Naya Rivera, who Rose to Fame on TV show 'Glee,' Dies at 33

Naya Rivera. (AP)
Naya Rivera. (AP)
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Naya Rivera, who Rose to Fame on TV show 'Glee,' Dies at 33

Naya Rivera. (AP)
Naya Rivera. (AP)

Naya Rivera, a singer and actor who played a cheerleader on the hit TV musical comedy “Glee,” was found dead Monday in a Southern California lake. She was 33.

Rivera's body was discovered five days after she disappeared on Lake Piru, where her son, Josey, was found July 8 alone on a boat the two had rented, the Ventura County Sheriff’s Office said. The Sheriff's Office confirmed that the body was Rivera's.

“Rest sweet, Naya. What a force you were,” wrote “Glee” co-star Jane Lynch on Twitter. Steven Canals, who co-created and produced the FX television show "Pose," tweeted that he was “heartbroken over all the stories that will remain untold.”

Viola Davis sent her prayers to Rivera’s family and Kristin Chenoweth said: “Thank you for what you gave the world.” Rep. Alexandria Ocasio-Cortez said that “as a Latina, it's rare to have a rich, complex characters reflect us in media.”

Rivera began acting at a young age, but she rose to national attention playing a teen on “Glee,” which aired from 2009 until 2015 on Fox. She is survived by her parents, Yolanda and George; a younger brother, Mychal; a sister, Nickayla; and her 4-year-old son.

“Naya Rivera was a fierce talent with so much more to do and this is such a terrible tragedy. We are forever grateful for the indelible contribution she made to ‘Glee,’ from the first episode to the last," said a statement from 20th Century Fox TV and Fox Entertainment.

A native of Santa Clarita, California, Rivera began acting at 4, appearing in such series as “The Fresh Prince of Bel-Air,” “Family Matters” and “The Bernie Mac Show.” As a teen, she struggled with an eating disorder.

“I had the lowest self-esteem in high school possible. I wasn’t popular, I didn’t have friends, but I would say it’s really important that you know who you are and you’re going to win in the end because of that,” Rivera said in a 2011 interview with The Associated Press.

She worked odd jobs as a telemarketer, a nanny, a waitress and an Abercrombie & Fitch greeter before landing the role of Santana Lopez on Ryan Murphy’s “Glee.” She auditioned by singing Destiny’s Child’s “Emotion.” The pilot offered her no speaking lines.

Some of her more memorable songs on the show include a cover of Fleetwood Mac’s “Landslide” with guest star Gwyneth Paltrow, “Here Comes the Sun” with Demi Lovato, and a tearful cover of The Band Perry's “If I Die Young.”

Rivera's “brilliance and humor were unmatched,” said “Glee” co-star Chris Colfer on Instagram. “She could turn a bad day into a great day with a single remark. She inspired and uplifted people without even trying.” Jenna Ushkowitz, another “Glee” co-star, promised "to help the legacy of your talent, humor, light and loyalty live on.”

Rivera struggled to get career traction amid the rising young talent on the show that included Colfer, Cory Monteith, Lea Michele, Darren Criss, Amber Riley, Melissa Benoist and Dianna Agron. She was no longer a series regular during the sixth and final season of “Glee.”

“It would be an understatement to say that ‘Glee’ changed my life. It overhauled it. It got me out of debt. It helped to cement my career. And before the show, I’d never had a group of people I was that close with,” she wrote in her memoir, titled “Sorry Not Sorry: Dreams, Mistakes, and Growing Up.”

After the show, Rivera sought success in film and music. She made her feature film debut in 2014’s “At the Devil’s Door,” playing a woman caught in the middle of supernatural events, and released the single “Sorry” in 2013 featuring rapper Big Sean, a one-time fiancé.

She and actor Ryan Dorsey were married in 2014 and their son, Josey, was born in 2015. She called her young son “my greatest success, and I will never do any better than him.”

Rivera was arrested and charged in West Virginia in 2017 with misdemeanor domestic battery after she allegedly hit Dorsey. The charge was dismissed because Dorsey did not wish to press charges. They divorced soon after.

Most recently, Rivera had a role on Lifetime’s “Devious Maids,” released her memoir in 2016 and played school administrator Collette Jones in the YouTube Red online series “Step Up: High Water” starring Ne-Yo. The show is about a cutthroat performing arts school in Atlanta.

