An EP, a Book and Some Paints: Ringo Starr's Long and Winding Self-Quarantine

Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
TT
20

An EP, a Book and Some Paints: Ringo Starr's Long and Winding Self-Quarantine

Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)
Ringo Starr, shown here performing at the 50th anniversary celebration of Woodstock in upstate New York in 2019, saw his packed touring schedule grounded by the pandemic. (AFP)

He kept the beat for one of the world's most iconic bands, has fronted his supergroup for three decades, is a two-time rock hall-of-famer -- and at 80, Ringo Starr is as energetic as ever.

The pandemic has stalled his normally packed touring schedule, but the former Beatle is set to release a quarantine-developed EP as well as a photo memoir about his All Starr Band, which comes out Wednesday.

In 1989, fresh out of rehab, Starr started the band, one of history's longest running live touring groups that has featured a wide array of music luminaries.

Its first edition featured blues star Dr. John, Joe Walsh of the Eagles, and Nils Lofgren and Clarence Clemons, who played with Bruce Springsteen's E Street Band.

"I had recently cleaned up my act, but now I needed to find some way to get that act back out on the road," Starr said.

"In those days, you had those little phone books that were so civilized, and I just started calling people," the drummer and vocalist told AFP in an interview. "It worked out great."

"Ringo Rocks: 30 Years of the All Stars" -- which is being sold exclusively by Julien's Auctions -- chronicles the ever-shifting band's history through rare photos and anecdotes from Starr.

"How far out," the artist said from Los Angeles via video chat.

"Thirty years... I didn't sit there and say 'Oh man, I could do this for 30 years.' And it would've been 31 if we didn't have this pandemic!"

Starr had two 2020 tours booked that were grounded by the coronavirus crisis, and his annual birthday bash had to go virtual.

"Some days, it's miserable," the animated percussionist said.

"I would sit there some days and think, 'Oh I want to go out! I want to hug people!' -- well, the result of that could be you die. So I didn't do that either."

'Three brothers'
Instead, the octogenarian crafted a four-track EP -- "I loved EPs when I was a lad," he said -- at his home studio between April and October this year.

The mini-album entitled "Zoom In" -- "which I thought was appropriate for this day and age; that's all we do!" -- features collaborations with a laundry list of top artists.

Its single "Here's To The Nights" -- out Wednesday in conjunction with the photo memoir -- was penned by songwriter Diane Warren and features a who's who of music including Walsh, Dave Grohl, Sheryl Crow, Lenny Kravitz, and none other than Paul McCartney.

"If he's in town and I'm making a record, I always save a track if I know he's coming in," Starr said of his former bandmate. "He's just an incredible bass player and a beautiful human being."

The musician called the December 8 anniversary of John Lennon's death "a moment of reflection," saying that as an only child, "I'm blessed... I was in a band."

"I have three brothers who were very close."

"It's one of those moments," he said of the 40th anniversary of Lennon's shooting, also noting the poignancy that arrives every year on November 29, the day George Harrison died in 2001.

'Hold it down'
In his well over half-a-century in the music business, one thing has stayed constant for the Liverpool-born, Los Angeles-based artist: he loves life in a band.

"I've always done everything I've done with other musicians," Starr said.

"When I started, a lot of people were starting, so we learned together, we jammed together, we made mistakes together."

Not one for the flashy drum solos many other percussionists make their names with, Starr said he prefers to keep the rhythm for his bandmates.

"Some people have done really great solos, but it's just something that didn't appeal to me -- even when I started, when you want to really show off," he said.

"I just wanted to hold. It. Down," he added, emphasizing each syllable.

Starr said musicians involved in making his EP took the necessary health precautions.

"We were all very conscious of the fact that it's mad out there, so we wore masks and stayed quite a bit apart," he said.

"Sometimes it was only five feet, not six," the Beatle known for his quips added with a wink.

"That kept me busy and also I like to paint, so I've got a little room where I can splash paints and it doesn't bother anybody," Starr said. "I'm finding things to keep me moving."

"And so that's how we're coverin' it, you know?"



‘Superman’ Aims to Save Flagging Film Franchise, Not Just Humanity

 David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
TT
20

‘Superman’ Aims to Save Flagging Film Franchise, Not Just Humanity

 David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)

Superman is often called upon to save the world from evildoers, but in his latest big-screen incarnation, he's also being asked to swoop in and save a franchise.

