Paris Hilton Says she 'Feels Free' after YouTube Documentary

Paris Hilton. (AP)
Paris Hilton. (AP)
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Paris Hilton Says she 'Feels Free' after YouTube Documentary

Paris Hilton. (AP)
Paris Hilton. (AP)

There's a scene in a new documentary about Paris Hilton, where the so-called socialite is speaking with former classmates from a Utah boarding school. They joke about how on her reality series “The Simple Life,” Hilton pretended to be clueless over many things— including how to perform any sort of manual labor.

One bluntly described it as “some straight-up (expletive)," as they all laughed.

“I don't think you had like a high-pitch voice back then,” was another observation.

None of this is a surprise to Hilton. What's revealed in “This is Paris,” which debuted for free Monday on Hilton's YouTube channel, is that the ultra-glam, baby-talking young woman whose standard line was “that's hot,” was a manufactured caricature not just for fame but self-protection, too.

Hilton says as a teen she got into the nightlife scene and would sneak out and go to clubs while her family lived at the Waldorf Astoria hotel in New York. Her exasperated parents sent her away to various programs to straighten out. There was an outdoor wilderness camp where Hilton and another girl tried to escape. Hilton claims they were caught and beaten in front of others as punishment.

When she was 17, Hilton was finally sent to what she describes as “the worst of the worst": Provo Canyon School in Utah.

“This is the only place where it’s impossible to run away. So it’s basically like that one place that they all talk about at the other places saying, ‘If you run away or you’re bad, you’re going to be sent to Provo,’” said Hilton.

She stayed at Provo for 11 months and says while there, she was abused mentally and physically, claiming staff would beat her, force her to take unknown pills, watch her shower and send her to solitary confinement without clothes as punishment.

The 39-year-old says the treatment was so “traumatizing” that she suffered nightmares and insomnia for years.

“We are aware of a new documentary referencing Provo Canyon School (PCS). Please note that PCS was sold by its previous ownership in August 2000. We therefore cannot comment on the operations or patient experience prior to that time," the school said in a statement on its website.

Attempts to find the previous owners for comment were unsuccessful.

Hilton says when she agreed to be the subject of “This is Paris," it was never her intention to speak about past abuses, but she opened up as she became more comfortable with director Alexandra Dean.

Hilton said while she was at Provo, she decided she wanted complete control in her life and image. That meant she would never tell anyone about what happened to her there. She also wanted to be very, very wealthy.

“I saw success as freedom and I just imagined this glamorous life… I made all these plans of what I wanted to be. And all I cared about was being successful and independent.”

For someone who has been criticized for being famous for no reason, Hilton has built a multi-billion-dollar company around her image. She has branded stores in the Middle East and Asia, is a successful DJ, and has released 27 fragrances, among other products.

“It turns out that whole machine, all that attention she got, the paparazzi, the insta-fame, it was all a creation of this traumatized girl trying to figure out how to climb her way out of this hole she was in," said Dean. "She attracted it all. In some ways she created it all. What I want people to know is that they should give her credit for being immensely innovative, but they should also understand that what they watched was not the person, but the shield that she constructed to protect herself.”

Hilton says since speaking out about what happened at Provo, she feels free. She's now sleeping through the night and no longer has nightmares. She also says she's happy and in a healthy relationship with businessman Carter Reum.

Her life has slowed down in the past six months due to the pandemic, and she's no longer traveling for work. Hilton says she likes it this way and plans to continue to be more choosy about leaving home. “I'm moving on to the next phase of my life,” she said.

She's also hopeful that speaking out against programs like Provo will deter parents from sending their kids to similar situations.

“I would never recommend that to any family ever, because I think it just causes more drama and more issues than anyone would ever have." She's now a part of the Breaking Code Silence movement, a network dedicated to raising awareness about the “troubled teen industry."

“The parents are manipulated and lied to and told a completely different story," she said. "I think it’s important to do your research.”



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.