Damascus Bids Farewell to Director Hatem Ali

A general view of the funeral procession for Syrian director Hatem Ali in Damascus, Syria, on January 1. (EPA)
A general view of the funeral procession for Syrian director Hatem Ali in Damascus, Syria, on January 1. (EPA)
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Damascus Bids Farewell to Director Hatem Ali

A general view of the funeral procession for Syrian director Hatem Ali in Damascus, Syria, on January 1. (EPA)
A general view of the funeral procession for Syrian director Hatem Ali in Damascus, Syria, on January 1. (EPA)

Damascus bid farewell to Hatem Ali, one of the city’s most prominent directors, on Friday. The funeral procession was held after his casket’s arrival from Cairo, where he had died of a heart attack on Tuesday.

The Syrian capitals’ Al-Hassan Mosque was filled with mourners, some holding up his picture. As soon as his casket was taken out of the mosque, the crowd began to applaud, cry out in prayer and chant his name.

Dozens of cars took part in the funeral motorcade that passed through the streets of Damascus before he was buried in the Bab el-Saghir Cemetery.

Syrian and Arab social media was brimming with messages of mourning over director, who had worked on many of the past two decades’ most renowned television series.

His sudden death inside his hotel room in Cairo came as a shock, especially since he had not been showing any signs of illness before his heart attack.

A rare sight since the Syrian conflict began, the Syrian people, loyalists and opponents of the regime, were unanimous in celebrating his journey and legacy. He was mourned by dozens of artists outside of Syria, some of whom are vocal activists opposed to the regime, and others who remained inside the county.

The Syrian Artists Syndicate only announced Ali’s death on Tuesday, highlighting some of his works without formally mourning him, a move that was widely criticized on social media.

The director’s membership, alongside that of around 200 other Syrian artists, was revoked in the summer of 2015 under the pretext that they had not paid their membership fees, which the syndicate had said it would only accept to receive from the artists in person. This was not an option for many of the artists who had left the country during the conflict.

At the time, many artists and activists drew a link between the artists’ expulsion from the syndicate and their political positions, as they were either openly opposed to the regime or had abstained from declaring their support for it.

Born in 1962, Ali began his career as an actor, working with director Haitham Haqqi on the series Circle of Fire in 1988. He moved to directing television series in the mid-1990s, during which he worked on many feature TV films.

He has directed a number of series, some of the most notable include Maraya, Four Seasons, Al Zeer Salem, Salaheddine Al Ayyubi, Al Taghribiyya Al Filistiniyya, King Farouk, and Omar.

Cairo-based prominent Syrian actor and opposition figure, Jamal Sulieman, who had collaborated with Ali on several projects, mourned his death on Facebook.

“Your sudden departure was a grave shock and left in grief not only your family, friends and all of those who enjoyed working with you during your career, but people throughout the Arab world,” he wrote.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."