Camel Racing Storms Back in Sinai After 6 Months of Virus Hiatus

Camels run on a dirt track during a race in Egypt's South Sinai desert after a hiatus of more than six months due to the coronavirus outbreak. AFP
Camels run on a dirt track during a race in Egypt's South Sinai desert after a hiatus of more than six months due to the coronavirus outbreak. AFP
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Camel Racing Storms Back in Sinai After 6 Months of Virus Hiatus

Camels run on a dirt track during a race in Egypt's South Sinai desert after a hiatus of more than six months due to the coronavirus outbreak. AFP
Camels run on a dirt track during a race in Egypt's South Sinai desert after a hiatus of more than six months due to the coronavirus outbreak. AFP

Spread out at the foot of a vast plateau in the Sinai desert, hundreds of excited Bedouins gathered to race their camels after a six-month break due to coronavirus.

Shrouded in a vast sand cloud kicked up by the hump-backed beasts, more than 500 camels were loudly cheered on by their owners dressed in traditional jalabiyas and headdresses.

Camel racing is a popular traditional event in many Arab countries, and in Egypt, Bedouins of the South Sinai desert have kept up the tradition.

But race events have been suspended since March following the Covid-19 outbreak, and orders only came down at the beginning of the month that they could resume last weekend, AFP reported.

The camels ran around a two-kilometre (1.2-mile) track in the Tih plateau, completing it in a matter of minutes, as they were followed by spectators and owners riding in SUVs to get a close-up glimpse of the action.

The competition "is a training for the international race, which should take place in October in Sharm el-Sheikh," Saleh al-Muzaini, head of the Nuweiba camel club, told AFP.

One group of camels after another, placed in different categories according to age and whether they were male or female, made their debut on the dirt track lined by sand embankments on each side.

On their backs sat mechanical jockeys wearing racing jerseys and brandishing whips, which are lighter than human riders.

In a different race, young boys mount the camels to complete a 10-kilometre course.

Among the audience was 32-year-old Mostapha Abu al-Fadl, a geologist at an oil company in Cairo, who came especially to watch.

"When I heard they were organizing the race again, I told my friends how crazy, how wonderful it is... We had to come and see," he said.

To the Bedouins, the race is a way of keeping a traditional heritage alive.

"There was camel racing in the past, but we revived it" in recent years, Sheikh Hassan, of the Alegat tribe, which organises the event, told AFP.

"Camels will not disappear for us. We can use them for centuries. If the camel goes away, the Bedouins will also go away."

Camel races -- held every two or three months -- often attract large audiences of tourists, visitors and Bedouins to the middle of the Sinai desert.

Sheikh Hassan, however, says the sparsely populated peninsula with its breezy and dry weather had been only mildly affected by the pandemic, and there were no coronavirus measures noticeably in place for the racing.

Suspending the races caused heavy losses for the camel owners, who still had to pay for their animals' training, food and health checkups.

Over the six months alone, the owners lost some 10 and 15 million Egyptian pounds (between $625,000 and $940,000), according to Sheikh Hassan.

For owner Soleiman Hamad, Saturday's race ended on a high note as his animal came first in its category.

There is no prize money, but the winners carry off a prestigious trophy which also helps boost their animal's value.

For Hamad and others, camel racing represents a source of additional income, provided they also have the means to train, feed and care for the animal.

"It's costly, but it's our passion," he told AFP.

Each camel costs up to 2,000 Egyptian pounds monthly to feed.

A well-trained camel can sell for up to two million Egyptian pounds, says Sheikh Hassan.



'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)
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'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)

Tom Hanks has praised the "amazing" use of artificial intelligence to de-age him "in real time" on the set of new movie "Here," even as he accepted that the technology is causing huge concern in Hollywood.
"Here," out in theaters Friday, stars Hanks and Robin Wright as a couple striving to keep their family together through births, marriages, divorces and deaths, across multiple decades and even generations, said AFP.
Hanks portrays his character from an idealistic teen, through various stages of youth and middle age, to a frail, elderly man.
But rather than just relying on makeup, filmmakers teamed up with AI studio Metaphysic on a tool called Metaphysic Live, to rejuvenate and "age up" the actors.
The technology worked so fast that Hanks was able to immediately watch his "deep-faked" performance after each scene.
"The thing that is amazing about it is it happened in real time," said Hanks.
"We did not have to wait for eight months of post-production. There were two monitors on the set. One was the actual feed from the lens, and the other was just a nanosecond slower, of us 'deep-faked.'
"So we could see ourselves in real time, right then and there."
The rapidly increasing use of AI in films including "Here" has triggered vast concern in Hollywood, where actors last year went on strike over, among other things, the threat they believe the technology poses to their jobs and industry.
Hanks acknowledged those fears during a panel discussion with director Robert Zemeckis at last weekend's AFI Fest in Hollywood, saying a "lot of people" were worried about how it will be used.
"They took 8 million images of us from the web. They scraped the web for photos of us in every era that we've ever been -- every event we've filmed, every movie still, every family photo that might have existed anywhere," Hanks explained.
"And they put that into the box -- what is it, 'deepfake technology,' whatever you want to call it."
'Cinematic'
The use of AI is not the only unusual technological feat in "Here."
The film is entirely shot from one static camera, positioned for the most part in the corner of a suburban US home's living room.
Viewers occasionally see glimpses of the same geographic space before the house was built, as the action hops back and forth to colonial and pre-colonial times -- or even earlier.
"Here" is based on a graphic novel by Richard McGuire, which uses the same concept.
"It had to be true to the style of the book, and that's why it looks the way it does," Zemeckis told AFP.
"It worked in levels that I didn't expect. It's got a real powerful intimacy to it, and in a wonderful way, it's very cinematic."
But the film's use of AI has drawn the most attention.
'Very serious subject'
AI was also at the heart of a very different film at AFI Fest -- "Wallace & Gromit: Vengeance Most Fowl," the latest film for the beloved British stop-motion characters.
When Wallace constructs a "smart gnome" to take care of chores, his faithful pooch Gromit immediately sniffs danger.
Once Feathers McGraw -- the nefarious penguin introduced to audiences in 1993 short film "The Wrong Trousers" -- gets involved, the technology takes a sinister turn.
AI becomes "the wedge between Wallace and Gromit," explained co-director Merlin Crossingham.
"It is a very light touch, although it's a very serious subject," he said.
If "we can trigger some more intellectual conversation from our silly adventure with Wallace and Gromit, then that can't be a bad thing."
The film itself did not use AI.
"We don't and we wouldn't," said Crossingham, earning hearty applause from the Hollywood crowd.
"Vengeance Most Fowl" will be broadcast on Christmas Day in the United Kingdom and Ireland, before airing globally on Netflix from January 3.