Bollywood Star Aishwarya Rai Discharged from Virus Ward

Bollywood actress Aishwarya Rai Bachchan. (AFP)
Bollywood actress Aishwarya Rai Bachchan. (AFP)
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Bollywood Star Aishwarya Rai Discharged from Virus Ward

Bollywood actress Aishwarya Rai Bachchan. (AFP)
Bollywood actress Aishwarya Rai Bachchan. (AFP)

Bollywood star and former Miss World Aishwarya Rai Bachchan and her daughter have been discharged from a Mumbai hospital where they were being treated for coronavirus, her actor husband Abhishek Bachchan said Monday.

The pair were admitted to hospital a week ago, several days after Abhishek and his superstar father Amitabh Bachchan, making the family the highest-profile people to contract the virus in India, which has recorded more than 1.4 million cases.

"Aishwarya and Aaradhya have thankfully tested negative and have been discharged from the hospital. They will now be at home," her husband tweeted, thanking fans for "continued prayers and good wishes".

"My father and I remain in hospital under the care of the medical staff," he added.

The actress and her eight-year-old daughter Aaradhya were initially quarantining at home before being moved to the same hospital where her 77-year-old father-in-law and his son are being treated for the illness.

She won the Miss World crown in 1994 and has since become one of the most famous faces in Bollywood and a regular on the red carpet at the Cannes Film Festival.

The elder Bachchan and 44-year-old Abhishek are both in the hospital's isolation ward.

No health update has been issued since they were admitted more than two weeks ago but Amitabh, an avid social media user, has been dispensing regular messages to his millions of fans on Twitter, Instagram and Tumblr.

A blog entry posted on Saturday touched on the mental trauma and stigma suffered by coronavirus patients, referring to "the stark reality that the COVID patient, put in hospitalized isolation, never gets to see another human".

Recovered patients "are afraid to be in public for fear or apprehension of being treated differently .. treated as one that has carried the disease .. a pariah syndrome .. driving them into deeper depression", he wrote.

The elder Bachchan, idolized in India and affectionately known as "Big B", has worked for more than half a century in the film industry.

He was voted "actor of the millennium" in a BBC online poll in 1999 and became the first Indian actor to be showcased at London's Madame Tussauds waxworks museum.

Mumbai, India's financial and film capital, has now recorded over 100,000 cases, with more than 6,000 deaths attributed to the virus.



South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
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South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)

Netflix's Korean cult-horror thriller "Hellbound" returned for its much anticipated second season with a world premiere at Busan International Film Festival, showcasing intense performances from the new cast members, particularly Moon Geun-young.

Created by Yeon Sang-ho, known for zombie flick "Train to Busan", the first season of "Hellbound" achieved critical and commercial success with its portrayal of a world where supernatural beings suddenly appear to tell people of their impending death, followed by monstrous entities that drag the condemned to hell.

Yeon, whose early works included a dark animated film about a Korean cult organization, elevates the dystopian thriller into a more philosophical realm in its second season, while still delivering the spectacle of creatures, violence, and collective religious hysteria.

"I believe that the concept of disaster in the work 'Hellbound' refers more to a mental or ideological catastrophe than to a physical disaster," director Yeon said at a BIFF event late Friday.

The show had to let go of actor Yoo Ah-in, who played a key character in season one, after he was charged with illegal drug use. Yoo was subsequently found guilty.

Kim Sung-cheol takes on the role of the charismatic leader of a cult that arose amid the horrific supernatural deaths that triggered a wave of social media frenzy, delivering a convincing portrayal of this intricate character.

But the most captivating -- and gut-wrenching -- performance of the second season arguably belongs to Moon Geun-young, a much beloved former teen actress in South Korea, who portrays a young wife gradually transforming into a deranged cult fanatic.

Yeon said he decided to cast Moon after seeing her in a 2021 TV drama where she portrayed a tormented wife who succumbs to alcoholism while caring for her alcoholic husband.

Moon did not attend this year's BIFF, but fellow cast member Kim Hyun-joo said: "Moon Geun-young made a tremendous contribution. I already knew (she was immensely talented), but I was pleasantly surprised and delighted by her performance."

The series was featured at BIFF in its big-screen theaters, even as the festival faces criticism from cinephiles for selecting a streaming title, "Uprising", also from Netflix, as its opening film this year.

Cineastes blame OTT streaming platforms for some of the challenges encountered by the traditional theater market and independent filmmakers.

"BIFF has been a key player in showcasing fresh Asian films by young, emerging talents in the region, and this has been their priority," Kay Heeyoung Kim, owner of the film studio K-Dragon, told AFP.

"But the lines between traditional independent cinema and big-budget streaming titles have blurred at this year's festival, which is unfortunate to see."

Yeon, who began his career as an independent animated filmmaker, along with his work "Hellbound," is credited with increasing the global visibility of South Korean content in recent years, alongside works like "Squid Game" and "Pachinko."