Oscar Winner, ‘Sound of Music’ Star Christopher Plummer Dies

Christopher Plummer. (AP)
Christopher Plummer. (AP)
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Oscar Winner, ‘Sound of Music’ Star Christopher Plummer Dies

Christopher Plummer. (AP)
Christopher Plummer. (AP)

Christopher Plummer, the dashing award-winning actor who played Captain von Trapp in the film “The Sound of Music” and at 82 became the oldest Academy Award acting winner in history, has died. He was 91.

Plummer died Friday morning at his home in Connecticut with his wife, Elaine Taylor, by his side, said Lou Pitt, his longtime friend and manager.

Over more than 50 years in the industry, Plummer enjoyed varied roles ranging from the film “The Girl With the Dragon Tattoo,” to the voice of the villain in 2009′s “Up” and as a canny lawyer in Broadway’s “Inherit the Wind.”

But it was opposite Julie Andrews as von Trapp that made him a star. He played an Austrian captain who must flee the country with his folk-singing family to escape service in the Nazi navy, a role he lamented was “humorless and one-dimensional.” Plummer spent the rest of his life referring to the film as “The Sound of Mucus” or “S&M.”

“We tried so hard to put humor into it,” he told The Associated Press in 2007. “It was almost impossible. It was just agony to try to make that guy not a cardboard figure.”

The role catapulted Plummer to stardom, but he never took to leading men parts, despite his silver hair, good looks and ever-so-slight English accent. He preferred character parts, considering them more meaty.

Plummer had a remarkable film renaissance late in life, which began with his acclaimed performance as Mike Wallace in Michael Mann’s 1999 film “The Insider,” continued in films such as 2001’s “A Beautiful Mind” and 2009′s “The Last Station,” in which he played a deteriorating Tolstoy and was nominated for an Oscar. In 2012, Plummer won a supporting actor Oscar for his role in “Beginners”.

“Too many people in the world are unhappy with their lot. And then they retire and they become vegetables. I think retirement in any profession is death, so I’m determined to keep crackin’,” he told AP in 2011.

Plummer in 2017 replaced Kevin Spacey as J. Paul Getty in “All the Money in the World” just six weeks before the film was set to hit theaters. That choice that was officially validated in the best possible way for the film — a supporting Oscar nomination for Plummer, his third. In 2019, he starred in the TV suspense drama series “Departure.”

There were fallow periods in his career — a “Pink Panther” movie here, a “Dracula 2000″ there and even a “Star Trek” — as a Klingon, no less. But Plummer had other reasons than the scripts in mind.

“For a long time, I accepted parts that took me to attractive places in the world. Rather than shooting in the Bronx, I would rather go to the south of France, crazed creature than I am,” he told AP in 2007. “And so I sacrificed a lot of my career for nicer hotels and more attractive beaches.”

The Canadian-born actor performed most of the major Shakespeare roles, including Hamlet, Cyrano, Iago, Othello, Prospero, Henry V and a staggering “King Lear” at Lincoln Center in 2004. He was frequent star at the Stratford Shakespeare Festival in Canada.

“I’ve become simpler and simpler with playing Shakespeare,” he said in 2007. “I’m not as extravagant as I used to be. I don’t listen to my voice so much anymore. All the pitfalls of playing the classics — you can fall in love with yourself.”

He won two Tony Awards. The first was in 1974 for best actor in a musical for playing the title role in “Cyrano” and his second in 1997 for his portrayal of John Barrymore in “Barrymore.” He also won two Emmys.

Plummer was born Arthur Christopher Orme Plummer in Toronto. His maternal great-grandfather was former Canadian Prime Minister Sir John Abbott. His parents divorced shortly after his birth and he was raised by his mother and aunts.

Plummer began his career on stage and in radio in Canada in the 1940s and made his Broadway debut in 1954 in “The Starcross Story.” While still a relative unknown, he was cast as Hamlet in a 1963 performance co-starring Robert Shaw and Michael Caine. It was taped by the BBC at Elsinore Castle in Denmark, where the play is set, and released in 1964. It won an Emmy.

Plummer married Tony-winning actress Tammy Grimes in 1956, and fathered his only child, actress Amanda Plummer, in 1957. Like both her parents, she also won a Tony, in 1982 for “Agnes of God.” (Grimes won two Tonys, for “Private Lives” and “The Unsinkable Molly Brown.”)

