Art by the Sea... Egyptian Symposium Rebels against Traditional Sculpting

Ali Mustafa's sculpture emphasizing interdependence.
Ali Mustafa's sculpture emphasizing interdependence.
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Art by the Sea... Egyptian Symposium Rebels against Traditional Sculpting

Ali Mustafa's sculpture emphasizing interdependence.
Ali Mustafa's sculpture emphasizing interdependence.

In the open air, and in front of the audience, they rolled up their sleeves, and each of them used their tools to work on brilliant works of art as part of the Art by the Sea symposium, held in Almaza Bay in Northern Egypt.

Seven young sculptors participated in the event that was organized by Art d’Egypte. The symposium, which will run until mid-September, creates an alternative environment for artists, providing them with an open and inspiring space, while also adhering to preventive measures against the coronavirus.

Ali Mustafa, a plastic artist, said he was excited by the prospect of participating in this symposium because of its innovative concept, as artists work in front of an actual audience, which is radically from the traditional process of working in a studio or workshop.

He told Asharq Al-Awsat: “This is a unique experience that I haven’t had before. It is enormously challenging, and releases an unexpected burst of energy from the artists.”

He said he uses iron in his art, “which I love passionately. It totally captivates me, with its extraordinary expressive capability and its ability to spread in the void, particularly in relation to the sense of interdependence that emerges between players in certain sports, such as rugby, which I used to play.”

On the piece he is exhibiting, Mustafa said: “At first glance, the work seems simple, with a young man and a woman chatting harmoniously and calmly, but I wanted to express a deeper idea of dialogue between the sexes and their completion of one another, as well as cooperation between people to establish a common narrative and overcome points of contention in general.”

“I used an unconventional method to create the sculpture, using circular forms in order to problematize the empty space and change visitors’ perceptions according to the angle from which they view the sculpture.”

Artist Mustafa Khader emphasized the importance of team spirit the sculptors shared as an exceptional experience, explaining that he has benefited immensely from his participation

He added to Asharq Al-Awsat: “The works exhibited in this event were inspired by the sea and night atmospheres. This is evident in several pieces and was reinforced by the escape we were granted from the city’s noise.”

Hani El-Sayed, who has taken part in international sculptural workshops, exhibits and initiatives, such as the China Symposium, the China-Arab Friendship Garden and the Youth Biennial in Italy, seemed very confident and comfortable as he practiced his craft.

He chose to exhibit a Khufu boat idea out of admiration for the Pharaonic civilization that taught the world the art of sculpture and to adopt a theme that is harmonious with the idea of painting by the sea.

Nadine Abdel Ghaffar, founder of Art D’Egypte, told Asharq Al-Awsat: “The idea emerged in conjunction with the summer season, especially since Egypt is full of innovative plastic artists, and they need multiple spaces to demonstrate their capabilities, particularly among the young.”

“We are establishing a kind of partnership with the youth to promote their work domestically and internationally with the help of the experiences and expertise we have amassed in this domain.”



Explorer: Sonar Image Was Rock Formation, Not Amelia Earhart Plane

A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
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Explorer: Sonar Image Was Rock Formation, Not Amelia Earhart Plane

A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP
A statue of Amelia Earhart at the US Capitol. Nathan Howard / GETTY IMAGES/AFP

A sonar image suspected of showing the remains of the plane of Amelia Earhart, the famed American aviatrix who disappeared over the Pacific in 1937, has turned out to be a rock formation.

Deep Sea Vision (DSV), a South Carolina-based firm, released the blurry image in January captured by an unmanned submersible of what it said may be Earhart's plane on the seafloor.

Not so, the company said in an update on Instagram this month, AFP reported.

"After 11 months the waiting has finally ended and unfortunately our target was not Amelia's Electra 10E (just a natural rock formation)," Deep Sea Vision said.

"As we speak DSV continues to search," it said. "The plot thickens with still no evidence of her disappearance ever found."

The image was taken by DSV during an extensive search in an area of the Pacific to the west of Earhart's planned destination, remote Howland Island.

Earhart went missing while on a pioneering round-the-world flight with navigator Fred Noonan.

Her disappearance is one of the most tantalizing mysteries in aviation lore, fascinating historians for decades and spawning books, movies and theories galore.

The prevailing belief is that Earhart, 39, and Noonan, 44, ran out of fuel and ditched their twin-engine Lockheed Electra in the Pacific near Howland Island while on one of the final legs of their epic journey.

Earhart, who won fame in 1932 as the first woman to fly solo across the Atlantic, took off on May 20, 1937 from Oakland, California, hoping to become the first woman to fly around the world.

She and Noonan vanished on July 2, 1937 after taking off from Lae, Papua New Guinea, on a challenging 2,500-mile (4,000-kilometer) flight to refuel on Howland Island, a speck of a US territory between Australia and Hawaii.

They never made it.