'Touch of Class' Actor George Segal Dies at Age 87

FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
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'Touch of Class' Actor George Segal Dies at Age 87

FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo

George Segal, the Oscar-nominated actor who sparred with Richard Burton in “Who’s Afraid of Virginia Woolf,” romanced Glenda Jackson in “A Touch of Class” and won laughs in the TV sitcom “The Goldbergs,” has died at the age of 87.

“The family is devastated to announce that this morning George Segal passed away due to complications from bypass surgery,” his wife Sonia Segal said in a statement on Tuesday.

Charming and witty, Segal excelled in dramatic and comedic roles, most recently playing laid-back widower Albert “Pops” Solomon on the comedy series “The Goldbergs.”

“Today we lost a legend,” Adam F. Goldberg, who created the TV series that was based on his own life, wrote on Twitter on Tuesday, Reuters reported.

“It was a true honor being a small part of George Segal’s amazing legacy. By pure fate, I ended up casting the perfect person to play Pops. Just like my grandfather, George was a kid at heart with a magical spark,” Goldberg added.

Segal’s long time manager Abe Hoch said in a statement that he would miss his friend’s “warmth, humor, camaraderie and friendship. He was a wonderful human.”

Segal’s acting career began on the New York stage and television in the early 1960s. He quickly moved into films, playing an artist in the star-studded ensemble drama “Ship of Fools” and a scheming, wily American corporal in a World War Two prisoner-of-war camp in “King Rat” in 1965.

Two years later he earned an Academy Award nomination as best supporting actor in the harrowing, marital drama “Who’s Afraid of Virginia Woolf?” with Burton and Elizabeth Taylor.

“Elizabeth and Richard were the king and queen of the world at that moment and there was a lot of buzz about it,” Segal told The Daily Beast in 2016. “For me, there was a great satisfaction of being involved with it.”

But it was in comedies that Segal cemented his star status in a string of films in the 1970s with A-list directors and co-stars such as Jackson, who won an Oscar for her performance in “A Touch of Class.”

Segal played a lawyer in the 1970 dark comedy “Where’s Poppa” with Ruth Gordon, a gem thief along with Robert Redford in 1972’s “The Hot Rock,” an out-of-control gambler in Robert Altman’s “California Split” and a philandering Beverly Hills divorce attorney in Paul Mazursky’s “Blume in Love” in 1973.

He credited an early appearance on the late-night talk show “The Tonight Show with Johnny Carson” for his switch to comedic roles.

“It was the first time that the people who make movies saw me doing comedy and having this funny interchange with Carson,” Segal told the Orlando Sentinel in 1998.

He said he considered himself lucky in a business that he compared to gambling because you’re always waiting for your lucky number, or a great part, to come up.

He also had a life-long passion for the banjo and performed at New York’s Carnegie Hall in 1981 with his group, the Beverly Hills Unlisted Jazz Band.



Apple's 'F1: The Movie' Roars to Top of US, Canada Box Office

Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
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Apple's 'F1: The Movie' Roars to Top of US, Canada Box Office

Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)
Cast member Brad Pitt attends the "F1: The Movie" European premiere in London, Britain, June 23, 2025. (Reuters)

Apple's high-octane racing film "F1: The Movie" roared to the top of the US and Canadian box office this weekend, fueled by star-power and a finely-tuned marketing campaign, according to Comscore.

The movie, which stars Brad Pitt as a Formula 1 racer who returns to the track after an accident nearly ends his career, brought in $55.6 million in ticket sales in the two countries. That tally edged past the $45 million to $55 million pre-weekend domestic forecast from the Boxoffice Company.

Worldwide receipts topped $88 million, propelled by the sport's strong fan base in Europe and Latin America.

Racing films typically sputter in theaters, according to Daniel Loria, senior vice president of the Boxoffice Company, a theatrical ecommerce and data services firm. The most successful of the genre, the widely acclaimed "Ford v Ferrari," opened to a modest $31 million in November 2019.

"We haven't had that many movies about car racing that have broken through," Loria said. One notable outlier is the "Fast & Furious" action series that expanded beyond its street racing roots to include heists, espionage and an improbable moon shot.

"F1" had several factors weighing in its favor, helping to broaden its appeal beyond racing enthusiasts. The film's director, Joseph Kosinski, brought the same high-intensity cinematic treatment of Formula 1 racing that he lent to the fighter jet sequences in his 2022 movie, "Top Gun: Maverick." Moviegoers who were polled by CinemaScore gave F1 an A rating, signaling their approval.

Netflix's "Formula 1: Drive to Survive" series helped fuel the popularity of Formula 1 racing, particularly in the US Apple also put marketing muscle behind its movie, an Apple Original Films production that Variety reported cost in excess of $200 million to make.

The tech giant touted "F1" during CEO Tim Cook's keynote address at this year's Worldwide Developers Conference and offered a movie discount to iPhone users. Apple Music also amplified the film's soundtrack.

Warner Bros, which marketed and distributed the movie, developed a bespoke campaign that emphasized the participation of Formula 1 world champion Lewis Hamilton in Europe and Latin America, while focusing on Pitt in the US.

"It's very much like a perfectly coordinated pit crew in a race," said Paul Dergarabedian, senior media analyst with Comscore, an information and analytics company. "They shot this thing off the starting line with great success."

"F1" represents the biggest opening weekend for Apple, whose previous cinematic efforts, such as director Martin Scorsese's "Killers of the Flower Moon," garnered critical acclaim but achieved modest results at the box office.

"The film's outstanding debut reflects both the excitement of Formula 1 and the deeply emotional and entertaining story crafted by the entire cast and creative team," Zack Van Amburg, Apple's head of worldwide video, said in a statement.