Plummer and Grimes divorced in 1960. A five-year marriage to Patricia Lewis ended in 1967. Plummer married his third wife, dancer Taylor, in 1970, and credited her with helping him overcome a drinking problem.

He was given Canada’s highest civilian honor when he was invested as Companion of the Order of Canada by Queen Elizabeth II in 1968, and was inducted into the American Theater’s Hall of Fame in 1986.



Movie Review: 'Eddington' Is a Satire About Our Broken Brains That Might Re-Break Your Brain

 This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP)
This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP)
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Movie Review: 'Eddington' Is a Satire About Our Broken Brains That Might Re-Break Your Brain

 This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP)
This image released by A24 shows Joaquin Phoenix, left, and Pedro Pascal in a scene from "Eddington." (A24 via AP)

You might need to lie down for a bit after "Eddington." Preferably in a dark room with no screens and no talking. "Eddington," Ari Aster's latest nightmare vision, is sure to divide but there is one thing I think everyone will be able to agree on: It is an experience that will leave you asking "WHAT?" The movie opens on the aggravated ramblings of an unhoused man and doesn't get much more coherent from there. Approach with caution.

We talk a lot about movies as an escape from the stresses of the world. "Eddington," in which a small, fictional town in New Mexico becomes a microcosm of life in the misinformation age, and more specifically during the pandemic and the Black Lives Matter protests, is very much the opposite of that. It is an anti-escapist symphony of masking debates, conspiracy theories, YouTube prophets, TikTok trends and third-rail topics in which no side is spared. Most everyone looks insane and ridiculous by the end, from the white teenage girl (Amélie Hoeferle) telling a Black cop (Michael Ward) to join the movement, to the grammatical errors of the truthers, as the town spirals into chaos and gruesome violence.

Joaquin Phoenix plays the town sheriff, a soft-spoken wife guy named Joe Cross, who we meet out in the desert one night watching YouTube videos about how to convince your wife to have a baby. He's interrupted by cops from the neighboring town, who demand he put on a mask since he's technically crossed the border.

It is May 2020, and everyone is a little on edge. Joe, frustrated by the hysterical commitment to mandates from nowhere, finds himself the unofficial spokesperson for the right to go unmasked. He pits himself against the slick local mayor Ted Garcia (Pedro Pascal), who is up for reelection, in the pocket of big tech and ready to exploit his single fatherhood for political gain. At home, Joe's mother-in-law Dawn (Deirdre O'Connell) spends all day consuming internet conspiracy theories, while his wife Louise (a criminally underused Emma Stone) works on crafts and nurses unspoken traumas.

Joe's eagerness to take on Ted isn't just about masking. Years ago, Ted dated his now-wife, a story that will be twisted into rape and grooming accusations. Caricatures and stereotypes are everywhere in "Eddington," but in this world it feels like the women are especially underwritten - they are kooks, victims, zealots and the ones who push fragile men to the brink. But in "Eddington," all the conspiracies are real and ordinary people are all susceptible to the madness.

In fact, insanity is just an inevitability no matter how well-intentioned one starts out, whether that's the woke-curious teen rattled by rejection, or the loyal deputy Guy (Luke Grimes) who is suddenly more than happy to accuse a colleague of murder. Louise will also be swayed by a floppy-haired internet guru, a cult-like leader played with perfect swagger by Austin Butler.

The problem with an anarchic satire like "Eddington," in theaters Friday, is that any criticism could easily be dismissed with a "that's the point" counterargument. And yet there is very little to be learned in this silo of provocations that, like all Aster movies, escalates until the movie is over.

There are moments of humor and wit, too, as well as expertly built tension and release. "Eddington" is not incompetently done or unwatchable (the cast and the director kind of guarantee that); it just doesn't feel a whole of anything other than a cinematic expression of broken brains.

Five years after we just went through (at least a lot of) this, "Eddington" somehow seems both too late and too soon, especially when it offers so little wisdom or insight beyond a vision of hopelessness. I wonder what world Aster thought he'd be releasing this film into. Maybe one that was better, not cosmically worse.

It's possible "Eddington" will age well. Perhaps it's the kind of movie that future Gen Alpha cinephiles will point to as being ahead of its time, a work that was woefully misunderstood by head-in-the-sand critics who didn't see that it was 2025's answer to the prescient paranoia cinema of the 1970s.

Not to sound like the studio boss in "Sullivan's Travels," trying to get the filmmaker with big issues on the mind to make a dumb comedy, but right now, "Eddington" feels like the last thing any of us need.