Italian Fashion Brand Zegna Trims Hopes for Full Recovery in 2021

A screen displays Ermenegildo Zegna’s digital FallWinter 2021 Men’s fashion collection, on January 15, 2021 in downtown Milan. (Getty Images)
A screen displays Ermenegildo Zegna’s digital FallWinter 2021 Men’s fashion collection, on January 15, 2021 in downtown Milan. (Getty Images)
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Italian Fashion Brand Zegna Trims Hopes for Full Recovery in 2021

A screen displays Ermenegildo Zegna’s digital FallWinter 2021 Men’s fashion collection, on January 15, 2021 in downtown Milan. (Getty Images)
A screen displays Ermenegildo Zegna’s digital FallWinter 2021 Men’s fashion collection, on January 15, 2021 in downtown Milan. (Getty Images)

Ermenegildo Zegna’s CEO fears the Italian luxury clothing group will not reach a full recovery in 2021 after the coronavirus crisis bit into industry-wide revenues last year, but is still confident of a strong recovery in the second half.

The ongoing rise in COVID-19 infections around the world is cooling growth expectations for the sector this year despite the start of vaccinations in many key markets.

“I think 2021 will be between 2019 and 2020 levels. It will certainly not be worse than last year. I dare not make more ambitious estimates, the first half of the year seems not easy,” CEO Gildo Zegna told reporters on the sidelines of a press conference for the autumn/winter 2021 collection.

“But we are certainly more ready than last year to face the situation,” he added.

In 2020, the group reported a drop in sales of just over 20%, Zegna said. “We managed to stay above 1 billion euros in revenues, which was my target, and preserve cash and keep a core profit thanks to cost cutting.”

China, where demand for luxury goods has rebounded strongly since the summer, and digital sales, which boomed during the pandemic “have been our lungs”, Zegna said.

The group kicked off Milan Men’s Fashion Week with a “fashion movie” released online.

Next winter’s collection was designed with new habits in mind as people spend more time at home.

More formal clothes have given way to fluid and unstructured ones, still very tailored and made with luxury fabrics. And for the first time, Zegna is offering the same clothes in smaller sizes for women.

“I think that in the future we will dress more and more ‘Silicon Valley style’, inside like outside, him like her,” Gildo Zegna stated, indicating the group’s strategy is moving from formal to more informal clothing.



Madonna Makes Veiled Entrance to Dolce&Gabbana for Show Celebrating Her 1990s Heyday

US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
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Madonna Makes Veiled Entrance to Dolce&Gabbana for Show Celebrating Her 1990s Heyday

US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI
US singer Madonna stands at the end of the Dolce and Gabbana fashion show during the Milan Fashion Week Spring/Summer 2025, in Milan, Italy, 21 September 2024. EPA/MATTEO BAZZI

Celebrities swarmed Milan Fashion Week on the last big day of runway shows on Saturday, sending crowds of adoring fans from venue to venue.
Madonna sat in a front-row seat at Dolce & Gabbana, along with Naomi Campbell and Victoria De Angelis of Maneskin. Her bandmate, Maneskin frontman Damiano David, showed up at Diesel, one of the season's hottest tickets, across town. Jacob Elordi took a seat on a bunny-shaped bean bag chair to take in the Bottega Veneta show.
Highlights from Milan Fashion Week's mostly womenswear previews for next spring and summer on Saturday, The Associated Press said.
Dolce & Gabbana Celebrate Madonna
Madonna attempted a semi-stealth entrance to the Dolce & Gabbana runway show draped in a black veil for a runway show referencing her 1990s heyday and celebrating the cone bra.
Models in bleach-blonde wigs strutted in Domenico Dolce and Stefano Gabbana’s signature corsets and fitted jackets, each featuring the aggressively feminine cone bra, in a collection that notes said “pays homage to an ironic and powerful female figure.”
Madonna wasn't cited specifically, but the stars of the Milan designers and pop star have been aligned ever since they made costumes for her 1993 Girlie Show tour. The tour promoted Madonna's “Erotica” album launched alongside her taboo-breaking coffee table book, “Sex.”
“Madonna has always been our icon. It’s thanks to her that a lot of things in our lives changed,'' the designers said in a note.
The collection, dubbed “Italian Beauty,” perfectly captured that moment in time. Cone bras peeked out of cropped jackets with a pencil skirt, garters swung from corsets and coats sculpted the body. Floral prints returned, accenting a color scheme of black, nude, red and white. Oversized cross earrings finished the looks. Heels were unapologetically high.
After taking their bows, the designers walked down the runway to greet their guest of honor. Madonna, still covered by the Chantilly long lace veil fastened by a gold and crystal crown, stood to embrace them both.
Bottega Veneta taps wonder Bottega Veneta's sometimes misproptioned, sometimes crinkled, always provocative collection explores the intersection between the real world and fantasy, adulthood and childhood. Creative director Matthieu Blazy's meaning is simple: To delight.
“We need beauty. We need joy,'' Blazy said backstage. ”We need that experimental act. It is also an act of freedom.”
In this universe, a dental clinic receptionist wears a skirt with a trouser on just one leg, which Blazy asserts as a playful act. In a familiar scene, a well-dressed father carries his daughter's pink and purple school bag. “Do we like the bag? I don’t know. Does it tell a story? Yes,'' Blazy said.
Each detail is deliberate, from a flat collar on a dress shaped like bunny ears to big colorful raffia wigs, even if their ultimate purpose is just for fun. Crinkled clothes signify a child's attempt to dress up, only to be ruined by the end of the day.
Blazy's characters carried what appeared to be ordinary plastic grocery bags, but which were made out of nylon and leather — part of the brand's ongoing technological innovations. The faux plastic bags signified everyday life, and were accompanied by brand’s trademark woven bags, one for a violin, another a wine bottle.
Ferragamo’s freedom of movement Ferragamo creative director Maximilian Davis celebrated the freedom of movement inherent in ballet in his new collection, inspired by archival photos of brand founder Salvatore Ferragamo fitting African American ballet dancer Katherine Dunham for shoes.
Dunham often trained and worked in the Caribbean, which allowed the British designer’s with Jamaican roots “to find a link between Ferragamo’s Italian-ness and my heritage.”
The collection recalls a 1980s way of dressing, with strong shoulders and oversized tailoring, also an homage to Russian ballet star Rudolf Nuryev, another historic Ferragamo customer.
To emphasize movement, Davis created long parachute dresses in silk nylon, suede and organza with a billowing bubble shape. The ballet dancer is honored in cashmere dancer wraps color-blocked with layered leotards. More subversively, shorts with frayed denim suggested a tutu.
Diesel elevates denim Diesel models tramped a field of 14,800 kilograms (nearly 33,000 pounds) of denim scraps “to highlight the beauty of waste, creating a dystopian backdrop for the brand’s latest collection of elevated denim.
The Veneto-based brand under creative director Glenn Martens has become a laboratory for textile experimentation. Short-shorts are embroidered with a cascade of extra-long fringe, for a skirt-like effect. Jeans are lasered to look destroyed; necklines on cotton sweatshirts look distressed but the effect is actually a jacquard with the cotton burned away to the tulle.
Marten's said the brand's “disruption” goes beyond its design. "We are pushing for circularity in our production,'' he said. In that vein: A coat was made from leftover spools of denim thread, while oversized jeans were from recycled cotton, some from Diesel's own production. And the scraps piled on the floor were to be repurposed after the show.