Music Instead of War…Serbian Artist Turns Weapons into Musical Instruments

Srdjan Sarovic, visual artist and a war veteran, plays on a guitar made out of M70 rifle and a helmet, made by Serbian sculptor Nikola Macura at his studio, in Novi Sad on February 1, 2021.  Andrej Isakovic/AFP
Srdjan Sarovic, visual artist and a war veteran, plays on a guitar made out of M70 rifle and a helmet, made by Serbian sculptor Nikola Macura at his studio, in Novi Sad on February 1, 2021. Andrej Isakovic/AFP
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Music Instead of War…Serbian Artist Turns Weapons into Musical Instruments

Srdjan Sarovic, visual artist and a war veteran, plays on a guitar made out of M70 rifle and a helmet, made by Serbian sculptor Nikola Macura at his studio, in Novi Sad on February 1, 2021.  Andrej Isakovic/AFP
Srdjan Sarovic, visual artist and a war veteran, plays on a guitar made out of M70 rifle and a helmet, made by Serbian sculptor Nikola Macura at his studio, in Novi Sad on February 1, 2021. Andrej Isakovic/AFP

Every week, Serbian sculptor Nikola Macura wanders through a messy military junkyard in search of sounds through discarded rifles, helmets and missiles.

He taps his knuckles on the decommissioned weapons to find pieces he can bring back to his studio and turn into musical instruments.

The 42-year-old is trying to transform these former tools of destruction into vessels of creation, in a region that still bears scars from the 1990s wars that unraveled Yugoslavia.

He has already successfully converted a bazooka and an army gas bucket into a cello, created a guitar out of a Zastava M70 rifle and a Yugoslav army helmet, and assembled a violin from an assault rifle magazine and a first aid kit, among others.

"Guns are all around us. We are so surrounded with destruction that we no longer notice it", said Macura, an assistant professor at Novi Sad Academy of Arts in Serbia's north.

There is a vast supply of material to work with: since the wars, depots selling decommissioned army equipment for pennies have become a common sight around the country.

These graveyards overflow with deactivated guns, bombs and gas masks, as well as combat vehicles, radars and even huge chunks of warplane.

The sculptor's goal is to create a full orchestra that would travel and play throughout the region, with war veterans serving as some of the musicians. "I aim to offer those people who participated in the war a chance to utilize the weapons they used to wage war to create music instead", he said.

He has already recruited veteran and visual artist Srdjan Sarovic, who likes to jam on the guitar made from a rifle and helmet.

"It disappears as a rifle and becomes exclusively a musical instrument. When I hold it in my hands and play it, all I worry about is how to align with the instrument," he told AFP. Macura's next project is turning an army tank into a percussion instrument for five musicians, which he plans to paint pink. "To make an instrument out of a tank, it's the same as making an instrument out of a rifle. Impossible," he laughed.



‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
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‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)

“Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s previous entries.

Projections for the third “Venom” film from Sony Pictures had been closer to $65 million. More concerning, though, was the drop off from the first two “Venom” films. The 2018 original debuted with $80.2 million, while the 2021 follow-up, “Venom: Let There Be Carnage,” opened with $90 million even as theaters were still in recovery mode during the pandemic.

“The Last Dance,” starring Tom Hardy as a journalist who shares his body with an alien entity also voiced by Hardy, could still turn a profit for Sony. Its production budget, not accounting for promotion and marketing, was about $120 million — significantly less than most comic-book films.

But “The Last Dance” is also performing better overseas. Internationally, “Venom: The Last Dance” collected $124 million over the weekend, including $46 million over five days of release in China. That’s good enough for one of the best international weekends of the year for a Hollywood release.

Still, neither reviews (36% fresh on Rotten Tomatoes) nor audience scores (a franchise-low “B-” CinemaScore) have been good for the film scripted by Kelly Marcel and Hardy, and directed by Marcel.

The low weekend for “Venom: The Last Dance” also likely ensures that superhero films will see their lowest-grossing year in a dozen years, not counting the pandemic year of 2020, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

Following on the heels of the “Joker: Folie à Deux” flop, Gross estimates that 2024 superhero films will gross about $2.25 billion worldwide. The only upcoming entry is Marvel’s “Kraven the Hunter,” due out Dec. 13.

Even with the $1.3 billion of “Deadpool & Wolverine,” the genre hasn’t, overall, been dominating the way it once did. In 2018, for example, superhero films accounted for more than $7 billion in global ticket sales.

Last week’s top film, the Paramount Pictures horror sequel “Smile 2,” dropped to second place with $9.4 million. That brings its two-week total to $83.7 million worldwide.

The weekend’s biggest success story might have been “Conclave,” the papal thriller starring Ralph Fiennes and directed by Edward Berger (“All Quiet on the Western Front”). The Focus Features release, a major Oscar contender, launched with $6.5 million in 1,753 theaters.

That put “Conclave” into third place, making it the rare adult-oriented drama to make a mark theatrically. Some 77% of ticket buyers were over the age of 35, Focus said. With a strong opening and stellar reviews, “Conclave” could continue to gather momentum both with moviegoers and Oscar voters.