'Super Mario' Theme Park Opens in Japan

The attraction is part of the existing Universal Studios Japan amusement park in the western city of Osaka. Reuters
The attraction is part of the existing Universal Studios Japan amusement park in the western city of Osaka. Reuters
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'Super Mario' Theme Park Opens in Japan

The attraction is part of the existing Universal Studios Japan amusement park in the western city of Osaka. Reuters
The attraction is part of the existing Universal Studios Japan amusement park in the western city of Osaka. Reuters

Here we go! After months of pandemic delays, Nintendo's first ever theme park, featuring a "Mario Kart" ride in a real-life Bowser's Castle, opened in Japan on Thursday to delighted fans.

The attraction, whose bright, block-like surroundings are straight out of the classic "Super Mario" games, is part of the existing Universal Studios Japan amusement park in the western city of Osaka.

"We perfectly recreated the world of the game.... You'll find life-sized piranha plants and Bowser, and you'll see what it is like to be Mario," said Ayumu Yamamoto, USJ's marketing communication manager.

"It took almost a year longer than we had expected to open this place, and we are really glad," he told reporters at a preview on Wednesday.

The new zone called "Super Nintendo World" had originally been expected to draw big crowds last year ahead of the Tokyo 2020 Olympics, which was also postponed by the coronavirus.

But its launch was pushed back to February, and then delayed again as Japan's government declared a state of emergency in early 2021 to curb spiking cases.

Music from the popular Mario games plays throughout the park and a smartphone-linked wristband allows visitors to collect virtual coins by punching blocks, just like the Italian plumber.

Augmented reality goggles attached to a plastic red visor are used in the "Mario Kart" ride, one of the park's main draws that promises to bring the racing game to life.

The ride follows a track around the foreboding castle of Mario's enemy Bowser, an evil turtle, but each seat has a steering wheel and players can collect and shoot items at opponents.

The zone also boasts a ride based on the cute green dinosaur Yoshi, a Peach's castle, Mario-themed restaurants and lifesize characters from the Mushroom Kingdom.

Fans told AFP they were thrilled about the much-anticipated opening of the park, which cost more than 60 billion yen ($550 million), according to USJ.

"I've been playing Mario since I was a boy. I didn't expect that I could enter the world of Mario, so I'm very excited," said Hiroki Kono, a 19-year-old university student in Osaka.

- 'Waited for this day' -

Office worker Rei Higashimoto, 25, was also delighted about the launch. "I have an annual pass, so I knew this Mario world was being created, and I have waited from one year ago for this day to come," she said.

Similar areas are planned at Universal Studios parks in Orlando and Hollywood.

The first "Super Mario Bros" game came out in 1985 for Nintendo's NES console.

The platform game, in which Mario runs and jumps past obstacles to collect coins and save Princess Peach from the evil Koopa turtles, was based on the "Mario Bros" arcade game released earlier.

Since then, Mario has appeared in myriad formats including games featuring racing, football and golf.

Shigeru Miyamoto, the creator of "Super Mario Bros", took a tour of the park in a promotional video released in December.

"At last, it's complete! It makes a big impression, seeing the park in real life," said Miyamoto, describing himself as Mario's "Dad" as he popped out of a giant green pipe.

"There are smaller activities like the coin block, as well as bigger ones... If you manage to get three keys from various activities, you can take on the final activity -- a battle with Bowser Jr."

"I'm very excited for all of you to experience the park on your own," he added.



Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
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Movie Review: ‘Piece by Piece,’ a Very Odd Lego Doc about Pharrell Williams Snaps Together Somehow

 This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)
This image released by Focus Features shows lego characters voiced by Jay-Z, left, and Pharrell Williams, in a scene from "Piece By Piece." (Focus Features via AP)

A movie documentary that uses only Lego pieces might seem an unconventional choice. When that documentary is about renowned musician-producer Pharrell Williams, it's actually sort of on-brand.

“Piece by Piece” is a bright, clever song-filled biopic that pretends it's a behind-the-scenes documentary using small plastic bricks, angles and curves to celebrate an artist known for his quirky soul. It is deep and surreal and often adorable. Is it high concept or low? Like Williams, it's a bit of both.

Director Morgan Neville — who has gotten more and more experimental exploring other celebrity lives like Fred Rogers in “Won’t You Be My Neighbor?,” “Roadrunner: A Film About Anthony Bourdain” and “Steve! (Martin): A Documentary in Two Pieces” — this time uses real interviews but masks them under little Lego figurines with animated faces. Call this one a documentary in a million pieces.

The filmmakers try to explain their device — “What if nothing is real? What if life is like a Lego set?” Williams says at the beginning — but it's very tenuous. Just submit and enjoy the ride of a poor kid from Virginia Beach, Virginia, who rose to dominate music and become a creative director at Louis Vuitton.

Williams, by his own admission, is a little detached, a little odd. Music triggers colors in his brain — he has synesthesia, beautifully portrayed here — and it's his forward-looking musical brain that will make him a star, first as part of the producing team The Neptunes and then as an in-demand solo producer and songwriter.

There are highs and lows and then highs again. A verse Williams wrote for “Rump Shaker” by Wreckx-N-Effect when he was making a living selling beats would lead to superstars demanding to work with him and partner Chad Hugo — Kendrick Lamar, Justin Timberlake, Snoop Dogg, Busta Rhymes, Gwen Stefani, Missy Elliott and Jay-Z. All those superstars sit for interviews and have hysterically been depicted as Lego minifigures, right down to No Doubt's Adrian Young's mohawk. (Take my money, Lego.)

We also learn something about his wife, Helen, and his anguish over being a solo artist, an opportunity he spurned when it was his for the taking. Ultimately, we learn to understand his futuristic approach to fashion and music. “What I am is a maverick,” he says. No one will question him on that.

The 3D world the filmmakers have made is astonishing, with waves of clear Lego pieces washing up on a beach made of slats of Lego baseplates and Williams' collection of cool beats depicted as bouncing bricks with lights in them. There's Lego McDonald's nuggets, Lego pretzels, singing Lego fish and a Lego Anna Wintour, chilly and haughty in plastic, too.

Lego, while seemingly a restrictive medium — the hands are clips and everyone's walking is robotic since there are no Lego knees — can also, apparently, in the right hands soar, and here they do, with Williams in one gorgeous dream sequence watching the Earth's lights as a distant astronaut. It is when the filmmakers make Lego appear as water and music that are their crowning achievements.

Music credits are notoriously hard to pin down — Williams claims to have created McDonald's notoriously mysterious jingle “I'm lovin' it” — and the filmmakers try to cover any misinformation with a simple disclaimer in the end credits: “Not everything in this film is 100% accurate. For example, Pharrell never went to space.”

There are also some extraordinary moments that snap by but likely took months to make, like a Lego glimpse of the “I Have A Dream” speech by the Rev. Martin Luther King Jr. at the Lincoln Memorial and protest footage from Black Lives Matter figurines shouting “Don’t shoot!”

The documentary lags a little during Williams' way up and rushes the years on top, although recreations of some of the music videos he fueled are too funny. Why he and Hugo broke up is papered over and the filmmakers struggle to find an ending, making several stutter steps.

“I think we're done,” are the last words we hear as the filmmakers finally give up. But they've left behind a trippy, sweet portrait of a genius, forever in building blocks.