Open-Air Cinemas in Greece Lose Visitors Amid Coronavirus Fears

In this Thursday June 4, 2020 photo passers by look at movie notices outside the Thision outdoor summer cinema where moviegoers watch films under the ancient Acropolis.  (AP Photo/Petros
Giannakouris)
In this Thursday June 4, 2020 photo passers by look at movie notices outside the Thision outdoor summer cinema where moviegoers watch films under the ancient Acropolis. (AP Photo/Petros Giannakouris)
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Open-Air Cinemas in Greece Lose Visitors Amid Coronavirus Fears

In this Thursday June 4, 2020 photo passers by look at movie notices outside the Thision outdoor summer cinema where moviegoers watch films under the ancient Acropolis.  (AP Photo/Petros
Giannakouris)
In this Thursday June 4, 2020 photo passers by look at movie notices outside the Thision outdoor summer cinema where moviegoers watch films under the ancient Acropolis. (AP Photo/Petros Giannakouris)

Open-air cinemas are a familiar scene in the summer evenings of Greece. But this year, they have seen a declining number of visitors amid fears of the coronavirus pandemic. For over 30 years, the Mouzakioti family has run the Zephyros cinema established in 1932 in the heart of nature, surrounded by the fragrance of Jasmine and the sound of cicadas.

"We used to open the cinema's doors on Easter Sunday," owner of the cinema Georgia Mouzakioti told AFP. However, this year the opening was postponed to the first of June. Konstandina Mouzakioti, Georgia's daughter and manager of Zephyros said: "I don't like this situation. It's not a time of joy."

The mother complained that the investment period is much shorter than it was in the previous years due to the imposed health measures including the sterilization after every show, marks on the ground, fewer seats, and mandatory face masks for employees.

"The cinema accommodates 250 people, however, this year we are hosting only 125 visitors to ensure social distancing," said Georgia Mouzakioti, noting that "tourists are few, and elderlies cannot come. It is a difficult phase."

Greeks, as well as tourists, love to spend summer evenings in open-air cinemas. But the ongoing pandemic, which caused 5600 cases and 213 deaths so far, has significantly affected the industry. Although the mother and her daughter say the sales are similar to those of the past year, the figures reflect a different reality.

In June and July, 356,000 tickets were sold in local cinemas (indoor and outdoor theaters), compared with 1.3 million in the same period last year, according to data by the Greek Film Center.

The turnout has been affected by the imposed measures limiting the number of visitors, and the fears from contracting the infection, in addition to the declining cinema productions in past months.

"The important titles that were expected to attract the audience have been delayed," says Christos Katselos from the Greek Film Center.

"Open-air cinemas have also been affected by the video streaming platforms, which have seen a massive demand during the lockdown," suggests Katselos. Andreas Kontarakis, manager of open-air cinemas Karmen, Stella, and Dafni believes that "all the new movies have failed to attract cinema lovers."



Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5  

01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
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Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5  

01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)
01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)

A desiccated 110-year-old lemon that played a key role in espionage history is one of the star attractions of a London exhibition drawn from the files of MI5, Britain’s domestic intelligence agency.

Compact spy cameras, microdots in a talcum powder tin and a briefcase abandoned by fleeing Soviet spy Guy Burgess are also part of the show at Britain’s National Archives, which charts the history of a secretive agency that is – slowly – becoming more open.

MI5 Director General Ken McCallum told journalists at a preview on Tuesday that the organization’s work “is often different from fiction, whether that fiction is George Smiley or Jackson Lamb” – the brilliant spymaster of John le Carré's novels and the slovenly supervisor of MI5 rejects in Mick Herron’s “Slow Horses” series.

Many stories told in the exhibition, however, would not be out of place in a thriller.

The lemon, now black and shriveled, helped convict Karl Muller, a German spy in Britain during World War I. It was found by police in his bedside table, along with another in his overcoat pocket. Evidence at his secret trial showed their juice had been used to write invisible-ink letters detailing British troop movements.

Muller was executed by firing squad at the Tower of London in 1915.

In a coda that would not be out of place in “Slow Horses,” MI5 pretended Muller was still alive and wrote to his German handlers to ask for more money.

“The Germans duly sent more funds and MI5 used the funds to purchase a car,” exhibition curator Mark Dunton said. “And they christened the car ‘The Muller.’

“They then were reprimanded by the Treasury for unauthorized use of expenditure,” he added.

The show includes declassified records held by the National Archives and items loaned from the secret museum inside Thames House, MI5’s London headquarters.

It charts the changing role of an agency that was founded in 1909 as the Secret Service Bureau with an initial staff of two officers.

There are records of its World War II successes, when the agency used captured Nazi agents to send disinformation back to Germany, deceiving Adolf Hitler about the location of the looming Allied invasion in 1944.

Failures include the years-long betrayal of the upper-crust “Cambridge Spies,” whose members spilled secrets to the Soviet Union from the heart of the UK intelligence establishment. Recently declassified MI5 documents on display include the 1963 confession of Cambridge spy Kim Philby, who denied treachery for years before he was exposed and fled to Moscow.

The exhibition also reveals changing attitudes, not least to women. The exhibition includes a 1945 report by spymaster Maxwell Knight discussing whether women could make good agents.

“It is frequently alleged that women are less discreet than men,” he noted, but declared that it was not so, saying that in “hundreds of cases of ‘loose talk’” most of the offenders were men.

There are admissions of past mistakes. The exhibition notes that MI5 was slow to recognize the threat from fascism in the 1930s, and later spent too much time spying on the small Communist Party of Great Britain. MI5 didn’t need to break into the party’s offices – it had a key, which is on display.

There are only a few items from the past few decades, showing how MI5’s focus has shifted from counterespionage to counterterrorism. Displays include a mortar shell fired by the Irish Republican Army at 10 Downing St. in 1991 while Prime Minister John Major was holding a Cabinet meeting.

MI5 only began releasing records to the UK’s public archives in 1997, generally 50 years after the events have passed. Even now, it controls what to release and what to keep secret.

“It would be a mistake to assume everything is in the exhibition,” said author Ben Macintyre, whose books on the history of intelligence include “Operation Mincemeat” and “Agent Zigzag.” But he said it still marks “a real sea-change in official secrecy.”

“A generation ago, this stuff was totally secret,” he said. “We weren’t even allowed to know that MI5 existed.”