Review: ‘Human Factor’ Gets Personal about Middle East Peace

President Bill Clinton, center, looks on as Israeli PM Yitzhak Rabin, left, and PLO leader Yasser Arafat shake hands in the White House after signing the Mideast accord in Washington on Sept. 28, 1995. (AP)
President Bill Clinton, center, looks on as Israeli PM Yitzhak Rabin, left, and PLO leader Yasser Arafat shake hands in the White House after signing the Mideast accord in Washington on Sept. 28, 1995. (AP)
TT
20

Review: ‘Human Factor’ Gets Personal about Middle East Peace

President Bill Clinton, center, looks on as Israeli PM Yitzhak Rabin, left, and PLO leader Yasser Arafat shake hands in the White House after signing the Mideast accord in Washington on Sept. 28, 1995. (AP)
President Bill Clinton, center, looks on as Israeli PM Yitzhak Rabin, left, and PLO leader Yasser Arafat shake hands in the White House after signing the Mideast accord in Washington on Sept. 28, 1995. (AP)

Ready for a documentary about three decades of agonizing fits and starts of the Middle East peace process, from the perspective of US negotiators? You’re probably thinking that doesn’t sound too enticing right about now.

But there’s a reason “The Human Factor,” by Israeli filmmaker Dror Moreh, escapes what would seem a likely fate of being interesting only to policy wonks and those with a direct stake in the issue, and it has something to do with the title, wrote The Associated Press. It’s a reference to a line from Dennis Ross, the best-known negotiator of the bunch.

“You can’t ignore the human factor,” he says at the beginning. “Someone who has a human touch treats someone else with respect. Someone who has a human touch doesn’t think they’re going to outsmart anybody.”

The film goes on to prove the point, threading a delicate line between giving us necessary facts and sounding like a dry history lesson. But the value is in the small, and yes, human details -- like the fact that Palestinian leader Yasser Arafat took it upon himself to cut Ross’ chicken for him when they ate together. Or the incongruous sight of Arafat’s entourage watching “The Golden Girls” on TV.

The film is full of such humanizing touches, not just about Arafat but about Israeli leaders and American ones, too. Like Bill Clinton, depicted here as a man on a career-defining mission to achieve a peace deal. One small but stunning anecdote: As the Monica Lewinsky scandal is breaking, casting a cloud over Clinton’s presidency, Ross looks over at his boss’ notepad during a crucial meeting. Clinton is writing: “Focus on your job. Focus on your job.”

The film traces the long slog of peace efforts through archival footage and interviews with key negotiators: Ross, who played a huge role for more than a decade, working for presidents from Reagan to Obama; Martin Indyk, twice the US ambassador to Israel; and negotiators Gamal Helal, Aaron David Miller and Daniel Kurtzer.

Through these men, especially Ross, we get a close-up view of world leaders and how they behaved behind closed doors. There’s a fascinating description of a meal in the small dining room off the Oval Office between Clinton, Arafat, Israeli Prime Minister Benjamin Netanyahu and King Hussein of Jordan. Ross describes an offended Hussein admonishing Netanyahu as if he were a wayward schoolboy: “You don’t have the maturity to be a leader,” he tells him, according to Ross. “You have to grow up and become a leader.” There’s silence in the room.

At another point, Ross describes Clinton exclaiming about Netanyahu: “Who does he think the superpower is?”

This is, of course, after the death of Prime Minister Yitzhak Rabin at the hands of a Jewish extremist in 1995, as he pursued peace. The film effectively portrays the grudging respect that had slowly formed between Rabin and Arafat, from a moment when shaking hands was a painful gesture to a time when Arafat would casually drape his arm across Rabin’s back.

For this viewer, the most “human” factor of the film comes with the shock over Rabin’s death, especially from Ross himself. The negotiator recounts that he’d been taking one of his children home from a doctor’s visit when he was paged by Secretary of State Warren Christopher.

Once the news sunk, Ross’ wife had to explain to their children why Dad was crying. “They’d never seen me cry before,” he says. And, speaking to the camera today, the tears return. “It’s obviously still a moment I really can’t talk about,” he says.

