Walt Disney Restructures Entertainment Businesses to Boost Streaming

FILE PHOTO: The logo of the Walt Disney Company is displayed above the floor of the New York Stock Exchange shortly after the closing bell as the market takes a significant dip in New York, U.S., February 25, 2020. REUTERS/Lucas Jackson
FILE PHOTO: The logo of the Walt Disney Company is displayed above the floor of the New York Stock Exchange shortly after the closing bell as the market takes a significant dip in New York, U.S., February 25, 2020. REUTERS/Lucas Jackson
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Walt Disney Restructures Entertainment Businesses to Boost Streaming

FILE PHOTO: The logo of the Walt Disney Company is displayed above the floor of the New York Stock Exchange shortly after the closing bell as the market takes a significant dip in New York, U.S., February 25, 2020. REUTERS/Lucas Jackson
FILE PHOTO: The logo of the Walt Disney Company is displayed above the floor of the New York Stock Exchange shortly after the closing bell as the market takes a significant dip in New York, U.S., February 25, 2020. REUTERS/Lucas Jackson

Walt Disney Co DIS.N said on Monday it had restructured its media and entertainment businesses to accelerate growth of Disney+ and other streaming services as consumers increasingly gravitate to digital viewing.

Under the reorganization, Disney will separate the development and production of programming from distribution to be more responsive to consumer demands.

The move came days after activist investor Daniel Loeb of hedge fund Third Point urged Disney to forgo a dividend payment and double its programming investment in streaming.

Disney shares rose nearly 5% in after-hours trading to $130.76.

The media and theme parks company launched the Disney+ streaming service in November 2019. It has exceeded its own targets by drawing more than 100 million streaming customers worldwide to Disney+, Hulu and ESPN+.

Streaming pioneer Netflix Inc NFLX.O boasts 193 million, but has built that customer base over the 13 years.

Loeb had argued that Disney needed to cut its dividend to increase spending on new TV shows and movies to sign up new customers more quickly.

Disney Chief Executive Bob Chapek, in an interview with CNBC, said the company is planning to increase investments in content but he did not say if it was prepared to cut its dividend to finance the strategy.

“Managing content creation distinct from distribution will allow us to be more effective and nimble in making the content consumers want most, delivered in the way they prefer to consume it,” Chapek, who took the company’s top job in February, said in a separate statement.

In a statement on Monday, Loeb welcomed Disney’s revamp of its media and entertainment structure, Reuters reported.

“We are pleased to see that Disney is focused on the same opportunity that makes us such enthusiastic shareholders: investing heavily in the (direct-to-consumer) business, positioning Disney to thrive in the next era of entertainment,” Loeb said.

Under the changes, Disney’s studios, general entertainment and sports business would come under one division while distribution and commercialization would fall under a separate global unit.

Disney said its creative teams would develop and produce programming for streaming and traditional platforms, and the distribution group would decide where customers would see it.

Chapek told CNBC there would be layoffs as a result of “centralization” of functions but did not say how many.

Kareem Daniel, formerly president of consumer products, games and publishing, will oversee Disney’s new media and entertainment distribution group, the company said.

Alan Horn and Alan Bergman will continue to head Disney’s studio operations, which will manage programming from big franchises including Marvel, Star Wars, Disney animation and Pixar. Peter Rice will run general entertainment programming and Jimmy Pitaro will oversee sports.

AT&T T.N, which debuted the HBO Max streaming service in May, reorganized in August to combine its film and TV operations under one studio head to better compete in the streaming media wars.

Disney said it would hold an investor day on Dec. 10 to provide more information about its strategy.



Oscar Voters Required to View All Films Before Casting Ballots 

Oscar statuettes appear backstage at the Oscars in Los Angeles on Feb. 26, 2017. (AP)
Oscar statuettes appear backstage at the Oscars in Los Angeles on Feb. 26, 2017. (AP)
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Oscar Voters Required to View All Films Before Casting Ballots 

Oscar statuettes appear backstage at the Oscars in Los Angeles on Feb. 26, 2017. (AP)
Oscar statuettes appear backstage at the Oscars in Los Angeles on Feb. 26, 2017. (AP)

Oscar voters will be required to demonstrate that they have watched all the films in each category before they cast their final ballots, the Academy of Motion Picture Arts and Sciences announced Monday.

The new rule, which addresses a longstanding concern that voters are skipping some films, will apply for the next Oscars ceremony in March 2026, the Academy said in a statement.

The Academy previously operated under an honor system that voters would see every Oscar-nominated film before casting their ballots.

However, with the number of nominees growing in recent years, some voters have admitted not fully fulfilling that duty.

Under the new system, Academy members will be tracked on the organization's voters-only streaming platform to make sure they have watched each film.

For movies seen elsewhere, such as in cinemas or at festival screenings, voters will be required to "fill out a form" vouching for when and where it was watched, according to the Hollywood Reporter.

For the Best Picture category alone, which has 10 nominated films, competing studios traditionally host glitzy events to woo voters during their awards campaigns, with parties, screenings and festival showings, sometimes followed by Q&A sessions with the stars and filmmakers.

The Academy also weighed in on a controversy that arose during the last voting season, which was marred by questions about the use of artificial intelligence in movies, such as "The Brutalist" and "Emilia Perez."

In guidance issued Monday, the Academy said AI and other digital tools will "neither help nor harm the chances of achieving a nomination."

The new rule clarifies that the use of technology is not disqualifying.

"The Academy and each branch will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award."