2 Artists Started a Home Bakery in Mexico. It’s a Pandemic Hit.

David Ayala-Alfonso, center, and Andrea Ferrero boxing up their cakes and brownies in Mexico City this month. They recently hired Yorely Valero, left, to help them in the business.Credit...Meghan Dhaliwal for The New York Times
David Ayala-Alfonso, center, and Andrea Ferrero boxing up their cakes and brownies in Mexico City this month. They recently hired Yorely Valero, left, to help them in the business.Credit...Meghan Dhaliwal for The New York Times
TT

2 Artists Started a Home Bakery in Mexico. It’s a Pandemic Hit.

David Ayala-Alfonso, center, and Andrea Ferrero boxing up their cakes and brownies in Mexico City this month. They recently hired Yorely Valero, left, to help them in the business.Credit...Meghan Dhaliwal for The New York Times
David Ayala-Alfonso, center, and Andrea Ferrero boxing up their cakes and brownies in Mexico City this month. They recently hired Yorely Valero, left, to help them in the business.Credit...Meghan Dhaliwal for The New York Times

A toaster oven may not be the ideal gadget for starting a full-fledged bakery, but this is a pandemic and everyone is doing their best with what they have.

And what two artists in Mexico City had was a $42 toaster oven.

“We were broke,” said Andrea Ferrero, shrugging her elbows out of a bowl of cake batter. “We bought it on credit.”

Like legions of others around the world stuck in coronavirus lockdown, Ms. Ferrero and her boyfriend, David Ayala-Alfonso, began baking several months ago to escape unrelenting boredom.

They turned out to be very good at it.

So they started an addictive Instagram account, Cuarentena Baking, or Quarantine Baking, to showcase their cookies, cakes and doughnuts. And they have since amassed hundreds of clients. With a viable business, they’ve moved out of their tiny apartment into a bigger place — one with a real oven.

Their success, a rare bit of good news in a country pummeled by the coronavirus, is a testament to the power of cooking as a survival strategy in Mexico’s food-obsessed capital.

Before the virus struck, the streets of Mexico City were already flush with taco stands, people serving tamales on bicycles, and carts offering roasted sweet potatoes or corn on the cob slathered with mayo, cheese and chili powder. The pandemic and the attendant loss of millions of jobs across the country have pushed even more people to try their hand at selling their home cooking.

“In Mexico, someone’s kitchen is home, and street food is someone’s home brought to the street,” said Pati Jinich, a Mexican chef and cookbook author. “For people with no resources, they can make the food they grew up eating or they were taught — or just the one thing that they had.”

Across the city, there’s been a blossoming of so-called ghost kitchens — set up to make food exclusively for delivery, with the preparation often done in people’s apartments.

When their family’s catering business in the capital lost steam, Jonathan Weintraub and his brother Gabriel started selling pastrami sandwiches under the moniker “Schmaltzy Bros Delicatessen.” After getting laid off, Fahrunnisa Bellak turned bagel-making into a full-time job and is now opening a storefront.

Encouraged by his wife, Pedro Reyes, a food writer, decided to package and sell his popular salsa macha, a nut-filled hot salsa. He said his venture has a natural market in Mexico City, where an inordinate share of conversations revolve entirely around food.

“Most people here like to eat well and they brag about knowing where to eat,” Mr. Reyes said. “That helps people open up to these small businesses, to be able to say, ‘I want to buy cookies from this guy and paella from that one.’”

The popularity of Cuarentena Baking has a lot to do with its Instagram account, which every day features close-ups of the owners’ confections, like gooey filling smooshed into a brownie or spilling out of cakes. Instead of advertising out-of-reach luxury for fantasy browsing, it offers something attainable for people with $1.75 to spend on a mound of pure joy.

At first, the couple posted pictures just for their friends, who would send them tequila or homemade hummus in exchange for samples. Then friends of friends started placing orders.

Someone asked for a menu, so they invented one including babkas, doughnuts, sourdough and later, cakes and brownies. Besides sourdough, the couple had never made any of these treats before quarantine. At first, everything besides the cakes was baked inside their toaster oven.

Moving into a new apartment has given the couple only slightly more control over the bedlam of operating a full-fledged bakery from home during a global health crisis.

“I obsessively plan,” Ms. Ferrero said. “And then, chaos.”

Their home looks like what would happen if Santa’s workshop were located inside a dorm room. The kitchen fits a maximum of four people comfortably. The assembly area is squished into what would be a modest second bedroom. Their trash can is a stool turned upside down with a garbage bag fitted over the four legs.

On a recent Saturday, while frenetically churning cake and then brownie batter, Ms. Ferrero asked herself the following questions: “Did I already put eggs in this?” (No.) “Did we run out of vanilla?” (Yes.) “Was this cake supposed to have three layers?” (It was.)

She eyed the day’s to-do list — 61 jars filled with cake, icing and crumbled cookies, a best-selling concoction; 162 brownies; 38 cookies; and three cakes — and picked up her phone to respond to the messages flooding her inbox.

“Can I come pick the order up now?” she said, reading one of them aloud. “No!”

Ms. Fererro, originally from Peru, is a sculptor, and Mr. Ayala-Alfonso, born in Colombia, is a curator — trades that are at least tangentially connected to building structures out of dough and creating an alluring visual vibe on Instagram.

But their transformation into professional bakers has not been without mishap.

They have started several oven fires, sent countless incomplete or late orders, and once had a delivery person disappear with several brownies and a cheesecake. They constantly run out of ingredients.

Over the last few months, Mr. Ayala-Alfonso said, they’ve been working to perfect their craft, searching YouTube for videos on “how to make a cake,” and “why is my cake falling down,” and “what’s the difference between baking soda and powder.” They also recently hired an artist friend, Yorely Valero, to help manage the onslaught of orders a few days a week.

They have developed a special intimacy with clients. People ask them to write love notes to their crushes, on top of boxes of brownies.

One regular asked Ms. Ferrero to not draw her signature hearts on a box that was to be delivered as a six-month anniversary gift to a boyfriend, because it might scare him off. “I said ‘sure, good luck!’” Ms. Ferrero said.

“You’re already interacting on social media more because of quarantine, so people actually talk to us,” Mr. Ayala-Alfonso said. “Our account is a support line.”

By 2 p.m. on the recent Saturday, when they officially start handing out orders, a small crowd of couriers and customers was waiting outside the Cuarentena Baking headquarters, which is on a tree-lined street in Roma Norte, a hipster neighborhood south of the city’s center. One woman, who had been waiting for 10 minutes, let out a long sigh and a terse “thank you” when Mr. Ayala-Alfonso handed her a box of cookies.

Half an hour later, the woman messaged the Instagram account: “It was worth the wait ;)”

(The New York Times)



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
TT

Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
TT

Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
TT

Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”