Researchers Offer New Theory on 'Venus' Figurines

A woman looks at the Venus of Willendorf sculpture on October
5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo:
Norbert Milauer/AFP/Getty Images.
A woman looks at the Venus of Willendorf sculpture on October 5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo: Norbert Milauer/AFP/Getty Images.
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Researchers Offer New Theory on 'Venus' Figurines

A woman looks at the Venus of Willendorf sculpture on October
5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo:
Norbert Milauer/AFP/Getty Images.
A woman looks at the Venus of Willendorf sculpture on October 5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo: Norbert Milauer/AFP/Getty Images.

One of world's earliest examples of art, the "fat sculptures" carved some 30,000 years ago, have intrigued and puzzled scientists for nearly two centuries.

Now a researcher from the University of Colorado Medical Campus believes he's gathered enough evidence to solve the mystery behind these curious totems.

These sculptures, which appear in most art history books, were long seen as symbols of fertility or beauty. But according to Richard Johnson, lead author of the study published in the journal Obesity, the key to understanding the statues lays in climate change and diet.

"Some of the earliest art in the world are these mysterious figurines of overweight women from the time of hunter gatherers in Ice Age Europe where you would not expect to see obesity at all. We show that these figurines correlate to times of extreme nutritional stress," said Johnson in a report published on the university's website.

Early modern humans entered Europe during a warming period about 48,000 years ago. They hunted reindeer, horses and mammoths with bone-tipped spears. In summer they dined on berries, fish, nuts and plants. But then, as now, the climate did not remain static.

"As temperatures dropped, ice sheets advanced and disaster set in," he said explaining the meaning of nutritional stress.

During the coldest months, temperatures plunged to 10-15 degrees Celsius.

"Some bands of hunter gatherers died out, others moved south, some sought refuge in forests," he explained.

It was during these desperate times that the obese figurines appeared. They ranged between 6 and 16 centimeters in length and were made of stone, ivory, horn or occasionally clay. Some were threaded and worn as amulets. Researchers believe the figurines represented an idealized body type for these difficult living conditions.

"Obesity became a desired condition. An obese female in times of scarcity could carry a child through pregnancy better than one who suffers malnutrition. So the figurines may have been imbued with a spiritual meaning that could protect a woman through pregnancy, birth and nursing," noted Johnson, who in addition to being a physician has an undergraduate degree in anthropology.

"Increased fat would provide a source of energy during gestation and times of climatic challenges. Therefore, the figurines emerged as an ideological tool to help improve fertility and survival of the mother and newborns," he concluded.



2 Private Lunar Landers Head Toward the Moon in Roundabout Journey

The Blue Ghost Mission 1 on a SpaceX Falcon 9 rocket lifts off from NASA's Launch Complex 39A at the agency's Kennedy Space Center in Cape Canaveral, Florida, USA, 15 January 2025. EPA/CRISTOBAL HERRERA-ULASHKEVICH
The Blue Ghost Mission 1 on a SpaceX Falcon 9 rocket lifts off from NASA's Launch Complex 39A at the agency's Kennedy Space Center in Cape Canaveral, Florida, USA, 15 January 2025. EPA/CRISTOBAL HERRERA-ULASHKEVICH
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2 Private Lunar Landers Head Toward the Moon in Roundabout Journey

The Blue Ghost Mission 1 on a SpaceX Falcon 9 rocket lifts off from NASA's Launch Complex 39A at the agency's Kennedy Space Center in Cape Canaveral, Florida, USA, 15 January 2025. EPA/CRISTOBAL HERRERA-ULASHKEVICH
The Blue Ghost Mission 1 on a SpaceX Falcon 9 rocket lifts off from NASA's Launch Complex 39A at the agency's Kennedy Space Center in Cape Canaveral, Florida, USA, 15 January 2025. EPA/CRISTOBAL HERRERA-ULASHKEVICH

In a two-for-one moonshot, SpaceX launched a pair of lunar landers Wednesday for US and Japanese companies looking to jumpstart business on Earth’s dusty sidekick.
The two landers rocketed away in the middle of the night from NASA’s Kennedy Space Center, the latest in a stream of private spacecraft aiming for the moon, The Associated Press reported. They shared the ride to save money but parted company an hour into the flight exactly as planned, taking separate roundabout routes for the monthslong journey.
It’s take 2 for the Tokyo-based ispace, whose first lander crashed into the moon two years ago. This time, it has a rover on board with a scoop to gather up lunar dirt for study and plans to test potential food and water sources for future explorers.
Lunar newcomer Texas-based Firefly Aerospace is flying 10 experiments for NASA, including a vacuum to gather dirt, a drill to measure the temperature below the surface and a device that could be used by future moonwalkers to keep the sharp, abrasive particles off their spacesuits and equipment.
Firefly’s Blue Ghost — named after a species of US Southeastern fireflies — should reach the moon first. The 6-foot-6-inches-tall (2-meter-tall) lander will attempt a touchdown in early March at Mare Crisium, a volcanic plain in the northern latitudes.
The slightly bigger ispace lander named Resilience will take four to five months to get there, targeting a touchdown in late May or early June at Mare Frigoris, even farther north on the moon’s near side.
“We don’t think this is a race. Some people say ‘race to the moon,’ but it’s not about the speed,” ispace’s founder CEO Takeshi Hakamada said this week from Cape Canaveral.
Both Hakamada and Firefly CEO Jason Kim acknowledge the challenges still ahead, given the wreckage littering the lunar landscape. Only five countries have successfully placed spacecraft on the moon since the 1960s: the former Soviet Union, the US, China, India and Japan.
“We’ve done everything we can on the design and the engineering,” Kim said. Even so, he pinned an Irish shamrock to his jacket lapel Tuesday night for good luck.
The US remains the only one to have landed astronauts. NASA’s Artemis program, the successor to Apollo, aims to get astronauts back on the moon by the end of the decade.
Before that can happen, “we’re sending a lot of science and a lot of technology ahead of time to prepare for that,” NASA's science mission chief Nicky Fox said on the eve of launch.
If acing their respective touchdowns, both spacecraft will spend two weeks operating in constant daylight, shutting down once darkness hits.
Once lowered onto the lunar surface, ispace’s 11-pound (5-kilogram) rover will stay near the lander, traveling up to hundreds of yards (meters) in circles at a speed of less than one inch (a couple centimeters) per second. The rover has its own special delivery to drop off on the lunar dust: a toy-size red house designed by a Swedish artist.
NASA is paying $101 million to Firefly for the mission and another $44 million for the experiments. Hakamada declined to divulge the cost of ispace’s rebooted mission with six experiments, saying it's less than the first mission that topped $100 million.
Coming up by the end of February is the second moonshot for NASA by Houston-based Intuitive Machines. Last year, the company achieved the first US lunar touchdown in more than a half-century, landing sideways near the south pole but still managing to operate.