Eva Green on Playing an Astronaut in ‘Proxima’

Eva Green. (AP)
Eva Green. (AP)
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Eva Green on Playing an Astronaut in ‘Proxima’

Eva Green. (AP)
Eva Green. (AP)

Movies about astronauts and space are so often also about estranged fathers and sons. So it’s a welcome respite that in the new film “Proxima,” now available to rent on demand, the focus is on a mother, played by Eva Green, and her grade school age daughter, Stella, who she must leave behind for the opportunity to go to space.

It’s a subtle yet powerful film from French director Alice Winocour and many have singled out Green’s performance as one of her best.

The Associated Press spoke to Green about the big issues “Proxima” addresses, from the guilt of being a working mother to sexism, and also how fun it is to play an astronaut. Remarks have been edited for clarity and brevity.

AP: What did you find interesting about this story?
Green: I thought it was an amazing love story. The connection that my character and her daughter have is very beautiful and very powerful. And to play a character who is constantly torn between her passion of being an astronaut and her love for her daughter was very appealing. And playing an astronaut is like a fantasy! It’s very empowering. I love doing research on stuff like this. It was a good excuse to explore this world, which was completely unknown to me.

AP: The motherhood and work conundrum is a big one that this film tackles with a lot of nuance and empathy.
Green: I think lots of women will identify with this. And I don’t know if the movie gives an answer, but lots of women are faced with the dilemma of having a high-powered career or having a family. And it’s always a bit taboo. It doesn’t look very good to kind of abandon your children. I think this movie also encourages women that it’s OK to be ambitious and to go against conventions and to pursue your dream. But there is always that enormous feeling of guilt, which is absolutely human and very complex.

AP: Was it personal for you or your director?
Green: (Alice) actually has a daughter who is the exact same age as the actress who plays Stella. So it came from her guts, this project. Even me, I don’t have children and I understand this internal conflict. On another level, I have a dog and it is a big deal to leave him and do something for work.

AP: Was this something you talked to your mother (actor Marlène Jobert) about?
Green: We talked more about the fact that she was an astronaut and how cool it was. But I have a twin sister, and when we were born, my mom really slowed down her career to raise the kids.

AP: How did you prepare to play an astronaut? Did you get to meet any?
Green: Alice is very nerdy, a bit like me. She does lots of homework and she really wanted me to meet some astronauts and to go to the training center in Cologne and to train with some of the real trainers, Russian trainers in particular, one who was quite harsh on me because obviously I know nothing about being an astronaut. But it was quite comical.

It’s amazing to see how passionate those guys are. They go back home and they work, work, work, work, work. When we were in Moscow at Star City there was this sense of loneliness. And sometimes I was like, “Oh my God, poor them!” They have absolutely no life! But they love it. They love that sense of sacrifice and dedication for science. We met several French astronauts and we were like touching something sacred almost. There is something saint-like like about astronauts. They feel like they’ve seen the unknown. So it was a real treat.

AP: The film also explores the sexism she experiences at work. Did that ring true to what you saw?
Green: The women that I met were very ballsy and really, really strong. But we’re not as strong as men. You have to wear the very heavy spacesuit and have stronger shoulders than normal women. You have to adapt to this world made by men for men. You have to constantly prove yourself. You have to train harder, work harder. You have to be a bit masochistic, basically.

AP: What was one of the most memorable things about this experience?
Green: What was very exciting was the travel to those very sacred places, like Star City. For me, my favorite thing ever was a military plane — you needed the visa and all of this and I felt I was entering another dimension like in “Star Wars.”