Rivera’s death is the latest death in a tragic arc of “Glee” actors. Monteith died in 2013 — exactly seven years to the day before Rivera's body was publicly identified — from a toxic mix of alcohol and heroin, and Rivera’s ex-boyfriend Mark Salling, who played a jock on the series, killed himself in 2018 after pleading guilty to child pornography charges. Rivera and Salling dated for three years and broke up in 2010.

In the preface to her autobiography, Rivera wrote that motherhood had changed her life and given it perspective. She said she was braver, too.

“Your life doesn’t have to be perfect for you to be proud. In fact, I think it’s the opposite: the more imperfect your life has been, the prouder you should be, because it means you’ve come that much further, and also probably had a lot more fun along the way.”



Movie Review: 'Eddington' Is a Satire About Our Broken Brains That Might Re-Break Your Brain

 This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP)
This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP)
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Movie Review: 'Eddington' Is a Satire About Our Broken Brains That Might Re-Break Your Brain

 This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP)
This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP)

You might need to lie down for a bit after "Eddington." Preferably in a dark room with no screens and no talking. "Eddington," Ari Aster's latest nightmare vision, is sure to divide but there is one thing I think everyone will be able to agree on: It is an experience that will leave you asking "WHAT?" The movie opens on the aggravated ramblings of an unhoused man and doesn't get much more coherent from there. Approach with caution.

We talk a lot about movies as an escape from the stresses of the world. "Eddington," in which a small, fictional town in New Mexico becomes a microcosm of life in the misinformation age, and more specifically during the pandemic and the Black Lives Matter protests, is very much the opposite of that. It is an anti-escapist symphony of masking debates, conspiracy theories, YouTube prophets, TikTok trends and third-rail topics in which no side is spared. Most everyone looks insane and ridiculous by the end, from the white teenage girl (Amélie Hoeferle) telling a Black cop (Michael Ward) to join the movement, to the grammatical errors of the truthers, as the town spirals into chaos and gruesome violence.

Joaquin Phoenix plays the town sheriff, a soft-spoken wife guy named Joe Cross, who we meet out in the desert one night watching YouTube videos about how to convince your wife to have a baby. He's interrupted by cops from the neighboring town, who demand he put on a mask since he's technically crossed the border.

It is May 2020, and everyone is a little on edge. Joe, frustrated by the hysterical commitment to mandates from nowhere, finds himself the unofficial spokesperson for the right to go unmasked. He pits himself against the slick local mayor Ted Garcia (Pedro Pascal), who is up for reelection, in the pocket of big tech and ready to exploit his single fatherhood for political gain. At home, Joe's mother-in-law Dawn (Deirdre O'Connell) spends all day consuming internet conspiracy theories, while his wife Louise (a criminally underused Emma Stone) works on crafts and nurses unspoken traumas.

Joe's eagerness to take on Ted isn't just about masking. Years ago, Ted dated his now-wife, a story that will be twisted into rape and grooming accusations. Caricatures and stereotypes are everywhere in "Eddington," but in this world it feels like the women are especially underwritten - they are kooks, victims, zealots and the ones who push fragile men to the brink. But in "Eddington," all the conspiracies are real and ordinary people are all susceptible to the madness.

In fact, insanity is just an inevitability no matter how well-intentioned one starts out, whether that's the woke-curious teen rattled by rejection, or the loyal deputy Guy (Luke Grimes) who is suddenly more than happy to accuse a colleague of murder. Louise will also be swayed by a floppy-haired internet guru, a cult-like leader played with perfect swagger by Austin Butler.

The problem with an anarchic satire like "Eddington," in theaters Friday, is that any criticism could easily be dismissed with a "that's the point" counterargument. And yet there is very little to be learned in this silo of provocations that, like all Aster movies, escalates until the movie is over.

There are moments of humor and wit, too, as well as expertly built tension and release. "Eddington" is not incompetently done or unwatchable (the cast and the director kind of guarantee that); it just doesn't feel a whole of anything other than a cinematic expression of broken brains.

Five years after we just went through (at least a lot of) this, "Eddington" somehow seems both too late and too soon, especially when it offers so little wisdom or insight beyond a vision of hopelessness. I wonder what world Aster thought he'd be releasing this film into. Maybe one that was better, not cosmically worse.

It's possible "Eddington" will age well. Perhaps it's the kind of movie that future Gen Alpha cinephiles will point to as being ahead of its time, a work that was woefully misunderstood by head-in-the-sand critics who didn't see that it was 2025's answer to the prescient paranoia cinema of the 1970s.

Not to sound like the studio boss in "Sullivan's Travels," trying to get the filmmaker with big issues on the mind to make a dumb comedy, but right now, "Eddington" feels like the last thing any of us need.