Ancient Christian Ruins Discovered in Egypt

The ancient Christian structures were found carved into the bedrock at the Tal Ganoub Qasr Al Agouz site in Egypt's Western Desert Bahariya Oasis. (AFP)
The ancient Christian structures were found carved into the bedrock at the Tal Ganoub Qasr Al Agouz site in Egypt's Western Desert Bahariya Oasis. (AFP)
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Ancient Christian Ruins Discovered in Egypt

The ancient Christian structures were found carved into the bedrock at the Tal Ganoub Qasr Al Agouz site in Egypt's Western Desert Bahariya Oasis. (AFP)
The ancient Christian structures were found carved into the bedrock at the Tal Ganoub Qasr Al Agouz site in Egypt's Western Desert Bahariya Oasis. (AFP)

A French-Norwegian archaeological team has discovered new Christian ruins in Egypt's Western Desert, revealing monastic life in the region in the fifth century AD, the Egyptian antiquities ministry said Saturday.

The mission unearthed "several buildings made of basalt, others carved into the bedrock and some made of mud bricks," during its third excavation campaign at the Tal Ganoub Qasr al-Agouz site in the Bahariya Oasis, the ministry said in a statement.

The complex is comprised of "six sectors containing the ruins of three churches and monks' cells", whose "walls bear graffiti and symbols with Coptic connotations", said Osama Talaat, head of Islamic, Coptic and Jewish Antiquities at the ministry.

Mission head Victor Ghica said "19 structures and a church carved into the bedrock" were discovered last year.

The church walls were decorated with "religious inscriptions" and biblical passages in Greek, revealing "the nature of monastic life in the region", Ghica said, according to the statement.

It clearly showed that monks were present there since the fifth century AD, he said, adding that the discovery helped understand "the development of buildings and the formation of the first monastic communities" in this region of Egypt.

The remote site, located in the desert southwest of the capital Cairo, was occupied from the fourth to eighth centuries, with a likely peak of activity around the fifth and sixth centuries, according to the French Institute of Oriental Archaeology (IFAO), in charge of the mission.

Previous excavations undertaken in 2009 and 2013 shed light on subjects including "the production and preservation of wine as well as the husbandry of animals" in a monastic context, according to the IFAO.

Cairo has announced several major new archaeological discoveries in recent months with the hopes of spurring tourism, a sector that has suffered multiple blows, from a 2011 uprising to the coronavirus pandemic.

In February, it said a high-production brewery believed to be more than 5,000 years old had been uncovered at a funerary site in the country's south.

Also last month, an Egyptian-Dominican archaeological mission working near Alexandria said it had discovered mummies from around 2,000 years ago bearing golden-tongued amulets.

In January, Egypt unveiled ancient treasures found at the Saqqara archaeological site south of Cairo, including sarcophagi over 3,000 years old, in a discovery that "rewrites history", according to famed Egyptologist Zahi Hawass.



Milan’s Historic La Scala Cracks Down on Tourist Dress Code

Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
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Milan’s Historic La Scala Cracks Down on Tourist Dress Code

Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)
Milan’s La Scala opera house is an important Italian music institution dating back to the 16th century (Getty Images)

A historic opera house in Milan has cracked down on patrons and tourists entering the prestigious venue wearing summer attire such as shorts, tank tops and flip flops, warning they will be turned away if not dressed appropriately.

The opera was seen as a symbol of wealth and exclusivity in 19th-century high society, and the bourgeois elite of this time period would have been expected to turn up in tailcoats, cravats and long evening dresses, The Independent newspaper wrote on Monday.

While this opulent attire is not expected of patrons nowadays, it said Milan’s Teatro alla Scala opera house, commonly known as La Scala, has recently reinforced its smart dress code in the wake of opera-goers turning up in casual summer fashion.

“The public is kindly requested to dress in keeping with the decorum of the theater, out of respect for the theater and for other viewers,” La Scala’s policy said.

“People wearing shorts or sleeveless T-shirts will not be allowed inside the auditorium; in this case, tickets will not be reimbursed.”

The venue also has signs around the foyer and on tickets stating the same message, warning patrons that they will not get a refund if they turn up wearing clothes not in keeping with the “decorum.”

The rules over informal clothing were first introduced in 2015 when the summer season coincided with the World Expo in Milan, as a way to deter the influx of tourists turning up in summer wear.

“There are no special dress code requirements at La Scala,” a spokesperson at the theater told The Independent. “We are delighted that some of our audience members consider an evening at La Scala to be a special occasion and dress accordingly, but our priority is to welcome everyone and make sure they feel comfortable.

“This is precisely why, in 2015, we introduced restrictions on clothing that could cause discomfort to other audience members who have to share the often limited space of an 18th-century theater.

“With the return of summer (an especially hot one), we reminded the audience of these rules, which have remained unchanged for ten years.

“It would not be right to tell spectators how to dress, but it is necessary that they do dress, as not to cause discomfort to other people,” the spokesperson added.

La Scala’s spokesman added that there had been a “change in behavior led by visitors who do not follow opera but see La Scala as a landmark.”