Jeannie Seely, Soulful Country Singer behind Hits Like 'Don't Touch Me,' Dies at 85

FILE - Jeannie Seely arrives at the 56th Annual CMA Awards in Nashville, Tenn., on Nov. 9, 2022. (Photo by Evan Agostini/Invision/AP, File)
FILE - Jeannie Seely arrives at the 56th Annual CMA Awards in Nashville, Tenn., on Nov. 9, 2022. (Photo by Evan Agostini/Invision/AP, File)
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Jeannie Seely, Soulful Country Singer behind Hits Like 'Don't Touch Me,' Dies at 85

FILE - Jeannie Seely arrives at the 56th Annual CMA Awards in Nashville, Tenn., on Nov. 9, 2022. (Photo by Evan Agostini/Invision/AP, File)
FILE - Jeannie Seely arrives at the 56th Annual CMA Awards in Nashville, Tenn., on Nov. 9, 2022. (Photo by Evan Agostini/Invision/AP, File)

Jeannie Seely, the soulful country music singer behind such standards like “Don’t Touch Me,” has died. She was 85.

Her publicist, Don Murry Grubbs, said she died Friday after succumbing to complications from an intestinal infection.

Known as “Miss Country Soul” for her unique vocal style, Seely was a trailblazer for women in country music, celebrated for her spirited nonconformity and for a string of undeniable hits in the ‘60s and ’70s.

Her second husband, Gene Ward, died in December. In May, Seely revealed that she was in recovery after undergoing multiple back surgeries, two emergency procedures and spending 11 days in the ICU. She also suffered a bout of pneumonia.

“Rehab is pretty tough, but each day is looking brighter and last night, I saw a light at the end of the tunnel. And it was neon, so I knew it was mine!” she said in a statement at the time. “The unsinkable Seely is working her way back.”

Dolly Parton was one of several country music luminaries paying her tribute on Friday, saying she met Seely when they were both young and starting out in Nashville, The Associated Press said.

“She was one of my dearest friends,” Parton said on her social media accounts. “I think she was one of the greater singers in Nashville and she had a wonderful sense of humor. We had many wonderful laughs together, cried over certain things together and she will be missed."

Seely was born in July 1940, in Titusville, Pennsylvania, about two hours north of Pittsburgh and raised in nearby Townville. Her love of country music was instant; her mother sang, and her father played the banjo. When she was a child, she sang on local radio programs and performed on local television. In her early 20s, she moved to Los Angeles to kick-start a career, taking a job with Liberty and Imperial Records in Hollywood.

She kept writing and recording. Nashville was next: She sang on Porter Wagoner's show; she got a deal with Monument Records. Her greatest hit would arrive soon afterward: “Don’t Touch Me,” the crossover ballad written by Hank Cochran. The song earned Seely her first and only Grammy Award, for best country & western vocal performance in the female category.

Cochran and Seely were married in 1969 and divorced in 1979.

Seely broke boundaries in her career — at a time when country music expected a kind of subservience from its women performers, Seely was a bit of a rebel, known for wearing a miniskirt on the Grand Ole Opry stage when it was still taboo.

And she had a number of country hits in the ‘60s and ’70s, including three Top 10 hits on what is now known as Billboard's hot country songs chart: “Don't Touch Me,” 1967's “I'll Love You More (Than You Need)” and 1973's “Can I Sleep In Your Arms?”, adapted from the folk song “Can I Sleep In Your Barn Tonight Mister?”

In the years since, Seely continued to release albums, perform, and host, regularly appearing on country music programming. Her songs are considered classics, and have been recorded by everyone from Merle Haggard, Ray Price and Connie Smith to Ernest Tubb, Grandpa Jones, and Little Jimmy Dickens.

And Seely never stopped working in country music. Since 2018, she's hosted the weekly “Sunday’s with Seely” on Willie Nelson's Willie’s Roadhouse SiriusXM channel. That same year, she was inducted into the Music City Walk of Fame.

She appeared nearly 5,400 times at the Grand Ole Opry, which she has been a member of since 1967. Grubbs said Saturday's Grand Ole Opry show would be dedicated to Seely.

She released her latest song in July 2024, a cover of Dottie West's “Suffertime,” recorded at the world-renowned RCA Studio B. She performed it at the Opry the year before.