Rami Yassin: A Fire in My House Inspired Bloodline

Rami Yassin: A Fire in My House Inspired Bloodline
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Rami Yassin: A Fire in My House Inspired Bloodline

Rami Yassin: A Fire in My House Inspired Bloodline

Jordanian director Rami Yassin says that the fire that broke out in his house and his mother's heroic response, saving him and his brother, inspired his latest film Khat Dam (Bloodline). The film sparked widespread controversy in the Arab world after it was marketed as the first Arab vampire movie.

In an interview with Asharq Al-Awsat, Yassin explains that a number of the scenes that were mocked by some were "black comedy" scenes that had been intended to be funny.

The movie, which is currently available on a digital platform, tells the story of a married couple, Nader and Lamia. After a car accident, one of the couple's twin sons goes into a coma that lasts for about a year and a half, with no hope for recovery. So, the couple decides to turn their son into a vampire! The plan works, and the son awakens from his coma, setting off a series of events that change the family forever.

Yassin starts by saying: "I have been a fan of horror movies since childhood, especially vampire movies, but I also love deep drama films that reflect the human condition and mirror society. I have always wanted to combine the two styles and make a drama thriller."

On his childhood inspiring the film, he says: "While my father was at work at the television station, and my mother was breastfeeding my younger brother upstairs, my other brother and I were playing with matches in the basement, which started a fire in the house. To save us from certain death, my mother showed supernatural heroism. So I grew up with the idea that a mother can do the impossible to protect her family. That is how the film's idea crystallized in my mind, and I liked it because it is new and had never been incorporated into the world of vampire movies before."

Vampires were featured before in Arab cinema, in the Egyptian film 1993 Anyab (Teeth), directed by Muhammad Shibl and starring Ali Al-Hajjar, Ahmed Adawiya, and Mona Gabr. However, Yassin believes that “the film is a new step in the world of Arab cinema, not just because of the subject; but also because of the character development, plot, cinematography, location, and even the makeup and costumes. I wanted to present it in a modern setting, but classically, so I expected to receive mixed reactions. Many enjoyed the film and loved its novel style, and others did not like it. The important thing is that the film generated debate, and this is something that filmmakers love.”

Yassin says he has the right to present his film in line with his personal artistic vision. People also have every right to express their opinion, saying: “When I directed the film, my goal was not to present a pure horror movie, but a film that mixed drama with thrilling horror, and I wanted to draw viewers in by telling the story one scene after the other.”

In response to the sharp criticism of the film, he says: "The film is not made for a mainstream audience, but for those who love this type of film, which is a drama mixed with classic, thrilling horror. Even the scenes that made some people laugh were deliberate. They were meant to give some space for what we call black comedy situations."

Yassin considers himself lucky because Egyptian actress Nelly Karim and Tunisian star Zafer El Abidine accepted roles in the film: "Since the first day of filming, I could see my characters, Lamia and Nader, as I had imagined them. I even was calling them by their characters' names the entire time. Their performances exceeded all my expectations, of course. I do not think that anyone else could have played these two characters with the same depth and played the roles precisely as I wanted."



Climate Change Imperils Drought-Stricken Morocco’s Cereal Farmers and Its Food Supply

 A farmer works in a wheat field on the outskirts of Kenitra, Morocco, Friday, June 21, 2024. (AP)
A farmer works in a wheat field on the outskirts of Kenitra, Morocco, Friday, June 21, 2024. (AP)
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Climate Change Imperils Drought-Stricken Morocco’s Cereal Farmers and Its Food Supply

 A farmer works in a wheat field on the outskirts of Kenitra, Morocco, Friday, June 21, 2024. (AP)
A farmer works in a wheat field on the outskirts of Kenitra, Morocco, Friday, June 21, 2024. (AP)

Golden fields of wheat no longer produce the bounty they once did in Morocco. A six-year drought has imperiled the country's entire agriculture sector, including farmers who grow cereals and grains used to feed humans and livestock.

The North African nation projects this year's harvest will be smaller than last year in both volume and acreage, putting farmers out of work and requiring more imports and government subsidies to prevent the price of staples like flour from rising for everyday consumers.

"In the past, we used to have a bounty — a lot of wheat. But during the last seven or eight years, the harvest has been very low because of the drought," said Al Housni Belhoussni, a small-scale farmer who has long tilled fields outside of the city of Kenitra.

Belhoussni's plight is familiar to grain farmers throughout the world confronting a hotter and drier future. Climate change is imperiling the food supply and shrinking the annual yields of cereals that dominate diets around the world — wheat, rice, maize and barley.

In North Africa, among the regions thought of as most vulnerable to climate change, delays to annual rains and inconsistent weather patterns have pushed the growing season later in the year and made planning difficult for farmers.

In Morocco, where cereals account for most of the farmed land and agriculture employs the majority of workers in rural regions, the drought is wreaking havoc and touching off major changes that will transform the makeup of the economy. It has forced some to leave their fields fallow. It has also made the areas they do elect to cultivate less productive, producing far fewer sacks of wheat to sell than they once did.

In response, the government has announced restrictions on water use in urban areas — including on public baths and car washes — and in rural ones, where water going to farms has been rationed.

"The late rains during the autumn season affected the agriculture campaign. This year, only the spring rains, especially during the month of March, managed to rescue the crops," said Abdelkrim Naaman, the chairman of Nalsya. The organization has advised farmers on seeding, irrigation and drought mitigation as less rain falls and less water flows through Morocco's rivers.

The Agriculture Ministry estimates that this year's wheat harvest will yield roughly 3.4 million tons (3.1 billion kilograms), far less than last year's 6.1 million tons (5.5 billion kilograms) — a yield that was still considered low. The amount of land seeded has dramatically shrunk as well, from 14,170 square miles (36,700 square kilometers) to 9,540 square miles (24,700 square kilometers).

Such a drop constitutes a crisis, said Driss Aissaoui, an analyst and former member of the Moroccan Ministry for Agriculture.

"When we say crisis, this means that you have to import more," he said. "We are in a country where drought has become a structural issue."

Leaning more on imports means the government will have to continue subsidizing prices to ensure households and livestock farmers can afford dietary staples for their families and flocks, said Rachid Benali, the chairman of the farming lobby COMADER.

The country imported nearly 2.5 million tons of common wheat between January and June. However, such a solution may have an expiration date, particularly because Morocco's primary source of wheat, France, is facing shrinking harvests as well.

The United Nations' Food and Agriculture Organization ranked Morocco as the world's sixth-largest wheat importer this year, between Türkiye and Bangladesh, which both have much bigger populations.

"Morocco has known droughts like this and in some cases known droughts that las longer than 10 years. But the problem, this time especially, is climate change," Benali said.