Tunisian PM Discusses Controversial Social Issues with UGTT

Tunisians demonstrating in support of the protesters of El Kamour oilfield, near the town of Tatouine, clash with riot police officers on Habib Bourguiba Avenue in Tunis, Tunisia. Reuters file photo
Tunisians demonstrating in support of the protesters of El Kamour oilfield, near the town of Tatouine, clash with riot police officers on Habib Bourguiba Avenue in Tunis, Tunisia. Reuters file photo
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Tunisian PM Discusses Controversial Social Issues with UGTT

Tunisians demonstrating in support of the protesters of El Kamour oilfield, near the town of Tatouine, clash with riot police officers on Habib Bourguiba Avenue in Tunis, Tunisia. Reuters file photo
Tunisians demonstrating in support of the protesters of El Kamour oilfield, near the town of Tatouine, clash with riot police officers on Habib Bourguiba Avenue in Tunis, Tunisia. Reuters file photo

The new Tunisian government is facing a set of controversial issues that previous governments have been unable to solve, including the protests of the mining basin in al-Gafsa, the disruption of phosphate production, and al-Kamour sit-in in the Tataouine region.

The cabinet hopes its current agreement with the leaders of the Tunisian General Labor Union (UGTT) will help find solutions to several pending issues.

The UGTT has announced its support for the government of independent experts formed by Hichem Mechichi.

Talks between the two sides have resulted in an agreement on the third installment of the wages of public sector employees. In addition, Mechichi reinstated UGTT’s former leader Mohamed Trabelsi as Minister of Social Affairs.

Trabelsi is the Union’s main negotiator in a number of meetings on social and economic issues.

The Prime Minister launched talks on Saturday on the disruption of phosophate production and transportation in the mining basin, and hydrocarbons in Tataouine region, stressing that the main goal is to find convenient solutions to these social issues.

He stressed that it is no longer acceptable to halt the production of phosphates and oil, noting that these protests damage the state's own resources.

Political analyst Jamal al-Arfaoui believes that the transformation in the relationship between the government and the Union is linked to the drop in state resources and the consequent severe economic and social crises.

He indicated that this led to a “compulsory social truce in order to save the situation in the country that is on the verge of bankruptcy."

In light of the recent situation, both sides realized that it is no longer feasible to rely on confrontation, according to Arfaoui.

The analyst added that the two parties have exchanged messages, and Mechichi asserted that the UGTT is a fundamental partner in overcoming social crises.

The Union responded by saying it was open to help the government overcome the difficult period, which yielded positive outcomes and could result in a real partnership to save the country.

He believed that the Union’s fear of the parliamentary alliance led by Ennahda Movement, Heart of Tunisia, and the Dignity Coalition might be among the reasons that pushed the UGTT “to the government's rescue and to extend a helping hand.”

Meanwhile, al-Kamour sit-in organized a meeting in al-Tataouine region between the government and the Union.

The meeting called upon the government to implement its 2017 pledges.

Tariq Haddad, spokesman for al-Kamour protests, asserted that the first and foremost goal behind these meetings is to defend the right to development, and to ensure job opportunities to the unemployed youth.

The Assistant Secretary-General of the UGTT’s legal affairs, Hafeez Abdul Hafeez, said that lengthy sessions, no later than October 15, will be held with the government to settle the issue of civil society workers after the revolution.

The Union is also expected to announce an increase in the minimum wage of private sector workers as part of efforts to improve the purchasing power of the poor.



Prada Offers Savage, Instinctive Menswear during Milan Fashion Week

 A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
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Prada Offers Savage, Instinctive Menswear during Milan Fashion Week

 A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)
A model walks the runway during the Prada collection show at Milan's Fashion Week Men's Fall / Winter 2025-2026 in Milan, Italy, on January 19, 2025 (AFP)

Miuccia Prada and her co-creative director Raf Simons described the latest Prada menswear collaboration unveiled during Milan Fashion Week on Sunday as raw and cinematic.

While the Milan Fall-Winter 2025-2026 runway was full of faux fur collars, Prada went the usual step beyond and created primitive detailing in shearling that looked almost torn from the beast and set askew on outerwear lapels, or patchworked into garments.

“Maybe, it reads as savage, primitive cavemen. I think that our aim was to make it feel warm and human and instinctive, but also kind of beautifully domestic in a way,” Simons said backstage.

Collection hallmarks Cinematic references were broad and not specific to any film, director or even character type, Simons said. Western touches included scuffed cowboy boots and knitwear mimicking a wrangler’s shirt - without creating characters or caricatures.

The silhouette mixed skinny trousers, often in bright rock-and-roll satin, with more ample volumes like pajama tops or slightly ratty sweaters. Suits required no shirts, as the designers advocated instinctive dressing.

One look seemed to distill the collection to its boyish essence: Straight leg jeans with a knit top featuring striped detailing, worn with floral-stamped cowboy boots.

Fashion as meaning

The designers said the collection was meant to offer hope in difficult times, proffering humanity as a form of resistance to whatever may be oppressing.

“It’s a bit of an answer to what of course is happening. We have to resist with our instinct, with our humanity, with our passion, with our romance,” Prada said backstage. Good work, she said, is also a form of resistance.

The message contained in the collection “has to be optimistic by definition and in principle,” Prada said.

The Setting The ever-transforming showroom inside the Prada Foundation’s Deposito contemporary art space was sheathed in Art Noveau carpet, and the runway was set on raised metal scaffolding. Simons said it represented contrasts, decoration and a work-in-progress.

Star power Prada's front row hailed from across the globe and disciplines, including British actor and musician William Gao, arriving with British musician Olivia Hardy, US actor Keith Powers, South Korean actress Kim Tae-ri, Chinese table tennis player Ma Long and British actor Louis Patridge. A crowd of fans waited just beyond a barricade to cheer them all.