Ross would, of course, stay on the job, trying to broker peace between Arafat and Netanyahu, or Arafat and Prime Minister Ehud Barak. Clinton was determined, but that wasn’t enough. The high-stakes 2000 Camp David summit fails to produce an agreement, and we see Clinton in his last days in office in January 2001, in a call with Arafat, who calls him a “great man.”

“No, I’m not,” Ross quotes Clinton as saying. “I’m a failure.”

The film does not, of course, conclusively answer its primary question: What went wrong?

But there’s a hint. It is Miller who raises most directly one of the most serious issues: Was the United States ever really equipped to be an “honest broker”? Was real peace ever possible when the Americans were essentially, as Miller puts it in retrospect, acting as Israel’s lawyers?

“I don’t think I am free from prejudgments,” he says. And he asks: “Did we have Palestinian lawyers?”



‘Lilo & Stitch’ Passes ‘Sinners’ to Become 2nd Highest Grossing Film of 2025

Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
TT
20

‘Lilo & Stitch’ Passes ‘Sinners’ to Become 2nd Highest Grossing Film of 2025

Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)
Chris Sanders, Billy Magnussen, Zach Galifianakis, Maia Kealoha, Sydney Agudong, Courtney B. Vance, Kaipo Dudoit, Amy Hill and Stitch attend a premiere for the film "Lilo & Stitch" in Los Angeles, California, US, May 17, 2025. (Reuters)

“Lilo & Stich” and “Mission: Impossible—The Final Reckoning” dominated the box office charts again after fueling a record-breaking Memorial Day weekend. Theaters in the US and Canada had several new films to offer this weekend as well, including Sony’s family friendly “Karate Kid: Legends” and the A24 horror movie “Bring Her Back.” According to studio estimates Sunday, it added up to a robust $145 million post-holiday weekend that’s up over 115% from the same timeframe last year.

Disney’s live-action hybrid “Lilo & Stitch” took first place again with $63 million from 4,410 locations in North America. It was enough to pass “Sinners” to become the second-highest grossing movie of the year with $280.1 million in domestic ticket sales. Globally, it's running total is $610.8 million. “Sinners,” meanwhile, is still going strong in its seventh weekend with another $5.2 million, bumping it to $267.1 million domestically and $350.1 million globally.

The eighth “Mission: Impossible” movie also repeated in second place, with $27.3 million from 3,861 locations. As with “Lilo & Stitch,” that's down 57% from its opening. With $122.6 million in domestic tickets sold, it’s performing in line with the two previous installments. But with a reported production budget of $400 million, profitability is a ways off. Internationally, it added $76.1 million (including $25.2 million from China where it just opened), bringing its global total to $353.8 million.

Leading the newcomers was Sony’s “Karate Kid: Legends,” with an estimated $21 million from 3,809 locations. The movie brings Jackie Chan and Ralph Macchio together to train a new kid, the kung fu prodigy Li Fong (Ben Wang). Chan starred in a 2010 reboot of the 1984 original, while Macchio has found a new generation of fans in the series “Cobra Kai,” which just concluded a six-season run.

Reviews might have been mixed, but opening weekend audiences gave the PG-13 rated film a strong A- CinemaScore and 4.5 stars on PostTrak. It also only cost a reported $45 million to produce and has several weeks until a new family-friendly film arrives.

Fourth place went “Final Destination: Bloodlines,” which earned $10.8 million in its third weekend. The movie is the highest-grossing in the franchise, not accounting for inflation, with $229.3 million globally.

The weekend’s other big newcomer, “Bring Her Back” rounded out the top five with $7.1 million from 2,449 screens. Starring Sally Hawkins as a foster mother with some disturbing plans, the film is the sophomore feature of twin filmmakers Danny and Michael Philippou, who made the 2023 horror breakout “Talk to Me.” It earned a rare-for-horror B+ CinemaScore and is essentially the only new film in the genre until “28 Years Later” opens on June 20.

A new Wes Anderson movie, “The Phoenician Scheme,” also debuted in New York and Los Angeles this weekend, where it made $270,000. It expands nationwide next weekend.

The summer box office forecast remains promising, though there’s a long way to go to get to the $4 billion target (a pre-pandemic norm that only the “Barbenheimer” summer has surpassed). The month of May is expected to close out with $973 million – up 75% from May 2024, according to data from Comscore.