James Gunn's "Superman," which opened in theaters worldwide this week, is a reboot aimed at relaunching the so-called DC Universe of comic book-based superhero movies, which also features Wonder Woman and Batman.

The celluloid efforts of Warner Bros. and DC Studios have been widely eclipsed by Disney's Marvel Cinematic Universe -- the world of Iron Man, Thor, Black Panther and the Fantastic Four, who are getting their own reboot later this month.

"Warner Bros. has invested a lot of energy and money in trying to refocus and renew DC Studios, and this is going to be the big release from that," analyst David A. Gross from Franchise Entertainment Research told AFP.

The heavy task falls on the shoulders of Gunn, the writer-director who won praise from fans of the genre with Marvel's "Guardians of the Galaxy" trilogy.

The movie's rollout has already encountered several headwinds, including a right-wing backlash to Gunn's comments on Superman's role as an immigrant, and skepticism from fans of the previous Superman films helmed by director Zack Snyder.

Gunn has shrugged off the high stakes surrounding the movie's box office success.

"Is there something riding on it? Yeah, but it's not as big as people make it out to be," he told GQ Magazine.

"They hear these numbers that the movie's only going to be successful if it makes $700 million or something and it's just complete and utter nonsense."

The hype around the movie is real -- the White House even superimposed President Donald Trump onto one of the movie's official posters with the caption "THE SYMBOL OF HOPE. TRUTH. JUSTICE. THE AMERICAN WAY. SUPERMAN TRUMP."

- 'A diminished genre' -

Warner Bros. hopes the DC Universe can catch up with Marvel which -- after years of huge successes with the "Avengers" movies -- has seen more muted box office returns with the recent "Thunderbolts" and "Captain America: Brave New World."

Gross explained that superhero films hit a peak right before the Covid-19 pandemic, with box office earnings and audience enthusiasm waning ever since that time.

"It's really a diminished genre," Gross said.

However, the analyst said early buzz for "Superman" was "really good."

The film stars up-and-comer David Corenswet as the new Superman/Clark Kent, with "The Marvelous Mrs. Maisel" star Rachel Brosnahan playing love interest Lois Lane and Nicholas Hoult as arch-villain Lex Luthor.

The story follows the Man of Steel coming to terms with his alien identity as he finds his place in the human world.

The supporting cast boasts a selection of other DC Comics characters, from the peacekeeping Green Lantern (Nathan Fillion) -- who is scheduled to reprise the role in upcoming TV series "Lanterns" -- to the mace-wielding Hawkgirl.

Gross noted that July "is the top moviegoing month of the year," leading tracking estimates to forecast a total of more than $100 million for the film's opening weekend in North America.

- 'The story of America' -

DC Studios however must shake off a reputation for producing mediocre films that did not score well with audiences.

The last round of "DC Extended Universe" films included the well-liked "Wonder Woman" (2017) starring Gal Gadot -- but also box office flops like "Shazam! Fury of the Gods" (2023) and the under-performing "Aquaman" sequel with Jason Momoa.

"The success was mixed, and they were spending a lot of money on some of the new spinoff characters who were not working particularly well," Gross said, pointing at 2021's "The Suicide Squad" -- directed by Gunn -- as an example.

The last films featuring Superman, starring Henry Cavill and directed by Snyder, were relatively successful for Warner Bros. until "Justice League" -- DC's effort at recreating the "Avengers" vibe -- which lost millions of dollars.

Fans of Snyder have stirred up negative buzz for the new "Superman" movie, voicing hope online that the reboot fails out of a sense of loyalty to the previous films.

The backlash was further widened after right-wing pundits groaned about Superman's specific characterization as an immigrant, lamenting the superhero had become "woke."

Gunn addressed the criticism, telling The Times newspaper that "Superman is the story of America," with the character reflecting those who "came from other places and populated the country."

"I'm telling a story about a guy who is uniquely good, and that feels needed now," he added.

Ultimately, time will soon tell if Corenswet's chiseled looks and Gunn's directorial vision will be the superpowers that DC Studios need -- or prove to be its Kryptonite.