'Saturday Night Live' Goes Political in 46th Season Opener

‘Saturday Night Live’ went political with a parody of this week’s presidential debate. (AP)
‘Saturday Night Live’ went political with a parody of this week’s presidential debate. (AP)
TT

'Saturday Night Live' Goes Political in 46th Season Opener

‘Saturday Night Live’ went political with a parody of this week’s presidential debate. (AP)
‘Saturday Night Live’ went political with a parody of this week’s presidential debate. (AP)

“Saturday Night Live” went political with a parody of this week’s presidential debate, Chris Rock's jab at President Donald Trump and Megan Thee Stallion's message supporting Black people during her performance.

The NBC late-night sketch series on Saturday night jumped into the reenactment of the recent debate between Republican President Donald Trump and Democratic challenger Joe Biden. The series opened its 46th season, returning to the studio this week after the coronavirus pandemic halted production.

Alec Baldwin returned to play Trump before the president’s COVID diagnosis, while Jim Carrey made his feature debut as Biden.

In the sketch, Baldwin’s Trump commandeered the debate in the same fashion as on Tuesday, trying to trip up Biden by interrupting and insulting him. Meanwhile, Carrey’s Biden tried to maintain his anger by breathing into a paper brown bag and talking to himself.

“Look man, I'm a nice guy, but you give anymore guff tonight, I'll rip your face off like a mad chimp," Carrey yelled before talking to himself again saying, “The country's counting on you Joe. Just stand here and look lucid."

Maya Rudolph made a cameo appearance as Sen. Kamala Harris calling for a WAP (Woman As President) — a nod to the hit song by Megan Thee Stallion and Cardi B — before Carrey’s Biden pulled out a remote control to pause Trump.

“Let’s bask in the Trumplessness,” Carrey said.

The show was hosted by Chris Rock who stepped onstage with a mask before snatching it off to perform his monologue. He opened in front of a live audience, which included about two dozen first responders who all wore masks.

Rock joked about how the coronavirus pandemic has ruined much of 2020. The actor-comedian also sarcastically showed empathy toward Trump being hospitalized after his virus diagnosis.

“President Trump is in the hospital from COVID, and I just want to say that my heart goes out to COVID,” he joked.

Rock offered his thoughts on America needing to “renegotiate their plans” with the government.

“What job do you have for 4 years no matter what? Just show me one job. If you hired a cook, and he was making people vomit every day, do you sit there and say ‘Oh, he’s got a 4-year deal,’” he said. “We just got to vomit for four more years.”

Rock was once part of an “SNL” cast that included Chris Farley, Mike Myers, David Spade and Adam Sandler. Rock spent three years on the show before he left in 1993.

Megan Thee Stallion hit the stage as the musical guest performing her hit single “Savage.” While wearing a black-and-white ensemble, the rapper delivered a message calling for the protection of Black people, in addition to the words “Protect Black Women” flashing on the screen behind her.



South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
TT

South Korean Cult-Horror Series ‘Hellbound’ Returns at BIFF

In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)
In this picture taken on October 2, 2024, (L-R) South Korean actors Im Seong-Jae, Kim Hyun-joo and Kim Sung-cheol arrive on the red carpet during the opening ceremony of the 29th Busan International Film Festival in Busan. (AFP)

Netflix's Korean cult-horror thriller "Hellbound" returned for its much anticipated second season with a world premiere at Busan International Film Festival, showcasing intense performances from the new cast members, particularly Moon Geun-young.

Created by Yeon Sang-ho, known for zombie flick "Train to Busan", the first season of "Hellbound" achieved critical and commercial success with its portrayal of a world where supernatural beings suddenly appear to tell people of their impending death, followed by monstrous entities that drag the condemned to hell.

Yeon, whose early works included a dark animated film about a Korean cult organization, elevates the dystopian thriller into a more philosophical realm in its second season, while still delivering the spectacle of creatures, violence, and collective religious hysteria.

"I believe that the concept of disaster in the work 'Hellbound' refers more to a mental or ideological catastrophe than to a physical disaster," director Yeon said at a BIFF event late Friday.

The show had to let go of actor Yoo Ah-in, who played a key character in season one, after he was charged with illegal drug use. Yoo was subsequently found guilty.

Kim Sung-cheol takes on the role of the charismatic leader of a cult that arose amid the horrific supernatural deaths that triggered a wave of social media frenzy, delivering a convincing portrayal of this intricate character.

But the most captivating -- and gut-wrenching -- performance of the second season arguably belongs to Moon Geun-young, a much beloved former teen actress in South Korea, who portrays a young wife gradually transforming into a deranged cult fanatic.

Yeon said he decided to cast Moon after seeing her in a 2021 TV drama where she portrayed a tormented wife who succumbs to alcoholism while caring for her alcoholic husband.

Moon did not attend this year's BIFF, but fellow cast member Kim Hyun-joo said: "Moon Geun-young made a tremendous contribution. I already knew (she was immensely talented), but I was pleasantly surprised and delighted by her performance."

The series was featured at BIFF in its big-screen theaters, even as the festival faces criticism from cinephiles for selecting a streaming title, "Uprising", also from Netflix, as its opening film this year.

Cineastes blame OTT streaming platforms for some of the challenges encountered by the traditional theater market and independent filmmakers.

"BIFF has been a key player in showcasing fresh Asian films by young, emerging talents in the region, and this has been their priority," Kay Heeyoung Kim, owner of the film studio K-Dragon, told AFP.

"But the lines between traditional independent cinema and big-budget streaming titles have blurred at this year's festival, which is unfortunate to see."

Yeon, who began his career as an independent animated filmmaker, along with his work "Hellbound," is credited with increasing the global visibility of South Korean content in recent years, alongside works like "Squid Game" and "Pachinko."