New Documentary Paints Disturbing Picture of Woody Allen

Woody Allen. (AFP)
Woody Allen. (AFP)
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New Documentary Paints Disturbing Picture of Woody Allen

Woody Allen. (AFP)
Woody Allen. (AFP)

A new documentary series premiering Sunday on the HBO network, "Allen v. Farrow," paints a damning picture of Oscar-winning director Woody Allen, particularly regarding his alleged sexual abuse of young adoptive daughter Dylan Farrow.

Even if the four-part series contains no major revelations, it seems certain to further sully the already battered reputation of the aging New York filmmaker.

Respected documentary directors Kirby Dick and Amy Ziering delve into Allen's past, using testimony and legal documents -- some not previously seen -- to dig deeper than anyone before them.

Dylan Farrow has accused Allen of sexually abusing her in August 1992, when she was only seven years old -- an allegation he has always denied.

The documentary draws a line between the alleged abuse of Dylan and Allen's relationship with the adoptive daughter of his then-partner Mia Farrow, Soon-Yi Previn, who is now his wife.

More generally, the series examines his attraction to young girls. The documentary cites court documents and testimony indicating that Allen had sexual relations with Soon-Yi while she was a minor.

Sixteen when they met, she is now 50; Allen is 35 years her senior.

On top of those disturbing elements, "Allen v. Farrow" details Allen's supposed penchant for manipulation -- in particular of the press -- as he sought to undercut the damaging accusations and discredit Mia Farrow.

The film strongly implies that he might have successfully derailed the two official investigations into the matter, neither of which resulted in charges being filed.

About complicity
More broadly, the documentary denounces the pre-#MeToo culture of male dominance, which allowed powerful men in show business and other fields to abuse their positions with impunity, sometimes with the full knowledge of others in their professional circles.

"Allen v. Farrow" will have particular resonance in France, where it will be broadcast next month on the OCS network amid a recent series of allegations of incest involving several public figures.

The film also charts the way Allan Konigsberg -- Woody Allen's real name -- continued to enjoy seemingly unshakable support from many in the cinema world even as Farrow lost out on roles and, she said, became persona non grata in Hollywood.

It was only in 2017, following the publication of an op-ed article by Dylan Farrow and with the very public support of her brother Ronan -- a journalist and early hero of the #MeToo movement -- that actors and actresses began to turn their backs on the octogenarian director, who remains isolated today.

To filmmaker Dick, the message of the documentary reaches far beyond Allen, though it bears his name. "It's really not about him," Dick told the Washington Post.

"It's more about the systemic," added Ziering. "This film is about complicity, the power of celebrity, the power of spin, how we all are viral and will believe something that's repeated enough."

"Allen v. Farrow" also examines Dylan Farrow, who opens up as never before and who, nearly 30 years later, still shows signs of deep trauma.

"There's so much misinformation... so many lies," she said. "I've been subjected to every kind of doubt, every kind of scrutiny and every kind of humiliation," while her father "was able to just run amok."

One major absence looms over the four hours of the series as it assembles its merciless indictment -- that of Allen himself, though it does include extracts from his 2020 autobiography "Apropos of Nothing," read by the director for the audiobook.

No one comes to Allen's defense, not even wife Soon-Yi or adoptive son Moses, both of whom have defended him in the past but refused to take part in the documentary.

Contacted by AFP for comment, Allen did not respond.

"I think a lot of people, when they see this - even people who right now are defending Woody Allen - I think they will either change their mind or examine things in a much different way," said Dick.



Gl-icked? Movie Theaters Pin Hopes on Big 'Wicked,' 'Gladiator' Weekend

'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
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Gl-icked? Movie Theaters Pin Hopes on Big 'Wicked,' 'Gladiator' Weekend

'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP

US movie theaters are hoping the lightning-in-a-bottle magic of last year's "Barbenheimer" phenomenon can strike again this weekend, with the simultaneous release of two of 2024's most hyped films: "Wicked" and "Gladiator II."
"Wicked" is the movie adaptation of the hit Broadway musical, starring pop sensation Ariana Grande, while "Gladiator II" marks Ridley Scott's return to ancient Rome, 24 years after his epic original won the best picture Oscar.
Whether audiences will embrace the tongue-in-cheek "Glicked" (or "Wickiator") memes being hopefully circulated by marketing departments -- or even dress up in witch hats and togas -- remains to be seen.
But cinema lobbies and shopping malls across the country are being daubed in the pink-and-green shades of the "Wicked" witches, and kitted out with cardboard miniature Colosseums, ahead of a period that analysts say will be crucial for the industry, AFP said.
"I am certain that this is going to be the biggest Thanksgiving the industry has ever seen," said Jordan Hohman, an executive at Phoenix Theatres.
"Wicked" alone is "the biggest opening film in terms of advance sale tickets" in the US chain's 24-year history, currently pacing 63 percent ahead of "Barbie," added president Cory Jacobson.
While rival Hollywood studios have traditionally been wary of launching two major films on the same weekend, the record-breaking summer of 2023 showed it can be mutually beneficial -- with the right movies.
Like "Barbie" and "Oppenheimer," the female-skewing "Wicked" and male-focussed "Gladiator II" are "oriented to different audiences," said analyst David A. Gross, of Franchise Entertainment Research.
"Wicked" has inspired promotional tie-ins like a makeup line and a cupcake kit, while "Gladiator" ads have been ubiquitous during NFL telecasts.
"There is zero issue in terms of stepping on each other's feet," said Gross.
Still, matching the heady heights of "Barbie" and "Oppenheimer" will be a tough ask. Those films took $245 million combined on their opening weekend in North America alone.
"Barbenheimer was an example of two films massively over-performing... an unexpected best-case scenario," cautioned Daniel Lora, senior VP of content strategy for Boxoffice Media.
But part of the industry's current bullishness comes from another massive film, Disney's "Moana 2," which will join "Wicked" and "Gladiator II" in multiplexes just a week later.
"I don't think this is a two-picture experience. I think it's a three-picture experience," said Jacobson.
Marketing blitz
Should the next few weeks live up to hopes, it will come at a much-needed time for Hollywood.
Despite a profitable summer featuring hit sequels like "Inside Out 2" and "Deadpool & Wolverine," 2024 has been a mixed bag for an industry still dreaming of a return to pre-pandemic numbers.
The first five months of the year were hampered by a thin release schedule, stemming from the production delays caused by Hollywood strikes and Covid.
The fall has also been a disappointment, with box office dud "Joker: Folie A Deux" foremost among a series of flops and middling releases.
But the early signs for this weekend look promising.
"Gladiator II" opened in dozens of other countries last week, taking a whopping $87 million overseas. Paramount will be hoping for similar numbers in the US this weekend.
"Wicked," from Universal, the studio behind "Oppenheimer," is predicted to take north of $100 million this weekend in North America alone.
Both movies have benefited from long, expensive marketing campaigns.
At a major Las Vegas movie theater convention in April, Paramount began their annual presentation with an executive riding into the Caesars Palace arena on a chariot flanked by Roman soldiers.
Universal's presentation ended with thousands of plastic flowers held aloft by audience members to create a giant green-and-pink "Wicked" themed electronic lightshow.
Eight months later, both studios will learn if those strategies have converted into ticket sales.
"When something really catches fire, and it's not just a marketing campaign flogging it, honestly it can just take off and go higher than anybody can predict," said Gross.
"So let's see what happens."