Lithuanian Hotels Roll out Red Carpet for Film Festival

Guests pose on the red carpet during the opening ceremony of Vilnius International Film Festival at the Hotel Pacai in Vilnius, Lithuania. (AFP)
Guests pose on the red carpet during the opening ceremony of Vilnius International Film Festival at the Hotel Pacai in Vilnius, Lithuania. (AFP)
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Lithuanian Hotels Roll out Red Carpet for Film Festival

Guests pose on the red carpet during the opening ceremony of Vilnius International Film Festival at the Hotel Pacai in Vilnius, Lithuania. (AFP)
Guests pose on the red carpet during the opening ceremony of Vilnius International Film Festival at the Hotel Pacai in Vilnius, Lithuania. (AFP)

With Lithuania's cinemas still shut due to the pandemic, local movie-lovers will be able to enjoy a cherished film festival in a novel way -- from the comfort of a hotel room.

Organizers of the International Vilnius Film Festival, which began last week, are inviting residents of the capital to check into one of its hotels to watch the films beamed to their rooms.

"The pandemic took a toll on mental health and people need entertainment. It also gives some support to the hard-hit hotel industry," festival CEO Algirdas Ramaska told AFP.

"Some 200 rooms were booked in hotels for an opening night and they are almost sold out for weekends," he said, before greeting guests in dinner jackets and dresses for their tailor-made festival experience.

The hotel rooms are decorated with festival signs and there is a hand-written postcard from the organizers. Prices for the experience, which runs until April, vary from $95 to $350 per night.

Vilnius businesswoman Kristina Sermuksnyte-Alesiuniene said she would visit three different hotels in the coming weeks. "I did not miss a single Vilnius film festival in the last decade and cannot miss this one. And this year it offers once-in-a-lifetime experience," she told AFP in her room, as she settled in to watch the opening ceremony online.

Lithuanian actor Gabija Siurbyte, another festival fan, said the experience will be helpful towards returning to the habit of leaving home to watch movies when the pandemic ends.

"It felt so good to open a wardrobe for a dinner dress and put on heels again," she said at hotel PACAI, a converted 17th-century palace located in the heart of Vilnius's baroque old town.

Last year's edition of the festival had to switch to an online-only format and organizers had been hopeful that the 26th edition in 2021 could be different.

But cinemas in Lithuania have been shut since November.

The festival was opened with "People We Know Are Confused," a drama produced by Dagne Vildziunaite about life in Vilnius as a sign of much needed solidarity. "The feeling is rather strange as we would like to have a usual festival. But we decided to move ahead with the premiere in a show of solidarity to the festival and actors," she told AFP.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."