggled to muster any sort of opinion on Keane’s outburst on Friday night. Later I watched it back and found it vaguely amusing in a hackneyed, “play-the-hits” sort of way. Breaking news: Roy Keane is fuming about something. Perhaps, on balance, Keane should instead inform us when he’s not fuming. Not disgusted. Not possessed by violent retribution fantasies. It would save us all a lot of time.

To my eye, far more interesting than the outburst itself has been the basic faultline it exposes in televised football. Which is why we’re here, after all: television is the reason this husk of a season is being played to a finish. And so it’s worth asking: what do we really want from it? Do we want pundits to help us understand the game better, or enjoy it more? Was Keane’s tirade a tired, barbarian anachronism, or a riotously good piece of Friday night TV? In short: do we want explanation or entertainment?

For a generation or more, the answer seems to have been the former. The BBC’s first live Premier League game on Saturday night (Bournemouth v Crystal Palace) was a good excuse to seek out their last men’s top-flight fixture – Arsenal v Tottenham from March 1988 – and marvel at just how far we’ve come. What strikes you above all is the absence of anything remotely approaching thought, of any “why” behind the “what”. “He hit it very well in the end,” Trevor Brooking observes of Arsenal’s early goal, demonstrating that the job of an expert summariser back then consisted largely of narrating replays. “The ball bobs around, Alan Smith hits the shot on the turn, it goes right between Bobby Mimms’ hands, and you see his face there.”

How, then, did we go from “he hit it very well” to Jamie Carragher’s and Gary Neville’s exhaustive freeze-frame analysis on Monday Night Football? From “you see his face there”, to xG (expected goals) on Match of the Day? From Ian Wright the “comedy jester”, a role into which he was originally – and with hindsight, a little problematically – shoehorned in the 1990s, to the Wright who returned to the BBC as a wise bespectacled sage in the 2010s?

The answer is that for three decades, through Andy Gray in the 1990s to ITV’s Tactics Truck in the 2000s to the data revolution of the 2010s, the arc of football media has tended towards greater complexity, deeper insight, more immersive analysis. We wanted the game demystified, not dumbed down. Entertainment? Well, there was always the actual football for that.

Now, though, it feels like a turn has been reached. The gradual migration of the audience away from conventional television towards mobile and short-form video has been reflected in the product itself. The pundit these days must do more than fill airtime: he or she must drive engagement, stir debate, prickle emotions, preferably in shareable bite-sized social media segments. Arguments are good. Tribalism is good. Strong, simple, relatable opinions are good. Big names are good. Nuance, ambiguity, ebb and flow? Well, to coin a phrase, there’s always the actual football for that.

The effect has been to reframe punditry as an event in its own right: a content economy where the goal is not simply to discuss the game’s talking points, but to provide more. On Sky, Neville and Graeme Souness have a “heated debate” about United’s striking options. On BT, Joe Cole gives a “passionate view” on what’s gone wrong at West Ham. To see the game perfected, however, you need to go to YouTube, where an entire industry of partisan amateur ranters – Mark Goldbridge, True Geordie, AFTV (formerly Arsenal Fan TV) – waspishly holds court to an audience of millions.

Needless to say, this is an unashamedly alpha-male space, one in which the ability to flaunt an opinion crushes the ability to weigh one. Perhaps, with that in mind, it’s worth keeping an eye on our screens over the coming weeks. What’s being tried? What’s being discarded? Will a broadcaster ever dare challenge the time-honored model of some men, talking about football, in a room? Meanwhile, at the time of writing the Sky Sports video of Keane’s half-time analysis had received 1.5 million views on Twitter, 1.7m on Facebook, 1.4m on YouTube. Perhaps, as they say, the customer is always right.

(The Guardian)



Sinner Beats Djokovic to Set Up Final Against Defending Champion Alcaraz

 Italy's Jannik Sinner reacts after a point during his men's singles semifinal match against Serbia's Novak Djokovic on day 13 of the French Open tennis tournament on Court Philippe-Chatrier at the Roland-Garros Complex in Paris on June 6, 2025. (AFP)
Italy's Jannik Sinner reacts after a point during his men's singles semifinal match against Serbia's Novak Djokovic on day 13 of the French Open tennis tournament on Court Philippe-Chatrier at the Roland-Garros Complex in Paris on June 6, 2025. (AFP)
TT
20

Sinner Beats Djokovic to Set Up Final Against Defending Champion Alcaraz

 Italy's Jannik Sinner reacts after a point during his men's singles semifinal match against Serbia's Novak Djokovic on day 13 of the French Open tennis tournament on Court Philippe-Chatrier at the Roland-Garros Complex in Paris on June 6, 2025. (AFP)
Italy's Jannik Sinner reacts after a point during his men's singles semifinal match against Serbia's Novak Djokovic on day 13 of the French Open tennis tournament on Court Philippe-Chatrier at the Roland-Garros Complex in Paris on June 6, 2025. (AFP)

After beating Novak Djokovic 6-4, 7-5, 7-6 (3) in the French Open semifinals on Friday, top-ranked Jannik Sinner must find a way past defending champion Carlos Alcaraz in the final.

