Testing New Release Strategy, 'The Croods' Opens to $14.2Mn

This image released by DreamWorks shows a scene from the animated film “The Croods: A New Age.” (DreamWorks Animation via AP)
This image released by DreamWorks shows a scene from the animated film “The Croods: A New Age.” (DreamWorks Animation via AP)
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Testing New Release Strategy, 'The Croods' Opens to $14.2Mn

This image released by DreamWorks shows a scene from the animated film “The Croods: A New Age.” (DreamWorks Animation via AP)
This image released by DreamWorks shows a scene from the animated film “The Croods: A New Age.” (DreamWorks Animation via AP)

Testing a novel release strategy, Universal Pictures' animated sequel “The Croods: A New Age” had one of the best opening weekends of the pandemic, grossing $14.2 million over the five-day Thanksgiving holiday weekend, according to studio estimates Sunday.

Whereas new releases have traditionally lasted around 90 days in theaters, Universal has mapped out a shorted theatrical window in deals with major chains AMC and Cinemark that gives the studio the option to move new releases to premium video-on-demand after just 17 days. “The Croods: A New Age” is expected to shift to the home before Christmas for a $20 rental. For an industry reeling from the pandemic, it's part of wider changes seeping through the industry.

“The Croods: A New Age” grossed $9.7 million Friday-Sunday, which rivals even the weekend start for “Tenet” in September. Warner Bros. didn't break down the three-day weekend figures for “Tenet,” which began preview screenings in the US on a Monday, but said it grossed $20.2 million in its first week in US theaters plus its first two weeks in Canadian theaters.

While the opening for “The Croods: A New Age” was something Hollywood hadn’t seen in months — a movie that outperformed expectations — it was still only a sliver of what the industry usually sees in the typically busy holiday movie season. Last year, “Frozen II” led all films over the five-day Thanksgiving weekend with $123.7 million, while “Knives Out” scored $41.7 million

Since “Tenet” opened, most larger releases have been postponed or detoured to digital, sometimes while still playing in theaters overseas. The Walt Disney Co. steered “Mulan” to a premium purchase on Disney+, but opened in China and elsewhere. Next month, Warner Bros. will release “Wonder Woman 1984” simultaneously on HBO Max and in theaters. Disney has uprooted the Pixar animation “Soul” to its streaming platform.

That's left smaller films to lead what's left of the box office — about 40% of the normal number of theaters. Most have tapped out around $4 million on opening weekend. The Kevin Costner and Diane Lane film “Let Him Go” debuted with $4.1 million in ticket sales from 2,454 locations earlier this month. The body-swap horror movie “Freaky,” with Vince Vaughn, has been No. 1 the last two weekends after debuting with $3.7 million.

One of the biggest differences is that Universal spent more heavily to market the $65 million “Croods” sequel from DreamWorks Animation. It played in 2,211 locations, or about half the usual amount for such a release.

Overseas, the film grossed $20.8 with almost all of that — $19.2 million — coming from China.



'Superman' Director James Gunn Remakes the Hero for the Big Screen

FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
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'Superman' Director James Gunn Remakes the Hero for the Big Screen

FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo
FILE PHOTO: Director James Gunn poses at a photo call for the film Superman in Culver City, California, US, June 28, 2025. REUTERS/Mario Anzuoni/File Photo

James Gunn, writer and director of the off-kilter "Guardians of the Galaxy" films, tussled with various ideas on how to deliver a new take on Superman to the big screen.

Gunn said he was aware of the many ways the noble hero had been approached since his 1938 debut, initially in comic books and then radio serials, television shows and movies.

The challenge was to deliver something fresh that would appeal to a new generation of moviegoers and reinvigorate Warner Bros Discovery's DC Studios.

His vision, in the movie titled simply "Superman," starts rolling out in international theaters on Wednesday and in the United States and Canada on Friday, Reuters reported.

In the opening scene, Superman, played for the first time by David Corenswet, is seen bloodied after a fight, an unusual portrayal for the Man of Steel.

"I wanted to take the character of Superman and just focus on a piece of him that we haven't necessarily seen before," Gunn said.

Gunn surrounded Superman with elements that enthralled him from the comics as a child. Superman lives in a world, Gunn said, with "superhero friends and giant monsters and flying dogs, robots and all this magical stuff."

The new film includes Superman's four-legged sidekick, a superpowered dog named Krypto first introduced in a 1955 comic. The latest version is based on Gunn's real-life, misbehaving rescue mutt.

Warner Bros is counting on "Superman" to start a new era at DC Studios, which has failed to match the superhero success of Walt Disney-owned Marvel. Gunn, who made the "Guardians" movies for Marvel, was named co-CEO of DC Studios, alongside producer Peter Safran, in 2022.

The pair have plotted a long-term slate that features a Supergirl movie for June 2026, a film based on Swamp Thing and TV shows for HBO Max. Wonder Woman and Batman also are expected to return to cinemas.

Gunn said the aesthetic that audiences see in "Superman" will not necessarily foreshadow future DC Studios endeavors. "I want to be really certain that every project has its own unique flavor," Gunn said.

"We're doing Clayface, and that doesn't feel like this movie. It's an R-rated horror movie. We're doing 'Lanterns,' which is an HBO show, which feels very much like an HBO show, very grounded, very kind of brutal. We have 'Peacemaker,' which is an adult show with a lot of emotion and a lot of comedy."

Gunn admitted he has felt the weight of responsibility to produce a hit.
"I've felt pressure all along," Gunn said. "That's been difficult."

But as he started to see initial reaction to the film, "I'm feeling pretty good," he said. "It's pretty fun. I'm seeing the effect the movie has on people."