Sinner has not dropped a set en route to his first final at Roland-Garros, but Alcaraz has won their last four meetings and leads him 7-4 overall. Sinner is aiming for his fourth major title and Alcaraz his fifth.

“We try to push ourself in the best possible way,” Sinner said. “And the stage, it doesn’t get any bigger now.”

Djokovic is the men's record 24-time Grand Slam champion but could not counter Sinner's relentless accuracy and pounding forehands on Court Philippe-Chatrier.

“I tried to stay there mentally, trying to play every point in the right way with the good intensity,” Sinner said. “You have to be ready to counterattack. That’s why it’s very important to be focused, no? Because if you sleep, then the match is gone.”

Sinner became the second Italian man to reach the final at Roland-Garros in the Open era, which began in 1968, after Adriano Panatta, the 1976 champion.

Earlier, Alcaraz led 4-6, 7-6 (3), 6-0, 2-0 against Lorenzo Musetti when the eighth-seeded Italian retired with a leg injury.

Djokovic fought back in the third set but wilted in the tiebreaker, somehow missing an easy smash at the net to trail 3-0 and then lost on the second match point he faced when his forehand hit the net.

“These are rare and special moments,” Sinner said. “I'm very happy.”

Djokovic was emotional and said it might have been his last ever match at Roland-Garros. He kissed his hand after the defeat, then put it on the clay, as if saying farewell to the stadium.

Sinner's tennis legacy here, and elsewhere, is still growing.

He extended his winning streak in Grand Slam tournaments to 20 matches, after winning the US Open and the Australian Open.

Djokovic was bidding for a record-extending 38th Grand Slam final and eighth at the French Open, a tournament he was won three times. But he spent much of the semifinal camped behind the baseline, sliding at full stretch and grunting loudly while Sinner sent him scurrying left and right like a windscreen wiper.

“I felt constantly under pressure, and he didn't allow me to have time to swing through the ball. He was just constantly on the line, trying to make me defend,” Djokovic said. “So that’s why he's the No. 1 in the world. I wish him best for the finals. I think it’s going to be an amazing matchup with him and Carlos, the two best players at the moment.”

Sinner praised Djokovic after beating him for a fourth straight time.

“It was such a special occasion playing against Novak in the semifinals of a Grand Slam,” Sinner said. “I had to step up. I had to play the best tennis I could.”

When they met at the net, Djokovic gave Sinner a warm embrace and bumped his chest several times.

Djokovic seemed unsure how to trouble the Italian.

He tilted his head back in frustration when, in the second game of the second set, his attempted drop shot landed short. Then, his lob was not quite high enough and Sinner smashed it easily. Finally, when a 26-stroke rally went his way — featuring sliced drop shots and even improbable retrieves — Djokovic got a huge ovation from the crowd, who bellowed out “Novak! Novak!” as he milked their applause. That made it deuce. But Sinner took the game.

Sinner was becoming the Roland-Garros showman Djokovic so often was on the main court, where he won three of his major titles.

One improvised flick-of-the-wrist drop shot from back of the court was majestic, too good even for Djokovic to get back.

Djokovic had a brief massage on his upper right thigh during the changeover at 6-5 down. Serving for the second set for a second time, Sinner clinched it when Djokovic could not return his strong serve.

Djokovic took a medical time out immediately and received massage treatment on the same leg for a few minutes.

He looked sharper in the third set, but Sinner held his nerve.

What was wrong with Musetti?

Earlier, Musetti was struggling with his left leg.

He was 5-0 down after 16 minutes of the third set when he called for a trainer. Alcaraz broke Musetti in the next game to clinch the set in 21 minutes, winning 24 of 29 points.

“It’s not great to win a match like this. Lorenzo is a great player,” Alcaraz said. “I wish him all the best.”

Musetti called for the trainer again after the third set and, after Alcaraz broke his serve to lead 2-0, Musetti walked slowly up to the net and received a hug from Alcaraz.

“I felt at the beginning of the third when I was serving, I start losing a little bit of strength on the left leg behind,” Musetti said. “Tomorrow I will do exams.”

Frustration got to Alcaraz during the second set, and at one point he aimed a side-footed kick at his changeover seat.

“The first two sets were really tough,” Alcaraz said. “When I won the second set, I was relieved.”

Musetti was playing in only his second major semifinal after reaching the same stage at Wimbledon last year. Alcaraz said he feels in top shape physically for the final.

“Really good. It’s been three intense weeks but I’m feeling great,” he said. “I have a lot of confidence right now.”

Alcaraz improved to 21-1 on clay this year, winning titles on the dirt in Rome — beating Sinner in the final after the Italian returned from his doping ban — and Monte Carlo.